| Julia McKenzie | ... | Miss Marple | |
| Rose Heiney | ... | Gladys | |
| Laura Haddock | ... | Miss Grosvenor | |
| Kenneth Cranham | ... | Rex Fortescue (as Ken Cranham) | |
| Thea Collings | ... | Tilly | |
| Lucy Cohu | ... | Pat Fortescue | |
| Rupert Graves | ... | Lance Fortescue | |
| Matthew Macfadyen | ... | Inspector Neele | |
| Edward Tudor-Pole | ... | Professor Bernsdorrf (as Edward Tudor Pole) | |
| Ralf Little | ... | Sergeant Pickford | |
| Helen Baxendale | ... | Mary Dove | |
| Ken Campbell | ... | Crump | |
| Anna Madeley | ... | Adele Fortescue | |
| Joseph Beattie | ... | Vivian Dubois | |
| Wendy Richard | ... | Mrs Crump | |
| Ben Miles | ... | Percival Fortescue | |
| Liz White | ... | Jennifer Fortescue | |
| Hattie Morahan | ... | Elaine Fortescue | |
| Paul Brooke | ... | Billingsley | |
| Chris Larkin | ... | Gerald Wright | |
| Prunella Scales | ... | Mrs Mackenzie | |
| Rachel Atkins | ... | Sanatorium Sister | |
| rest of cast listed alphabetically: | |||
| Greg Bennett | ... | Police Constable | |
| Andrew Care | ... | Doctor (uncredited) | |
Directed by | |||
| Charlie Palmer | (as Charles Palmer) | ||
Writing credits | ||
| Agatha Christie | (novel) | |
| Kevin Elyot | (screenplay) | |
Original Music by | |||
| Dominik Scherrer | |||
Cinematography by | |||
| Cinders Forshaw | (director of photography) | ||
Film Editing by | |||
| Matthew Tabern | |||
Production Design by | |||
| Jeff Tessler | |||
Art Direction by | |||
| Miranda Cull | |||
| Nic Pallace | |||
Costume Design by | |||
| Andrea Galer | |||
Makeup Department | |||
| Alison Elliott | .... | hair designer | |
| Alison Elliott | .... | makeup designer | |
| Julie Kendrick | .... | makeup artist | |
| Marc Pilcher | .... | makeup artist | |
| Lucy Samworth | .... | makeup artist | |
Production Management | |||
| Kate Stannard | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Sean Clayton | .... | second assistant director | |
| Paul Judges | .... | first assistant director | |
| Danielle Somerfield | .... | third assistant director | |
Art Department | |||
| Tim Bonstow | .... | props buyer | |
| Fred Foster | .... | stand-by construction | |
| Tone Gibbs | .... | dressing props (as Tony Gibbs) | |
| Paul Gilpin | .... | supervising art director | |
| Jim Grindley | .... | prop master | |
| Richard MacMillan | .... | stand-by props (as Richard Macmillian) | |
| Paul Mitchell | .... | stand-by props | |
| Robert Muskett | .... | stand-by construction (as Bob Muskett) | |
| Spencer Robertson | .... | stand-by art director | |
| Mike Syson | .... | dressing props | |
| Gus Wookey | .... | construction manager | |
| Naomi Moore | .... | assistant production buyer (uncredited) | |
| Craig Price | .... | prop storeman (uncredited) | |
Sound Department | |||
| John Downer | .... | supervising sound editor | |
| Sarah Morton | .... | dialogue editor | |
| Ashley Reynolds | .... | boom operator | |
| Andrew Sissons | .... | sound recordist | |
| Nigel Squibbs | .... | re-recording mixer | |
| Simon Epstein | .... | foley editor (uncredited) | |
Special Effects by | |||
| Graham Longhurst | .... | special effects coordinator | |
Stunts | |||
| Tom Lucy | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Andrew Banwell | .... | focus puller (as Andy Banwell) | |
| Paul Donachie | .... | camera operator | |
| Ben Gibb | .... | clapper loader | |
| Woody Gregson | .... | clapper loader | |
| Nathan Mann | .... | focus puller | |
| David Mills | .... | camera trainee: dailies | |
| Rupert Morency | .... | assistant grip | |
| Ronan Murphy | .... | grip | |
| Adam Walker | .... | electrician | |
| Gavin Walters | .... | gaffer | |
| Peter Wing | .... | best boy | |
Casting Department | |||
| Susie Parriss | .... | casting | |
Costume and Wardrobe Department | |||
| Miranda King | .... | costume supervisor | |
| Sarah Pasricha | .... | costume assistant (as Sara Pasricha) | |
| Nadine Powell | .... | assistant costume designer | |
| Diana Wyand | .... | costume assistant | |
Editorial Department | |||
| Chris Beeton | .... | colorist | |
| Simon Giblin | .... | on-line editor | |
| Amar Ingreji | .... | assistant editor | |
Music Department | |||
| Richard Hammarton | .... | composer: additional music (as Richard Hammerton) | |
Transportation Department | |||
| David Grose | .... | transportation captain (uncredited) | |
Other crew | |||
| Julie Burnell | .... | production executive | |
| Natalie Cheary | .... | publicist | |
| Sue Hills | .... | script supervisor | |
| Faiza Hosenie | .... | production coordinator | |
| Hannah Ireland | .... | production secretary | |
| Ben Newman | .... | script editor | |
| Caroline Russell | .... | production accountant | |
| Joanna Sanders | .... | assistant production accountant | |
| Patrick Smith | .... | publicist | |
| Mark Walledge | .... | assistant location manager | |
| Tracey Waller | .... | title design | |
| Chris White | .... | location manager | |
| Donna Mabey | .... | production coordinator (uncredited) | |
| Robin Pim | .... | location manager (uncredited) | |
Thanks | |||
| Ken Campbell | .... | in memory of: 1941 to 2008 | |
| Wendy Richard | .... | in memory of: 1943 to 2009 (as Wendy Richard MBE) | |
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| The Mirror Crack'd | Agatha Christie's Miss Marple: A Pocket Full of Rye | Agatha Christie Marple: The Murder at the Vicarage | Murder Ahoy | Marple: Ordeal by Innocence |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section |
A Pocket Full of Rye was hugely enjoyable, and a definitive improvement over the other recent Marples with Geraldine McEwan. I will admit I was worried, after how poorly Nemesis and Sleeping Murder were adapted. Julia McKenzie, though she could have done with more screen time, was terrific as Jane Marple. While Joan Hickson is the definitive Marple, MacKenzie fitted the part much better than Geraldine McEwan. When I picture Miss Marple I picture a wise and clever woman, exactly how Joan Hickson portrayed her, and MacKenzie actually manged to stay true to the character of the books too. As for the adaptation itself, I admit I haven't read the book, it was beautifully filmed, and the music was good too. The acting is very fine, from Kenneth Cranham, Prunella Scales, Rupert Graves to the late Wendy Richard, and are careful not to overshadow MacKenzie as she clearly enjoys herself here, and as the series develops as I do hope it will, she will develop too. The story is very clever, and the final solution with a couple of red herrings along the way, is very unpredictable, I was left gob smacked when I found out who the murderer really was. And I never realised Sing A Song Of Sixpence had such an ominous feel to it, and it ws put to good use here. All in all, hugely enjoyable, and a definitive improvement on the Geraldine McEwan outings. 10/10 Bethany Cox