Dr. Adrian Helmsley, part of a worldwide geophysical team investigating the effect on the earth of radiation from unprecedented solar storms, learns that the earth's core is heating up. He warns U.S. President Thomas Wilson that the crust of the earth is becoming unstable and that without proper preparations for saving a fraction of the world's population, the entire race is doomed. Meanwhile, writer Jackson Curtis stumbles on the same information. While the world's leaders race to build "arks" to escape the impending cataclysm, Curtis struggles to find a way to save his family. Meanwhile, volcanic eruptions and earthquakes of unprecedented strength wreak havoc around the world. Written by
Jim Beaver <email@example.com>
The doomsday theory sprung from a Western idea, not a Mayan one. Mayans insisted that the world would not end in 2012. The Mayans had a talent for astronomy, and enthusiasts found a series of astronomical alignments they said coincided in 2012. Once every 640,000 years, the sun lines up with the center of the Milky Way galaxy on the winter solstice, the sun's lowest point in the horizon. The last time that happened was on December 21, 2012, the same day the Mayan calender expired. The modern doomsday myth was bolstered by several ostensibly scientific reasons for a disaster, including a pole shift, the "return" of Planet X or the Sun's sinister counterpart Nemesis, a galactic, planetary, or other celestial alignment, global warming, global cooling, a massive solar flare, or a new ice age. None had any basis in respected science. For example, the "galactic alignment" between the sun, Earth, and galactic center happens every December. The best alignment was reached in the 1990s, and was accompanied by its own set of doomsday theories. Alignments since then have been increasingly poor. See more »
The Antonov AN-225's flight range is 15,400 kilometers, more than enough to reach China from Las Vegas. Considering the panic on the ground, the plane may not have been fully fueled when it left. See more »
The opening scene of the movie shows the years and events leading up to 2012 (2009...2010...2011). The title card not only states the movie's title, but also seems to indicate, "And in the year 2012..." See more »
I went to an advance screening of 2012 a few nights ago and I have to admit that this movie was entertaining at best and that's it. The whole movie is almost entirely comprised of special effects. Of course you'll see all of the lead characters survive scenarios that a regular human being would not. Some of the scenes are so ridiculously unbelievable that you want to laugh at the fodder that's being expected of you to believe. Emmerich certainly pushes "suspension of disbelief" to its limit.
John Cusack and Woody Harrelson are the only actors that attempt to hold the film together, while Danny Glover and Thandie Newton were an utter and complete let-down considering their previous work history. You won't see any remotely Oscar-worthy performances here. The casting of this film seemed off and poorly executed. You could tell the bulk of the financial budget went to the special effects and not the actors.
The thing that I found thoroughly disappointing about 2012 is that it's almost entirely lacking of any interesting backstory or intellectual substance whatsoever. There's very little mention of the Mayan calendar, Mayan history, or any of the prophetic wisdom that has foreseen the supposed end of days. The fear, analysis, curiosity, and everything else you've ever wondered about this new mysterious year that is quickly approaching is almost entirely removed from this film. That would have and could have made this film closer to a 10 if I didn't feel like my brain was utterly wasted on this CGI and special effects bonanza. They try to cram so many explosions, eruptions, earthquakes, and natural disasters into two hours that I might be a little desensitized to the real thing if it ever happens. After awhile nothing felt realistic or interesting about it at all.
It's novelty entertainment at best and that's it. You won't wince at how painfully awful this movie is, and you won't walk away knowing anything meaningful about 2012, but hopefully you'll help repay Sony pictures for the exorbitant amount of money that they and Roland Emmerich spent on their special effects budget. Don't say you weren't warned.
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