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Directed by | |||
| David Mackenzie | |||
Writing credits(WGA) | ||
| Jason Dean Hall | (screenplay) (as Jason Hall) | |
| Jason Dean Hall | (story) (as Jason Hall) & | |
| Paul Kolsby | (story) | |
Produced by | |||
| Anthony Callie | .... | executive producer | |
| Jason Goldberg | .... | producer | |
| Jason Dean Hall | .... | associate producer | |
| Ron Hartenbaum | .... | executive producer | |
| Aaron Kaufman | .... | executive producer | |
| Elliot Kaufman | .... | associate producer | |
| Paul Kolsby | .... | executive producer | |
| Douglas Kuber | .... | executive producer | |
| Ashton Kutcher | .... | producer | |
| John Limotte | .... | executive producer | |
| Mark Moran | .... | line producer | |
| Peter Morgan | .... | producer | |
| Karyn Murphy | .... | associate producer (as Karyn Spencer Murphy) | |
| Myles Nestel | .... | executive producer | |
Original Music by | |||
| John Swihart | |||
Cinematography by | |||
| Steven Poster | |||
Film Editing by | |||
| Nicholas Erasmus | |||
Casting by | |||
| Richard Hicks | |||
| David Rubin | |||
Production Design by | |||
| Cabot McMullen | |||
Set Decoration by | |||
| Beth Wooke | |||
Costume Design by | |||
| Ruth E. Carter | |||
Makeup Department | |||
| Tracey Levy | .... | makeup department head | |
| Anthony Miner | .... | hair stylist | |
| Rhonda O'Neal | .... | key hair stylist | |
| Nina Paskowitz | .... | hair department head | |
| Leah Vautrot | .... | key makeup artist | |
Production Management | |||
| J.M. Logan | .... | post-production supervisor | |
| Brian Tanke | .... | unit production manager | |
| Nancy Valle | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Christopher S. Bryson | .... | first assistant director | |
| Irina Bryson | .... | key second assistant director | |
| Todd Havern | .... | additional second assistant director | |
| Terrence B. Zinn | .... | second second assistant director | |
Art Department | |||
| Camellia Cox | .... | graphic designer | |
| Andrew Guinn | .... | props assistant | |
| Dallas Richard Hallam | .... | assistant property master | |
| Jason E. Hatfield | .... | props | |
| Ty Jones Jr. | .... | set dresser | |
| Sasha Kanno | .... | art department coordinator | |
| Ben Lewis | .... | property master | |
| Vince Luizzi | .... | set dresser | |
| Sara Petersen | .... | art department assistant | |
Sound Department | |||
| Steve Blazewick | .... | sound utility | |
| Sean Byrnes | .... | sound utility | |
| Mark DeSimone | .... | adr mixer: New York | |
| William Jacobs | .... | sound effects editor | |
| William Jacobs | .... | sound effects recordist | |
| Nicholas James | .... | dialogue editor | |
| Robert Lowe | .... | boom operator | |
| Coleman Metts | .... | production sound mixer | |
| Jason Oliver | .... | adr recordist | |
| Steve Pederson | .... | sound re-recording mixer | |
| Mark Purcell | .... | sound recordist | |
| Chris Reynolds | .... | additional re-recording mixer | |
| Brad Sherman | .... | sound re-recording mixer | |
Visual Effects by | |||
| Mandy Arnold | .... | digital artist | |
| David Cole | .... | digital colourist | |
| Donnie Creighton | .... | digital intermediate producer | |
| Ryan Helsley | .... | digital intermediate producer | |
| Sadie D. Johnson | .... | digital intermediate assistant producer | |
| Vincent Lavares | .... | data manager: Laser Pacific | |
| Bruce Mann | .... | digital artist | |
| Michael S. Pryor | .... | visual effects producer: Laser Pacific | |
Casting Department | |||
| Sande Alessi | .... | extras casting | |
| Kristan Berona | .... | extras casting | |
| Joey Cee | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Anton Schneider | .... | personal costumer | |
| Kara Stanford | .... | costumes | |
| Marta Villalobos | .... | costumer | |
Editorial Department | |||
| Scott Hatcher | .... | first assistant editor | |
| Jason Auerbach | .... | assistant editor (uncredited) | |
| Lance Spindler | .... | color timer (uncredited) | |
Music Department | |||
| William Jacobs | .... | music editor | |
| Brian H. Kim | .... | composer's assistant | |
| Elizabeth Miller | .... | music supervisor | |
Transportation Department | |||
| Collin Butrum | .... | transportation captain | |
| Shawn Coulter | .... | transportation coordinator | |
| David Oppenheim | .... | picture car coordinator | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
This film is about a guy who seduces women in order to live from them. He was a parasite who didn't even had a job in his whole life. I think that the producers didn't take advantage of ideas like these (Even if there was too little to take advantage in the first place).
A friend of mine rented it and told me that this was a comedy. Even in this site is advertised as a "sex comedy". The result was the most insipid movie in the history of film making. But even if it was a drama, it would have been awful too. It wasn't focused, there weren't any concrete ideas in this film and painfully lacks direction. I was bored to tears right pass the middle. The movie went nowhere and it's a shame because it had potential to be a decent comedy, but the directors and producers didn't have a clue of what they were trying to make.
The acting was bad, but the awful script and direction were the real trouble here, so I will be a little less hard about the actors and actresses. What is intolerable is the way they portrayed women. This was the most sexist movie I've ever seen by far. It was actually far worse than Iron Man, which I think had the first place in objectifying women before I saw this one. Some of the characters were successful women with good jobs, lots of money, pretty houses, etc. and you might think that they are strong, independent and self confident enough to be smart when it comes to relationships. The fact is that this movie shows us those women as miserable persons that had such a low self esteem and self respect to fall for the (unlikeable) protagonist of this film. They support Kutcher's character beyond reason, even if he violated their thrust. I know that there dumb people in the world, but this was too much.
This film would receive a lot more attention for its offensive style towards women if it wasn't incredibly boring. The fact that it is almost unwatchable is enough to make it a disposable film. The final "redemption" was poor too. Overall, this film led to one question: why would a normal person wear suspenders all the time?. Stay away at all cost.