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A frustrated writer struggles to keep his family alive when a series of global catastrophes threatens to annihilate mankind.

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4 wins & 20 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Alexandre Haussmann ...
Alec
Philippe Haussmann ...
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Storyline

Dr. Adrian Helmsley, part of a worldwide geophysical team investigating the effect on the earth of radiation from unprecedented solar storms, learns that the earth's core is heating up. He warns U.S. President Thomas Wilson that the crust of the earth is becoming unstable and that without proper preparations for saving a fraction of the world's population, the entire race is doomed. Meanwhile, writer Jackson Curtis stumbles on the same information. While the world's leaders race to build "arks" to escape the impending cataclysm, Curtis struggles to find a way to save his family. Meanwhile, volcanic eruptions and earthquakes of unprecedented strength wreak havoc around the world. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Plot Synopsis

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Who will be left behind? See more »


Motion Picture Rating (MPAA)

Rated PG-13 for intense disaster sequences and some language | See all certifications »

Parents Guide:

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Details

Official Sites:

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Release Date:

13 November 2009 (USA)  »

Also Known As:

2012: An IMAX Experience 3D  »

Filming Locations:

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Box Office

Budget:

$200,000,000 (estimated)

Opening Weekend:

£6,489,809 (UK) (13 November 2009)

Gross:

$166,112,167 (USA) (19 February 2010)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

The doomsday theory sprung from a Western idea, not a Mayan one. Mayans insisted that the world would not end in 2012. The Mayans had a talent for astronomy, and enthusiasts found a series of astronomical alignments they said coincided in 2012. Once every 640,000 years, the sun lines up with the center of the Milky Way galaxy on the winter solstice, the sun's lowest point in the horizon. The last time that happened was on December 21, 2012, the same day the Mayan calender expired. The modern doomsday myth was bolstered by several ostensibly scientific reasons for a disaster, including a pole shift, the "return" of Planet X or the Sun's sinister counterpart Nemesis, a galactic, planetary, or other celestial alignment, global warming, global cooling, a massive solar flare, or a new ice age. None had any basis in respected science. For example, the "galactic alignment" between the sun, Earth, and galactic center happens every December. The best alignment was reached in the 1990s, and was accompanied by its own set of doomsday theories. Alignments since then have been increasingly poor. See more »

Goofs

When Curtis drives the Bentley out of the Antonov's cargo hold, he fights to retain control of the vehicle and bring it to a stop. He should be able to see the Antonov and the other driverless cars move away from him in the same direction. Instead, they move away from the plane toward him. See more »

Quotes

Scotty: It's been upgraded to a 10.9 by the guys at Harvard.
Adrian Helmsley: What does Caltech have to say?
Professor West: The whole city of Pasadena was wiped out just a few minutes ago.
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Crazy Credits

The opening scene of the movie shows the years and events leading up to 2012 (2009...2010...2011). The title card not only states the movie's title, but also seems to indicate, "And in the year 2012..." See more »

Connections

Features The Shining (1980) See more »

Soundtracks

Fades Like a Photograph
Written by Richard Patrick, Harald Kloser and Thomas Wanker
Produced by Richard Patrick
Performed by Filter
See more »

Frequently Asked Questions

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User Reviews

 
Classic Emmerich, You will get what you pay for.
9 November 2009 | by (United States) – See all my reviews

If you've seen Independence Day, Titanic, or any recent vintage of the well-worn disaster film genre, you will not be disappointed at all with any of 2012. Its 2.5 hour+ running time moves at a great clip, and there's enough science and pseudoscience running around to give the film a certain of-the-moment wonder and clarity. The many destruction sequences throughout the film are absolutely breathtaking to behold, and one wonders if Roland Emmerich starts every film imagining how he will destroy the White House. Like all of his other films (except for The Patriot) it has big names but no huge names and really is a blast to watch. It has just the right balance of action and melodrama, often, as with all good films of this genre, in the same scene. The audience I watched it with was laughing and cheering throughout, and I'm sure it will be the definitive event movie of the holiday season, critics be damned.


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