A few months ago Hannah Sloan (Fairuza Balk) was in a horrible car accident, leaving her son Daniel in an extended coma. With hopes of putting their recent tragedy behind them Hannah and ...
See full summary »
2AM, closing time: A cocky bar manager with a shady past and a young handsome bartender discover a beautiful woman bloodied and unconscious in the bathroom of a late night lounge. When she ... See full summary »
Battle Scars examines the war experience as well as the wrenching change many veterans face on returning home. Luke Stephens (Zane Holtz) shows up on his brother Nicky (Ryan Eggold)'s ... See full summary »
Criminal psychiatrist, Jake Nyman is taking a much needed vacation from responsibility. An experimental road trip during which ever decision will be made on a flip of a coin. Meanwhile, ... See full summary »
This is the story of how the music business was transformed in the 1980s by like-minded musicians who decided to self-publish their work. They formed a "network" before the internet or email made it commonplace.
A few months ago Hannah Sloan (Fairuza Balk) was in a horrible car accident, leaving her son Daniel in an extended coma. With hopes of putting their recent tragedy behind them Hannah and her husband Graham (Greg Bryk), move into their recently purchased farm home. Suffering extreme feelings of guilt and responsibility for her son's condition, Hannah turns to her prescribed anti-depressants to bring her comfort. Soon after moving in to their new home Hannah begins witnessing strange and mysterious occurrences causing Graham to become increasingly converned with the quantity of medications that Hannah is taking. Is Hannah losing her mind, or are there supernatural forces at work? Written by
Grindstone Road is one of those forgettable but not altogether bad ghost story flicks that are about a dime a dozen. I say "ghost story" instead of "horror" because I don't think there's anything anyone would find even remotely scary going on here, but it still manages to worm it's way into what most people would consider a horror flick. Hey...if you can pass off The Messengers as a horror flick then the sky's wide open.
The movie starts with our protagonist Hannah (Balk) having a flashback to a car accident that left her son in a coma. Now you might be tempted to think the accident is why Balk looks so awkward throughout the rest of the film, but then you remember that she's always looked that way. I swear, it looks like someone slammed a tennis ball into her mouth and she just left it there. It's really borderline distracting. Ugh. Oh...and a side note...when going to visit your vegetable son in the hospital it's probably bad form to wear high-heeled hooker boots. Kinda makes it look like you're not really that interested. Just a thought. Anyway...moving on.
After becoming painfully aware of the movie's subplot (the accident and ensuing drama) via way too many flashback sequences, we see Balk and her husband move out to the country to start over...which seems weird because their kid isn't really dead, he's just comatose. Way to be great parents. Long story short the new house plays tricks on Hannah's mind (but only her...how predictable) and her husband starts to think she's nuts until all is made clear in an ending so anti-climactic and out of left field you'll wonder what the hell the last hour and twenty minutes were about. I mean, it all ties together and you saw it coming, but it still seems pretty lame and off topic.
The cast isn't bad and the director does a good job of making the house as creepy as possible, but the movie just never really gets to where it wants to go. Or maybe it does and I just didn't care. Either way I'd say this is a fair bet if you've got nothing better to do/watch. Might not be a bad way to waste a Sunday afternoon. Then again, that can be said for a whole lot of movies that aren't very good.
24 of 46 people found this review helpful.
Was this review helpful to you?