A brilliant plastic surgeon, haunted by past tragedies, creates a type of synthetic skin that withstands any kind of damage. His guinea pig: a mysterious and volatile woman who holds the key to his obsession.
A teacher lives a lonely life, all the while struggling over his son's custody. His life slowly gets better as he finds love and receives good news from his son, but his new luck is about to be brutally shattered by an innocent little lie.
Thomas Bo Larsen,
In honor of his late wife who died in a flaming car accident, scientist, Dr. Robert Ledgard, is trying to synthesize the perfect skin which can withstand burns, cuts or any other kind of damage. As he gets closer to perfecting this skin on his flawless patient, the scientific community starts growing skeptical and his past is revealed that shows how his patient is closely linked to tragic events he would like to forget. Written by
In one scene Dr. Ledgard is shown working on a bonsai tree. Bonsai is the art of creating spectacularly twisted dwarf trees, contrary to their natural patterns, by manipulating their nutrition, growing conditions and with ruthless pruning. This mirrors his ongoing experiment with Vera. See more »
When Ledgard's colleagues come to his mansion to perform the operation, one of them arrives in the Mercedes-Benz E class coupe which came into production in 2010. But the operation took place in 2006. Vicente wrote after the operation dates from 2006 on the wall of his room. See more »
Help me with the dumbwaiter.
See more »
A tour de force, as Almodóvar plunges into new philosophical depths
In his latest film Almodóvar takes a qualitative jump into new philosophical depths. His usual reflections on the nature of relationships and the consequence of one's actions take on a well- defined shape and advance forward with self-assurance.
The order in which the events of the story are told is a cunning device that allows the director to make us reflect on how superficially - indeed, skin-deep - we perceive reality and how quick we are to judge first impressions and jump to conclusions. What we first perceive one way, those initial scenes that slightly baffle us but which we nevertheless do not hesitate to judge in a specific way, take on a completely new meaning when the story pauses to take us back into the past in order to tell us about an important series of events that happened at the time which bear a direct relation to present events. The new light that is shed on the present changes completely our perception of the story as we had first witnessed it, which is a humbling experience. We are then taken back again to the present and continue watching the rest of the film, but with this completely new understanding of the real underlying motivations for the characters' actions. It is at this point that through a slight thriller-style twist in the plot the story takes on a Shakespearean dimension as it delivers its powerful humanist lesson that vengeance begets vengeance.
Food for thought, in fact enough food to last you days and feed other people, as you are left on the one hand wondering at the concept of skin: what we actually desire when we desire someone, whether all desire is skin-deep, whether the skin does not allow us to see the person behind. And on the other hand you are left with the reflection on how the road of vengeance leads only to self-destruction. When a film leaves you pondering so deeply, I can only conclude it is a great film.
72 of 106 people found this review helpful.
Was this review helpful to you?