| Cillian Murphy | ... | John / Emma Skillpa | |
| Ellen Page | ... | Maggie | |
| Susan Sarandon | ... | Fanny Crill | |
| Josh Lucas | ... | Officer Tom McGonigle | |
| Bill Pullman | ... | Edmund French | |
| Graham Beckel | ... | Connor Black | |
| Keith Carradine | ... | Mayor Ray Crill | |
| Eden Bodnar | ... | Louise Sternberg | |
| Chris Carlson | ... | Neil | |
| Flynn Milligan | ... | Jake | |
| Virginia Newcomb | ... | Doris | |
| Jaimi Paige | ... | Wanda | |
| Nathan Christopher | ... | Cal | |
| Richard Latch | ... | Mack | |
| Tate Hustedt | ... | Brian Sternberg | |
| Tory Schaefer | ... | Will | |
| Craig Michael | ... | Ron Sternberg | |
| Scott Schulte | ... | Priest | |
| Peter Gregory Thomson | ... | Senator Wyatt | |
| Michael Rosner | ... | Motel Manager | |
| Paul Cram | ... | Kenny | |
| Erin Stover | ... | Mother at Shelter | |
| Bethany Larson | ... | Driver | |
| Emily Dooley | ... | Glenda | |
| John Paul Gamoke | ... | Mr. Clapp | |
| Bridget de vos Vaudt | ... | Mother #1 | |
| Mark Burk | ... | Foreman | |
| Harrison Pike | ... | Boy | |
| Brian Foyster | ... | Guy in Bar | |
| rest of cast listed alphabetically: | |||
| Bradley Steven Perry | ... | Young John Skillpa (voice) | |
Directed by | |||
| Michael Lander | |||
Writing credits(WGA) | ||
| Michael Lander | (written by) & | |
| Ryan O Roy | (written by) (as Ryan Roy) | |
Produced by | |||
| Brian Bell | .... | line producer | |
| Nicole Brown | .... | executive producer | |
| Neal Dusedau | .... | associate producer | |
| Nathan Kahane | .... | executive producer | |
| Kelli Konop | .... | co-producer | |
| Barry Mendel | .... | producer | |
| Jeannine Claudia Oppewall | .... | associate producer (as Jeannine Oppewall) | |
| Ryan O Roy | .... | co-producer (as Ryan Roy) | |
Original Music by | |||
| Brian Reitzell | |||
Cinematography by | |||
| Philippe Rousselot | (director of photography) | ||
Film Editing by | |||
| Sally Menke | |||
| Jeffrey M. Werner | |||
Casting by | |||
| Richard Hicks | |||
| David Rubin | |||
Production Design by | |||
| Jeannine Claudia Oppewall | (as Jeannine Oppewall) | ||
Art Direction by | |||
| Anthony Dunne | |||
Set Decoration by | |||
| David Schlesinger | |||
Costume Design by | |||
| Suttirat Anne Larlarb | |||
Makeup Department | |||
| Patricia Almeida | .... | hair department head | |
| Annemarie Bradley | .... | hair stylist: S. Sarandon | |
| Barney Burman | .... | eyebrow covers: C. Murphy | |
| Fabian Garcia | .... | hair department head: New York | |
| Frances Hannon | .... | hair designer: C. Murphy | |
| Frances Hannon | .... | makeup designer: C. Murphy | |
| Andrea Politte | .... | assistant hair stylist | |
| Wynona Price | .... | makeup assistant | |
| Susan Reilly LeHane | .... | makeup artist: S. Sarandon | |
| Nena Smarz | .... | makeup artist: C. Murphy | |
| Nena Smarz | .... | makeup department head | |
| Amanda Williams | .... | key hair (as Amanda M. Williams) | |
| Leo Won | .... | makeup department: New York | |
Production Management | |||
| Sharon C. Dietz | .... | unit production manager | |
| Larry Ferguson Jr. | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Tanit Lee Lascelles | .... | additional second second assistant director | |
| Jeffrey Lazar | .... | first assistant director | |
| Scott Lazar | .... | second assistant director | |
| Jason Rody | .... | second second assistant director | |
Art Department | |||
| Jill Alexander | .... | set decorating assistant | |
| Mark Baty | .... | signwriter | |
