A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A woman's lover leaves her, and she tries to contact him to find out why he's left. She confronts his wife and son, who are as clueless as she. Meanwhile her girlfriend is afraid the police... See full summary »
When it appears as though the end is in sight, the pilots, flight crew, and passengers of a plane heading to Mexico City look to forget the anguish of the moment and face the greatest danger, which we carry within ourselves.
Kika, a young cosmetologist, is called to the mansion of Nicolas, an American writer to make-up the corpse of his stepson, Ramon. Ramon, who is not dead, is revived by Kika's attentions and... See full summary »
Leo Macias writes sentimental novels with great success but hidden under a pseudonym, Amanda Gris. She is unhappy with her professional life and with her husband, a soldier working in ... See full summary »
A girl's mother returns after 15 years to find her daughter has married one of her (the mother's) old boyfriends. They try to mend their broken mother/daughter relationship and deal with ... See full summary »
In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard, is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient, the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget. Written by
The film was the first collaboration in 21 years between Almodóvar and Banderas since Tie Me Up! Tie Me Down! (1990). See more »
When Vera comes to the clothes shop in a taxi, the taxi is very clearly a Ford C-Max. However, in the next shot, when the reflection of the car is visible in the window pane as it drives away, it's a Volkswagen Jetta. See more »
Help me with the dumbwaiter.
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The credits are rolling as I type this, and my opinion may change upon further meditation, but at the present moment, I cannot think of a better film I've seen in my entire life.
This film is equal parts "The Piano Teacher" and "Serbian Film." It is deeply unsettling, profound, and beautifully executed.
I have to admit that my expectations were lowered by Antonio Banderas' involvement and the plot (allegedly) involving a surgeon trying to do something or other. It sounded like a tame, modern, artsy reinvention of "Eyes Without A Face." I suppose that film is a part of its heritage, but The Skin I Live In is much more engaging and unsettling.
I'm not going to take the time to organize my thoughts into a proper five-paragraph format. If you like disturbing stuff, and / or if you are a film snob, this is top-shelf. There's really nothing better out there.
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