A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
Pepas's lover, Iván, leaves her and she tries to contact him to find out why he's left. In her search for Iván, she confronts his wife and son, who are as clueless as she is. Meanwhile; ... See full summary »
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard, is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient, the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget. Written by
The film was the first collaboration in 21 years between Almodóvar and Banderas since Tie Me Up! Tie Me Down! (1990). See more »
When Ledgard's colleagues come to his mansion to perform the operation, one of them arrives in the Mercedes-Benz E class coupe which came into production in 2010. But the operation took place in 2006. Vicente wrote after the operation dates from 2006 on the wall of his room. See more »
Help me with the dumbwaiter.
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The credits are rolling as I type this, and my opinion may change upon further meditation, but at the present moment, I cannot think of a better film I've seen in my entire life.
This film is equal parts "The Piano Teacher" and "Serbian Film." It is deeply unsettling, profound, and beautifully executed.
I have to admit that my expectations were lowered by Antonio Banderas' involvement and the plot (allegedly) involving a surgeon trying to do something or other. It sounded like a tame, modern, artsy reinvention of "Eyes Without A Face." I suppose that film is a part of its heritage, but The Skin I Live In is much more engaging and unsettling.
I'm not going to take the time to organize my thoughts into a proper five-paragraph format. If you like disturbing stuff, and / or if you are a film snob, this is top-shelf. There's really nothing better out there.
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