9 user 30 critic

Nights and Weekends (2008)

Unrated | | Drama | 10 October 2008 (USA)
A man and woman must face the tension that builds between them during a long-distance relationship.


(screenplay), (screenplay)
2 nominations. See more awards »



Learn more

People who liked this also liked... 

Comedy | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 5.6/10 X  

Hannah is a recent college graduate interning at a Chicago production company. She is crushing on two writers at work, Matt and Paul, who share an office and keep her entertained. Will a ... See full summary »

Director: Joe Swanberg
Stars: Greta Gerwig, Kent Osborne, Andrew Bujalski
LOL (2006)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 4.8/10 X  

The relationships of three men are examined through their use of technology.

Director: Joe Swanberg
Stars: Joe Swanberg, C. Mason Wells, Kevin Bewersdorf
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 4.7/10 X  

Raw. Honest. Naked. "Kissing on the Mouth" is post-college life in close-up. Ellen is sleeping with her ex-boyfriend while trying to ignore the fact that he's looking for more than just sex... See full summary »

Director: Joe Swanberg
Stars: Kate Winterich, Joe Swanberg, Kevin Pittman
Drama | Romance
    1 2 3 4 5 6 7 8 9 10 5.1/10 X  

An ensemble drama about a married actress, her sister and their myriad sexual and creative temptations.

Director: Joe Swanberg
Stars: Jess Weixler, Justin Rice, Barlow Jacobs
Funny Ha Ha (2002)
Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  

Marnie just graduated from college, drinks likes she's still in school, and is looking for a temporary job but a permanent boyfriend. She loves a guy who doesn't love her (?), ping-pongs ... See full summary »

Director: Andrew Bujalski
Stars: Kate Dollenmayer, Mark Herlehy, Christian Rudder
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Two strangers' paths crisscross as they make their way toward Canada.

Director: Rod Webber
Stars: Rod Webber, Greta Gerwig, Joseph James Bellamy
Uncle Kent (2011)
    1 2 3 4 5 6 7 8 9 10 5.1/10 X  

A pothead kid's show cartoonist in Los Angeles spends a weekend trying to sleep with his visiting house guest - a woman from New York who he met on Chatroulette.

Director: Joe Swanberg
Stars: Kevin Bewersdorf, Megan Daalder, Jennifer Daley
    1 2 3 4 5 6 7 8 9 10 6.3/10 X  

Jane Adams is an actress living in a house precariously perched above the beach in Malibu. Her age exempts her from more and more acting opportunities. That's when her young, ... See full summary »

Director: Joe Swanberg
Stars: Jane Adams, Sophia Takal, Kent Osborne
Art History (2011)
    1 2 3 4 5 6 7 8 9 10 5.2/10 X  

Sam (Joe Swanberg) has feelings for Juliette (Josephine Decker), the lead actress in a sexually explicit drama centered on a couple's one night stand. He must maintain a professional ... See full summary »

Director: Joe Swanberg
Stars: Josephine Decker, Kent Osborne, Joe Swanberg
Baghead (2008)
Comedy | Drama | Horror
    1 2 3 4 5 6 7 8 9 10 6/10 X  

Four struggling actors retreat to a cabin in Big Bear, California in order to write a screenplay that will make them all stars. Problem is: What happens when their story idea -- a horror ... See full summary »

Directors: Jay Duplass, Mark Duplass
Stars: Ross Partridge, Steve Zissis, Greta Gerwig
Yeast (2008)
    1 2 3 4 5 6 7 8 9 10 5.5/10 X  

A maddeningly oblivious, tyrannical and emotionally stunted young woman tries her best to negotiate two toxic friendships.

Director: Mary Bronstein
Stars: Mary Bronstein, Ignacio Carballo, Greta Gerwig
    1 2 3 4 5 6 7 8 9 10 5.6/10 X  

A young actress is cast as the lead in a werewolf film which leads to many unexpected consequences in her life.

Director: Joe Swanberg
Stars: Kate Lyn Sheil, Ti West, Amy Seimetz


Cast overview:
Alison Bagnall ...
Elizabeth Donius ...
James' brother's wife
James' brother
Mattie's sister's boyfriend
Mattie's sister
Ellen Stagg ...


A man and woman must face the tension that builds between them during a long-distance relationship.

Plot Summary | Plot Synopsis




Unrated | See all certifications »

Parents Guide:



Official Sites:



Release Date:

10 October 2008 (USA)  »

Also Known As:

Noce i weekendy  »

Filming Locations:

Box Office

Opening Weekend:

$2,902 (USA) (10 October 2008)


$2,902 (USA) (10 October 2008)

Company Credits

Production Co:

Show detailed on  »

Technical Specs



See  »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

Mumblecore with Ken and Barbie
14 October 2008 | by (Berkeley, California) – See all my reviews

The name itself of this school of film-making, "mumblecore," is so despised, the Voice writer, Nick Pinkerton, refused to use it in reviewing this movie and substituted "postgraduate naturalism." That, too, is a put-down ; it suggests mature work is yet to come. But I think maybe we should take this stuff on its own merits and give it credit for being expressive and representative and something new and different, even if it pales in comparison to great cinema. What doesn't? Yes, it's youthful, and in some ways unambitious. Isn't that an expression of the zeitgeist? It is valid in its own way and this is a good example of it, unlike others.