| Chris Bevauns | .... | muralist (as Christina Warren) | |
| Kenneth Bryant | .... | leadman | |
| Kent Carlson | .... | carpenter | |
| Peter John Casey | .... | art department assistant (as Peter Casey) | |
| Nick Ciarimboli | .... | set dresser | |
| Chris Cleek | .... | set designer | |
| Alan Cohee | .... | carpenter | |
| Matthew Goodrich | .... | carpenter | |
| Malcolm Greeley | .... | construction foreman | |
| Gary Guttenfelder | .... | carpenter | |
| Bill Hamilton | .... | set dresser | |
| Gary Happ | .... | carpenter | |
| Maren M. Hopkins | .... | props production assistant (as Maren Hopkins) | |
| Anne Hyvarinen | .... | charge scenic | |
| Hanna Leih | .... | scenic/painter (as Hannah Leih) | |
| Elijah Lueders | .... | muralist (as Eli Lueders) | |
| Gabriel Lueders | .... | scenic/painter (as Gabe Lueders) | |
| A. Russell McGlothlen | .... | set dresser | |
| Gordon McVay | .... | second set dresser | |
| Andy Mentzer | .... | scenic/painter | |
| Andrea Metzler | .... | set dresser | |
| Lyvan A. Munlyn | .... | scenic journeyman (as Lyvan Munlyn) | |
| Tyler Osman | .... | construction coordinator | |
| Jose Pavon | .... | property master | |
| Jason Pirtle | .... | set dresser | |
| Sarah Regan | .... | on-set painter | |
| Robin Richesson | .... | storyboard artist | |
| Jamie Royster | .... | carpenter | |
| Pablo Sison | .... | muralist | |
| Christine Sysko | .... | on-set dresser | |
| Steve Sysko | .... | set dresser | |
| Selina van den Brink | .... | art department coordinator | |
| Richard W. Van Oel | .... | scenic/painter (as Rick Van Oel) | |
| Michael W. Volz | .... | scenic gang boss (as Michael Volz) | |
| Derek J.W. Wybourn | .... | assistant property master (as Derek Wybourn) | |
| Christine Youngstrom | .... | art department researcher | |
Sound Department | |||
| Barney Cabral | .... | supervising sound editor | |
| Mark DeSimone | .... | adr mixer: New York | |
| Don Digirolamo | .... | sound re-recording mixer | |
| David S. DiPietro | .... | adr mixer | |
| David S. DiPietro | .... | sound recordist | |
| Richard Dwan Jr. | .... | supervising dialogue editor | |
| Frazier Eades | .... | boom operator | |
| Kurt Kassulke | .... | sound re-recording mixer | |
| Trevor Metz | .... | sound effects editor | |
| Stacey Michaels | .... | foley mixer | |
| Beauxregard Neylon | .... | adr mixer | |
| Aynee Osborn | .... | sound editor | |
| Jan Petrov | .... | adr recordist | |
| Perry Robertson | .... | supervising sound editor | |
| Noah Timan | .... | sound mixer: New York | |
| Noel Vought | .... | foley artist | |
| Dan Wesson | .... | boom operator: New York | |
| Kevin Zimmerman | .... | first assistant sound editor | |
Special Effects by | |||
| Ken Gorrell | .... | special effects coordinator | |
| Skylar Gorrell | .... | special effects technician | |
| James Topel | .... | special effects technician | |
| Russell Tyrrell | .... | special effects foreman | |
Visual Effects by | |||
| Benjamin H. Bernard | .... | visual effects artist | |
| Patrick Clancey | .... | digital opticals | |
| Michael Dillon | .... | digital intermediate assistant producer | |
| Gus Duron | .... | digital opticals editor | |
| Edward Heede | .... | digital effects artist | |
| Andrew Lewitin | .... | visual effects | |
| Ken Locsmandi | .... | visual effects supervisor | |
| Tamar Shaham | .... | visual effects coordinator | |
| Jeremy Shuback | .... | digital artist | |
| Michael Joseph Warren | .... | visual effects artist | |
