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I loved the first half of the movie with Roland Emmerich seemingly back to form (from his disastrous "10,000 B.C."). But as the movie drags on, even the smallest character gets his "i have to say goodbye to my loved ones"-scene - which becomes quite annoying after you've watched this for the 5th time in a row. then comes a great destruction scene and then we're back in soap-opera territory. don't get me wrong, basically that can be said about most of Emmerich's movies - they are just popcorn cinema - leave your brain at the ticket counter. still, i enjoyed the likes of "Independence Day" or even "The Day After Tomorrow". But the one thing, he can't do properly is "good"-emotional cinema - which works fine in some of his other movies when his pathos-laden, goofy dialogue writing doesn't get in the way of the big explosions - it fit's, makes them funnier to a point. unfortunately this doesn't work for 2012. if somebody could actually cut this movie down to 90minutes running time, i'd even be lining up for a second ticket.
*** This review may contain spoilers ***
Yes, I walked out on this movie, 20 minutes before the ending. I've
seen lots of films that were crapper, but this one was so damn
aggravating. And unfortunately I went to see it by myself, so I
couldn't relieve the tension by turning to a friend to say 'I HATE this
film and want these characters TO DIE'.
To start with the okay things first - some of the disaster sequences were hugely excessive and brilliantly creative in their way (9 or 10 out of 10), it's ambitious in size, and the cast was mostly good. I enjoyed the comic Russians, even though they were clichéd. I've enjoyed slightly silly disaster films in the past, like Knowing and The Day After Tomorrow, so I try not to take a snob attitude towards them.
Now for some of why I HATED this - *SPOILERS* * Other people have commented on the 'heroes' (ie the dysfunctional white family) escaping every disaster at the last moment, more unbelievably than Indiana Jones ever did. While everyone else screams & falls down, continents literally move across the globe for this family's convenience! This is amusing once or twice, but then just gets silly. The emotional problem with this is that you can then only take this as being enjoyable action-comedy. But at the same time BILLIONS OF PEOPLE ARE BEING KILLED (there's no gore, but it's clear everyone on the planet is violently killed), and then even more amazingly you are meant to care whether this dull dysfunctional family gets back together. No, I wanted them DEAD! * This family is AWFUL. Despite the world going to hell, they care for nobody but themselves. They even take their escapes for granted, and all they can give the dying people around them are blank stares and then go back to talking about their personal issues. At least their young girl has the decency to sob once or twice (okay, I take back wanting her dead, but not the others). At a point later in the film, where the mother begs someone to save her kids, I wanted them to ask her what she'd ever done for anyone else's? What a cow. Drown em. * There's nothing wrong with depicting world disaster through the eyes of an ordinary family, but the story isn't actually told through their eyes only, so their importance is never explained. Why am I meant to care? * Did every African-American have to be so bloody noble? EVERY SINGLE ONE? * Having all the non-Americans get the secondary roles left a nasty taste. Because the rule in disaster films is that most of those secondary characters are just there to be killed off. The WORLD is ending, not just the US. But everyone takes orders from the US President, everyone is happy to talk English, and if you're a character from outside the US in this movie, say your prayers. Or rather, don't even bother. * What was the point of filling ships with billionaires? Their money would help build the things, but once everyone else on the planet dies, crusty old billionaires are not only not the best people to hang around with (they're generally not known for their manual labour or scientific skills), but after the world is destroyed so will 99% of their wealth! Their assets will be wiped out. There is no bloody point! A possible plot-line would have involved SOME billionaires bribing their way on board. But boatfuls of them? I have a low opinion of billionaires, but am certain most would be way too smart to think that was a good idea. * This film is kind of insulting to other nations. Even though plenty of US Presidents have been creeps, not all of them have been, and I can accept a heroic US President in a film. BUT, it's insulting to have other world leaders follow him blindly, and have him behave so nobly, going down with his country, while then portraying the Queen of England as one of the loathsome billionaires buying her way out - considering that the Queen Mum made a point of staying in London during the blitz, it's an insult. There's another uncomfortable point where a character expresses exasperation at the type of people they're saving - just as the camera catches sight of a smug middle-eastern billionaire. It comes across as an insult, whether intentional or not, but this film doesn't deserve the benefit of the doubt. Oh, and killing everyone in the Vatican, weird. This kind of mild nastiness could have been fun if the whole film had've been more wicked and bitter, maybe making John Cusack a lovable sleazeball, but no, it has to attempt to pull on our heart-strings too. We are simply meant to love the dull white American family, and want to see them get back together, because Hollywood films take that for granted, and to accept that all African-Americans are amazingly noble, because that's Hollywood being PC.
