Story centers on a battle during China's Warring States Period, a series of civil wars, which spanned from the 5th to the 3rd century B.C. Based on a popular Japanese manga, which was in turn based a Japanese novel inspired by Warring States history in China.
Donnie Yen (Iron Monkey, Wing Chun) returns in this semi-sequel to the martial arts masterpiece. This time, Donnie takes on the persona of the legendary Iron Monkey, as he fights corrupt warlords in war-torn China.
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Action-packed as usual with Donnie Yen kicking his adversaries in the role of "Beggar Su". Basic plot revolves around a young Beggar Su getting addicted to opium and manipulated by a ... See full summary »
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Can a kingdom change its nature? Yan, one of the Ten Kingdoms, is constantly at war. Yan's emperor dies from a battle wound and a general's treachery. His successor is unclear: his daughter Feier, who would be the kingdom's first empress; his favorite, Xuehu, a warrior of noble heart but not noble blood; and, Hu Ba, the ambitious traitor. Xuehu is Feier's protector and teaches her how to be a warrior queen. Hu's followers plot her failure, first in a kidnapping plot, then in a coup. Feier is saved from the kidnap attempt by Duan Lanquan, an ingenious hermit with a shrouded past. He treats her wound and gives her a vision of a different kind of kingdom. Can his dream become hers? Written by
I guess a new Hong Kong trend is emerging. I recall that as a kid, there was the Mr Vampire movie, which spawned a slew of Chinese vampire movies in its wake. Then there was John Woo's A Better Tomorrow, which gave birth to a whole lot of brotherhood-amongst-thieves themed films. And then there was Once Upon A Time in China, which brought about a renaissance in martial arts movies based on historical or beloved fictional folk heroes. These days, we're living in the Warring period era, where we have a fixation with armour, and more armour, thanks to movies like The Myth, Battle of Wits, The Warlords, Curse of the Golden Flower, and more to come with Battle of Red cliff, and Three Kingdoms: Resurrection of the Dragon.
An Empress and The Warriors continue this trend, based on the state of Yan which is under constant warring with the state of Zhao. The titular characters here are Yen Feier (Kelly Chen) who becomes empress after the assassination of her Emperor father, and because of the unhappiness of rival generals over the appointment of Donnie Yen's General Muyong Xuehu as heir to the throne. So he refuses to partake in any more political schemes, and throws his support behind his childhood friend and unrequited love of his life, whose relationship with her is made even more complex as he has to train her to become a warrior, ala Mulan, in montage style.
And no thanks to her scheming cousin Wu Ba (Guo Xiao-Dong) who tries his very best in sowing discord amongst the court / generals, in order to see his ambition of sitting on the throne through. Another assassination attempt on the life of Feier, and we're introduced to the other Warrior from the title, Duan Lan-Quan (Leon Lai), who in actual fact looks like and lives like an Eastern Robin Hood, on a set that looks a complete rip off from Robin Hood: Prince of Thieves. The inevitable romantic tangle between single beautiful princess and good looking doctor begins, and begs the question whether she still remembers her pledge to put country first.
In truth, there are many elements here from the Robin Hood folklore, besides the set, with the bows and arrows, ambush cum assault which was thankfully well done in keeping up the tempo, and a fight sequence atop floating logs that drew inspiration from Robin vs Little John. The romantic angle though was quite unnatural and unfortunately felt very forced, and bogged down the entire movie, with Feier in a dilemma choosing between two potential beaus, and each of them having reason to hold a candle for her. I was half expecting Bryan Adams to come belting out his hit single, but we're treated to a duet by the two leads (who are singers by the way), in what I believe could have a chance to top the mando-pop charts.
Action wise, you've got to leave it to Donnie Yen to deliver the goods. Alas, there's nothing too different here with the war battle sequences, as it again borrows heavily from its peers, in particular, Stanley Tong's The Myth (in fact, too much and too direct a reference), and cut down one too many horses (none were harmed of course). Yen did seem rather stiff under all that heavy metal, and there isn't any single fight sequence that stood out during battles, except perhaps for that token same-screen sharing scene with Leon Lai, or that flight into the forest (yet another nod in the direction of A Touch of Zen).
All that's left of this movie that's worth mentioning, are the beautiful, intricately designed suits of armour, so much so that even Leon Lai has a full suit just to aesthetically please the movie's poster, and the cinematography, credit due to Zhao Xiao-Ding, who also lensed House of Flying Daggers and Curse of the Golden Flower.
An Empress and the Warriors turned out to be a movie that's neither here nor there - a weak romance and a weak war action movie, and its storyline, which at times confounds because of its implausibilities in character motivation and loopholes, all add up to making this an average movie at best.
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