| Victor Tang | .... | researcher (uncredited) | |
Stunts | |||
| Jared Burke | .... | precision driver | |
| Douglas Crosby | .... | stunt coordinator | |
Casting Department | |||
| Joey Cee | .... | casting assistant | |
| Megan Fleming | .... | casting assistant | |
| Ann Wilkinson | .... | local casting | |
Costume and Wardrobe Department | |||
| Traci Feuerbach | .... | additional costumer | |
| Rachael Ohman | .... | key set costumer | |
| Lenore Pemberton | .... | assistant costume designer | |
| Emma Potter | .... | wardrobe supervisor | |
| Alyssa Shipley | .... | wardrobe assistant | |
| Rebecca Trout | .... | stitcher | |
| Liz Vastola | .... | costume assistant | |
| Carole Zacek | .... | stitcher | |
Editorial Department | |||
| Paul Allia | .... | telecine colorist | |
| Bradford L. Dean | .... | first assistant editor | |
| Curtis Lindersmith | .... | digital intermediate editor | |
| Yvan Lucas | .... | colorist: Efilm | |
| Eric McClain | .... | telecine colorist | |
| Christian Prejza | .... | digital intermediate producer: EFILM | |
| Tom Reiser | .... | colorist assist: Efilm | |
| Adam M. Weber | .... | editorial production assistant | |
| Jim Passon | .... | color timer (uncredited) | |
Transportation Department | |||
| Curtis Wade Anderson | .... | driver | |
| Frank Killen | .... | driver | |
| Carla Klein | .... | driver | |
| John McLaughlin | .... | transportation coordinator | |
| Chris Musick | .... | driver: honeywagon | |
| Aaron Pigg | .... | driver | |
| Ken Smith | .... | transportation co-captain | |
| Jonathan Wensel | .... | generator operator/driver | |
Thanks | |||
| Sally Sue Beisel | .... | special thanks (as Sally Sue Beisel-Lander) | |
| Sarah Caplan | .... | special thanks | |
| Greg Crauso | .... | special thanks | |
| Mark Dziak | .... | special thanks | |
| Brian Foyster | .... | special thanks | |
| Mike Gabrawy | .... | special thanks | |
| John Cameron Mitchell | .... | special thanks | |
| Todd Portugal | .... | special thanks | |
| Mary Ellen Woods | .... | special thanks | |
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| All Good Things | Munich | Persepolis | Shadow of a Doubt | Milk |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Just saw this down at one my favorite local internet theaters and I can tell you that this is definitely one of Cillian Murphy's top performances.
Of course, Murphy was brilliant in 28 Days Later and downright creepy in Batman Begins but his turn as John Skillpa, a young man apparently tormented by years and years of child abuse, shows the truer depths of his acting range.
I'm pretty sure this feature will be well overlooked by the Academy Awards, but it shouldn't be as far as I'm concerned as Murphy and the rest of a well picked cast shine in nearly every scene. To be honest, however, I wasn't thrilled with Ellen Page's performance but I believe she did a capable job in the role she played.
Keith Carradine and an almost unrecognizable Bill Pullman are the other actors of note besides, of course, the pushy but sensitive Fanny Crill played by Susan Sarandon.
What I can tell you, without spoiling the film, is that it's set in a not too distant rural America where the oddities of life must be kept well hidden for one to survive.
What is genuinely fresh and interesting though is how the mind of John Skillpa chooses to handle the forced revealing of a secret he's kept under wraps for quite some time in a quiet house where no one would suspect there was anything out of order.