Where I walked out - started to get the urge when the mother begged the Chinese guard to save her children. Would have loved the Chinese guard (oh look, he speaks English) to explain to her why her family didn't deserve his help in the slightest. Where I did walk out - when one of the noble African-Americans made a god-awful speech about why they should try to save more of those horrid billionaires, that those people deserved a chance to live etc. No, I was not going to let these characters try to regain my sympathy so easily after hours of callous behaviour. And I just knew it would be a matter of minutes before John Cusack's character would attempt something similar, through some heroic action (and the plot synopsis on Wikipedia tells me I was right!).
*** This review may contain spoilers ***
Well what can you say about a disaster movie when the biggest disaster
is the movie it'self. I'm not even sure where to begin summing up this
turd. The bad acting, the corny duologue, the endless clichés, oh yes
and let's not forget the nail biting escapes.
In fact there are so many nail biting escapes made by our heroes I think I will just focus on those. The trouble is i'm not sure which nail biting escape to focus on. The nail biting escape from suburbia, the nail biting escape from Yellow Stone, the nail biting escape from the airport 1, the nail biting escape from airport 2, the nail biting escape from the cargo plane, the nail biting escape from the arc.........etc,etc,etc,etc.
Man what a waste of 3 hours.
*** This review may contain spoilers ***
This truly was a badly constructed movie lacking in imagination and any
shred of humanity. Well, not quite. The humanity was distributed
racially according to current Hollywood standards of what are the
superior and inferior races.
The whites, are generally rather silly or in some cases, outright evil. The chief bad guy is a white adviser to the an idealized President Obama played by Danny Glover who played Danny Glover perfectly. The chief good guys are the president's daughter and black adviser - the latter who is the only character who seems to have some roots in being a human. The others do not.
Instead, they are as stereotyped as any 1930's movie, but with different characteristics more or less. The theme is a rush to board savior ships due to the end of the world about to occur. The occupants of the ships will be few compared to the billions about to die. These lucky few come from two pools - the world 'leaders' and their cronies as well as a few who can buy tickets costing roughly $1,500,000,000 each. Some of the wealthy who've bought their tickets are Arabs. Upon noting this, the *good guy*, the black guy, sneers out something like, "Is this the type of gene pool we wish to preserve?" saying more about the culture of Hollywood than Arab culture.
At one point, a character makes the important point that the savior ships should contain primarily young people who are robust enough to be pioneers and also have the ability to reproduce. Then, a bit later, we see the ancient Queen of England entering the ark ship with her dogs. So much for rational allocation of ark space. In fact, these aren't the only dogs to make it aboard. The film emphasizes in many places how more important it is to save Paris Hilton's dog than any of the humans who are being drowned, ground to a smear, blown up, crushed by avalanches or incinerated. It gleefully shows worshipers gathered at the Vatican to listen to the pope dying as the Vatican crumbles crushing not only them but the pope, the College of Cardinals and others detested by today's Hollywoood. Yet Paris Hilton's dog, getting a good deal of screen time, survives.
The Chinese are uniformly cruel inhuman automatons. The Tibetans are uniformly Highly Evolved Spiritual Beings. The whites are, as I said earlier, either idiots behaving like no human would possibly behave or pure evil who surely deserve to die along with the Roman Catholics, the Arabs, and the billions of others who aren't worthy.
