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Pandorum (2009)
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Overview
User Rating:
Your Rating:
Director:
Writers (WGA):
Release Date:
25 September 2009 (USA)
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Tagline:
Don't fear the end of the world. Fear what happens next.
Plot:
A pair of crew members aboard a spaceship wake up with no knowledge of their mission or their identities. Full summary » | Full synopsis »
NewsDesk:
(490 articles)
Cam Gigandet Exclusive Interview at Comic-Con; Talks Priest, Twilight, and Says He’s Been Cast in Trespass Along with Nicolas Cage
(From Collider.com. 26 July 2010, 10:00 PM, PDT)
Priest Comic-Con Trailer
(From ShockYa. 24 July 2010, 10:08 PM, PDT)
San Diego Comic-Con 2010: Holy Smokes! Dig on the Trailer for Priest
(From Dread Central. 24 July 2010, 1:16 AM, PDT)
(From Collider.com. 26 July 2010, 10:00 PM, PDT)
Priest Comic-Con Trailer
(From ShockYa. 24 July 2010, 10:08 PM, PDT)
San Diego Comic-Con 2010: Holy Smokes! Dig on the Trailer for Priest
(From Dread Central. 24 July 2010, 1:16 AM, PDT)
User Reviews:
Better than Event Horizon and Ghost Ship combined
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Cast
(Cast overview, first billed only)| Dennis Quaid | ... | Payton | |
| Ben Foster | ... | Bower | |
| Cam Gigandet | ... | Gallo | |
| Antje Traue | ... | Nadia | |
| Cung Le | ... | Manh | |
| Eddie Rouse | ... | Leland | |
| Norman Reedus | ... | Shepard | |
| André Hennicke | ... | Hunter Leader | |
| Friederike Kempter | ... | Evalon | |
| Niels-Bruno Schmidt | ... | Insane Officer 'Eden' | |
| Asia Luna Mohmand | ... | Child Hunter | |
| Delphine Chuillot | ... | Young Bower's Mother | |
| Wotan Wilke Möhring | ... | Young Bower's Father | |
| Julian Rappe | ... | Young Bower | |
| Domenico D'Ambrosio | ... | Wounded Officer 'Eden' |
Additional Details
Also Known As:
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MPAA:
Rated R for strong horror violence and language.
Parents Guide:
Runtime:
108 min
Language:
Color:
Aspect Ratio:
2.35 : 1 See more »
Sound Mix:
Certification:
USA:R (certificate #45512) | Ireland:16 | Canada:13+ (Quebec) | Canada:14A (British Columbia/Manitoba/Ontario) | Canada:18A (Alberta) | Philippines:R-13 (MTRCB) | Germany:16 | South Korea:18 | Singapore:NC-16 | UK:15 | Hong Kong:IIB | Netherlands:16 | Norway:18 (self applied) | Mexico:B15 | France:-12 | Finland:K-15 | Brazil:14 | Singapore:M18 (Blu-ray disc rating) | Japan:PG12 | Australia:MA (2010) | New Zealand:R16 | Ireland:15 (DVD rating)
Filming Locations:
Company:
Fun Stuff
Trivia:
The movie was originally planned to be shot on video as a low-budget feature for $200,000, in an abandoned paper mill with unknown actors until Impact Pictures read the script and showed interest. Writer Travis Milloy never thought it would be considered as a studio production because of its dark tone.See more »
Goofs:
Continuity: This occurs near the beginning of the film. After Bower wakes up, he begins pounding on Payton's suspended animation tube with his fists. However, when the camera angle switches to the inside of the pod, the name "BOWER" can clearly be seen (reversed through the clear glass of the chamber).See more »
Quotes:
[first lines]
Recorded Voice:You're all that's left of us. Good luck, God bless, and God's speed.
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Recorded Voice:You're all that's left of us. Good luck, God bless, and God's speed.
See more »
Movie Connections:
Featured in "Angela and Friends: Episode #1.64" (2010)See more »
FAQ
Will there be a sequel to this film?A Note Regarding Spoilers
How much sex, violence, and profanity are in this movie?
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See more (178 total) »
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Echoing such luminous sci-fi classics as 2001 and Alien, Pandorum is a terrific psychological thriller, although it does struggle at times to be coherent and original. But it's a true mindbender, and it's packed with action that moves so quickly neither the actors nor the audience can really catch a breath, which is a good move if your plot is shaky to begin with.
As with the best deep-space movies, the context is mental illness, what the Professor on Gilligan's Island called, oddly enough, "island madness." Only in space. In the distant, distant future, a ship has been sent from the Earth carrying a lot of people, headed to the only Earth-like planet ever found. Sometime during the journey, things go awry. We pick up the story as an astronaut named Bower (Ben Foster) awakens from hypersleep, abruptly; he's soon followed by his commanding officer, Payton (Dennis Quaid). The rest of the crew is gone, and the only door is locked from the outside. What's happened here? Making matters more difficult is the amnesia that each man suffers from, owing to their having been in hypersleep way longer than intended. Somehow, they must piece together what has happened and find out what lies behind that door - and throughout the rest of the gigantic ship.
Not only does the movie recall Aliens and 2001, you can also see similarities to The Descent and The Abyss; really, any movie in which people are trapped in claustrophobic environs. And although the pacing is frenetic at times, the movie is really chillingly shot (by Wedigo von Schultzendorff). On the one hand, the plot flows linearly - Bower needs to get to the ship's reactor so he can reboot it and save everyone - meaning that the actors race from scene to scene, running out of time. On the other hand, they don't piece together what's happened as quickly as they might in other, lesser films; they seem to figure things out gradually, as if assembling a puzzle in their heads. Bowers and others - and there are others - discover right away, though, that they're not really alone on the ship and that their enemies are extremely strong and fast and vicious.
Injected into this oh-my-goodness-what's-out-there madness is, well, madness. The movie's title is explained as being a sort of mental illness that affects astronauts from time to time, when they just plain go bonkers for seemingly no reason and kill everyone on board. Is that's what's happening here? Is Bower the crazy one? Or is it Payton? Are they, in fact, alone on the ship? Foster is excellent as the hero who remembers a little bit more of their mission as time elapses; Quaid, in turn, shows a few more layers than we're accustomed to seeing from him (he's usually more of a poor man's Harrison Ford). Both actors turn in convincing, full-throated performances that complement, rather than succumb to, the special effects and cinematic wizardry. Often, the effects are the entire show. Now, it's true that you won't see a lot of character development here, as you might in the most cerebral of sci-fi, but what works best here is the paucity of knowledge about the situation and the characters. By spinning the tale gradually, feeding the audience only a snippet at a time, director Christian Alvart dangles the mystery in front of his viewers without allowing them to settle back and solve the mystery on their own. When you're constantly kept on your toes with sudden lurches of unseen shapes and reverberating noises, you - like the befuddled characters - are concurrently kept off balance. The result is an unsettling, entertaining delight.