Dr. Adrian Helmsley, part of a worldwide geophysical team investigating the effect on the earth of radiation from unprecedented solar storms, learns that the earth's core is heating up. He warns U.S. President Thomas Wilson that the crust of the earth is becoming unstable and that without proper preparations for saving a fraction of the world's population, the entire race is doomed. Meanwhile, writer Jackson Curtis stumbles on the same information. While the world's leaders race to build "arks" to escape the impending cataclysm, Curtis struggles to find a way to save his family. Meanwhile, volcanic eruptions and earthquakes of unprecedented strength wreak havoc around the world. Written by
Jim Beaver <firstname.lastname@example.org>
The character Jackson Curtis is the real name of 50 Cent (Curtis Jackson) backwards. Director Roland Emmerich is a big fan of rapper 50 Cent and wanted to name his lead character after him. See more »
When Curtis drives the Bentley out of the Antonov's cargo hold, he fights to retain control of the vehicle and bring it to a stop. He should be able to see the Antonov and the other driverless cars move away from him in the same direction. Instead, they move away from the plane toward him. See more »
Folks, did you hear that? The authorities in L.A. say there's nothing to worry about. I'd love to see their dumb faces when Malibu and Beverly Hills get sucked into the gurgling maw of the Pacific. Where are they going to plug in their electric cars then? Ha, ha, ha.
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The opening scene of the movie shows the years and events leading up to 2012 (2009...2010...2011). The title card not only states the movie's title, but also seems to indicate, "And in the year 2012..." See more »
If you've seen Independence Day, Titanic, or any recent vintage of the well-worn disaster film genre, you will not be disappointed at all with any of 2012. Its 2.5 hour+ running time moves at a great clip, and there's enough science and pseudoscience running around to give the film a certain of-the-moment wonder and clarity. The many destruction sequences throughout the film are absolutely breathtaking to behold, and one wonders if Roland Emmerich starts every film imagining how he will destroy the White House. Like all of his other films (except for The Patriot) it has big names but no huge names and really is a blast to watch. It has just the right balance of action and melodrama, often, as with all good films of this genre, in the same scene. The audience I watched it with was laughing and cheering throughout, and I'm sure it will be the definitive event movie of the holiday season, critics be damned.
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