To give one of many examples of how idiotic and unrealistic the white humans are here, the main character finds his ex wife now seriously involved with a new guy. During the course of their escapades, the new guy dies horribly. The ex wife, not being a Highly Evolved Tibetan or soulful black, pays no mind to her lover's death but instead just flips back, without a second's hesitation, to mating up with the main character.
This movie is pure propaganda and as all propaganda, it tells you more about the issuer of the propaganda than the ones targeted.
If you've seen Independence Day, Titanic, or any recent vintage of the well-worn disaster film genre, you will not be disappointed at all with any of 2012. Its 2.5 hour+ running time moves at a great clip, and there's enough science and pseudoscience running around to give the film a certain of-the-moment wonder and clarity. The many destruction sequences throughout the film are absolutely breathtaking to behold, and one wonders if Roland Emmerich starts every film imagining how he will destroy the White House. Like all of his other films (except for The Patriot) it has big names but no huge names and really is a blast to watch. It has just the right balance of action and melodrama, often, as with all good films of this genre, in the same scene. The audience I watched it with was laughing and cheering throughout, and I'm sure it will be the definitive event movie of the holiday season, critics be damned.
*** This review may contain spoilers ***
Me and my girlfriend expected a lot from this movie, we obviously never
expected it to be a drama masterpiece, but some nice action and
hopefully a story that made somewhat sense.
God were we let down, the action scenes were terrible, of course we know that the hero will make all sorts of getaway moves, but Superman ain't got nothing on this guy.
The movie can pretty much be summed up with.
Terrible dialouge, scene where our hero and his god annoying family get's away just 0.0001 second before it's too late, and then another awful dialouge and nonsense, after where our little superteam decides to land on the middle of what is gonna be the worlds largest volcano, they of course get's away just at the very very last second, let's not forget that a volcano cloud moves at incredible speed, however our hero can of course outrun it in a mobile home down a curvy road.
This goes on and on, I stopped counting the amount of "tense" scenes after 1 hour, but it's retarded, because you know that the good guy and his family are gonna survive, it's obvious and therefore these scenes become retarded and quite boring.
Heck I would have preferred the ex-wife and a kid dying once in a while, it would have given you abit of the "omg are they gonna make it?!" feeling, but it doesn't.
It's an extremely boring movie, there's no "wow nice effects" we've seen it all before, acting is just horrible, of course the bad guy who just shows his loving heart at the end dies, of course our hero's ex-wifes new girlfriend dies a pretty terrible death so we're sure that he'll get his ex back, and of course she forgot everything about her just dead boyfriend 5 minutes after he's dead and starts making out with her hero "what a slut tbh" You really have a terrible taste in movies if you liked this, you gain nothing from seeing it, whatsoever.
It was pretty much inevitable that someone would make a movie based on
all the 2012 hoopla. Nor is it surprising when that someone is disaster
maven Roland Emmerich. His latest effort adheres closely to the formula
established by his earlier films "Independence Day" and "The Day After
Tomorrow"- in other words we get to watch a typically
flawed-but-lovable American family (headed by John Cusack and Amanda
Peet), along with a range of supporting characters, attempt to survive
the end of the world.
That's all there is to the basic plot. The real stars of the film are the truly spectacular special effects. Emmerich really pulls out all the stops and creates some truly awesome set-pieces of destruction. In order to ensure that the main characters have endless perilous situations to escape from, we get to see a bunch of natural and man-made wonders get totaled by Mama Nature. Highlights include Los Angeles falling into the sea, Las Vegas being swallowed by the desert, and the Himalayas being submerged by tidal waves.
Improbable? Definitely. Ridiculous? You bet. But none of that matters since "2012" is exactly the film it was intended to be- a great big popcorn movie that offers big laughs, big thrills, and a lot of good old fashioned fun.
After watching this movie I really needed time to figure out what to
think of it. I heard a lady sharing her first comment to her friend:
'That dog sure was ugly'. What else was there to say? After a while I
The action was truly formidable, demonstrating the power of 'mother nature'. Collapsing buildings, jumping flaming cars, planes falling down and manage to pull up a second before touchdown, it was a real trip and a feast for the eyes and ears.
But then again... the acting wasn't that good, a bit over the top. In one scene in the movie, where every wasted second could be the cause of a terrible disaster, *they* waste their time being...ROMANTIC! At times like that the acting became very juicy, making me think I was watching 'Titanic' instead.
One point of advise: Do not take this movie too seriously. It's almost stuffed with jokes instead of showing us the real drama of an earth that is about to be destroyed. But keep this in mind and you'll have a heck of a 2 hours and 40 minutes(!) in a movie that is made for the cinema.
I could talk about this movie all day, but it already consumed too much of my time. They should have burned the money, and film it, the fire would be a much better show... I really do not want to believe that it is allowed to call this a movie. Shame on all the great actors who participated in this... I wouldn't even say that the effects are stunning, because they are just expensive and they do not serve any purpose. Everything is so pointless. All the "emotional" scenes made me wanna throw up. The lines are... don't know how to describe them. I think that you can hear the "Mister president" line, about a hundred times which is present in every single one of Mr Roland's movies. Music is so cheesy, every now and then the sad strings come up to pump up the heroics of brave individuals, or to make you cry or at least to make you realize the importance of the situation , and all they do is making it even more disgusting and eventually you end up actually wanting the world to end. The box offices keep telling us that this is the way to make a "good" movie and that, my friends, won't be the end of the world, but it will surely be the end of 7th art!
*** This review may contain spoilers ***
The title of this sorry excuse for a movie should be like that..I mean
after watching Curtis family survive every massive disaster
milliseconds before...with making so many jokes and in script gags ( I
swore I thought this was becoming a comedy towards middle while
countless gigantic tragedies supposed to be going on everywhere with
millions dying "The guy is an actor. He is getting paid to read a
script !" ) , scientific nonsense and dismissal of laws of physics (
jumping through massive gaps on the ground with a limo ! , flying with
a two propeller aircraft in front of an exploding super volcano ,
moving a gigantic Antonov plane between collapsing buildings and inside
chasms , cell phones and global network of communications still on
along with GPS and other navigational systems after Earth's magnetic
poles screwed up ) , god awful leaps of logic ( hey listen and follow
what every conspiracy nut says when the end is coming....They might
have a map which shows our survival ) , racial and national stereotypes
for dumb Americans ( "Arab sheiks and their families are not worthy of
saving" implies morally superior scientist hero...WHAT ? Queen of Great
Britain is leaving everyone and saving herself with her dogs , shifty
fat Russian billionaire buffoons can not be trusted but hey their Paris
Hilton like mistresses are hot ! ) , every disaster movie cliché
crammed in ( a dysfunctional American family , dad estranged from wife
and struggling with an menial job but he is a hero , her new boyfriend
is a jerk to be killed , dog survives , family reunited at the end , a
scientist warns everyone with a moral and ethical speech at the end and
gets First Daughter , US President good decent man doing right thing
always and sacrifices himself with his people....STOP STOP TOO MUCH US
PATRIOTISM ALERT )
After watching all of this I went to restroom and threw up....Another case which Hollywood does not make a real production or interested with art of film making anymore but only bothered to create a PRODUCT to be consumed by idiot audience to make money....And it will make money because of the marketing campaign , CGI porn and ignorant masses. Not because script or acting means or worthy of anything. Seriously I respect John Cusack a lot. What happened to this guy ? Why he accepted leading role ? I will not even bother to discuss rest of the cast...They were all terrible one way or another ( except for little actress Lily Morgan ...She was quite talented and acted better than anyone else...Because she acted natural as she supposed to be...not like Woody Harrelson's overbearing absurd conspiracy nut manners
Roland Emmerich has only one or two script and he is using it over and over again with little changes ( except little changes names , characters events and characters are similar with "Independence Day" and "Day After Tomorrow" ) Even he has a different scrips he shows what a terrible director he is....He is just selling a CGI show and you can go to Disneyland instead and get a similar thrill in rollercoasters....
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