'Night and Weekends' purports to depict in a naturalistic but highly selective style a year and a half of the long-distance relationship of a semi-fictional 20-something couple. They are James and Mattie, and they are played by the filmmakers, Joe Swanberg and Greta Gerwig, respectively.

Reading reviews of this movie when you're wondering if you want to see it can be horrifying. Some of the notices are favorable and even affectionate, but the many that aren't are absolutely excoriating. One enters the auditorium with grave doubts. But in hindsight it's almost encouraging the way the critics attack the protagonists as people, finding them jejune, self-absorbed, uninteresting, etc. Whether that means Swanberg and Gerwig have put it across--or only that nobody believes in the fiction that they're being anyone but just themselves--may not even mater. But such reactions show how difficult it is for some to judge such a film. 'Nights and Weekends' is neither documentary nor fiction, nor yet quite a clever blending of the two. There's hardly much detachment when two filmmakers are shooting themselves up close almost exclusively in relation to each other. They're guilty of intimacy, even if it's staged. They're guilty of taking a long look at themselves, even though they scarcely know who they are. But where this movie succeeds is in evanescent moments of raw, scarcely defined feeling.

Some of the other films of this school feature more numerous casts of less good-looking people and more talk. Swanberg and Gerwig are a presentable couple, depicted in bright color with good lighting. In this not unpleasant but not very atmospheric format the movie shows their out of town sojourns, sex, posing in mirrors, experimentation with a pay photo booth--and their conversations, which, judged by literary standards appear to involve a range of ideas from A to B and a 200-word vocabulary. He's tall, solid, puckish, chin-whiskered; she's a cute, insecure bottle blond with a nice smile and tons of self-absorption to go with her occupation: writer. Together, with minimal narrative and limited dialogue, their surfaces depict them as a life-size Ken and Barbie who talk like young 21st century white middle class Americans. He has designed some kind of video game software that's depicted as having a good future.

Clearly Swanberg and Gerwig have something going on that's not acting. They do a lot of kissing; his is particularly sweet and spontaneous. And they do some screwing, which is more spontaneous than erotic. But they've made a movie out of this. It's not "them." Is the pouting and fighting? Are the filmmakers a real couple--or former couple? Is the real couple's relationship ending, or is this a foreshadowing of its ending, a 'what if'? But the encounters aren't intense enough to make one worry one way or the other. And that's okay, because what one gets is contemporary relationship texture. The feel of the everyday.

How "real" and how invented the scenes are is unknowable. The movie opens with apparently successful sex when she arrives in Chicago (they strip each other fast on the floor; he's visibly aroused). At the end they're in his hotel room in Manhattan where he's come for some kind of job thing and the sex fizzles. Scenes fade to voice-over, cut to slip forward in time to a new place and time and obviously the cutting governs the audience's sense of the relationship and the people.

Critics have found this effort notably unworthy of comparison with Cassavetes. But Cassavetes' naturalistic, improvised classics, with their much more elaborate narratives and back-stories and their much more self-conscious and actor-y performances, are something entirely different anyway. 'Nights and Weekends' has qualities other films don't have. But they also have none of the poetry and cinema allusion of the Nouvelle Vague, nor the control and elegance of true minimalism: this time cutting doesn't mean calculation, structure, hardly even editing, though it does mean controlling what we get to see of the couple's interactions.

And maybe what they all mean is this:

The relationship won't last. As Mattie says in one speech, they have to do something. She doesn't say it, but one of them must move. Since he has business in New York, that might be Joe. But since things go awkwardly on their last, New York, meeting, maybe it's just going to end. The ending leaves us hanging. It's just another raw cut. No poetry, no finality, just a few tears.

Yet some viewers when I attended were audibly very pleased and found much of the happenings on screen funny and true.

My first reaction with mumblecore is a sigh of relief--it's not so bad; it could have been worse. Cassavetes' films, however much richer, can be tedious and painful watching and nothing seems more theatrical than actors being naturalistic. Swanberg and Gerwig are scarcely actors. They're just two people good at ignoring the camera even when it's right in their faces. They're more like 'models,' which is what porn filmmakers call their actors. Reservations and condescension aside, though, this movie conveys some of the most raw and essential aspects of living in a long-distance relationship that I've ever seen. Ken and Barbie are an Everyman and Everywoman for this painful and and frustrating and sometimes beautiful experience.

23 of 36 people found this review helpful.  Was this review helpful to you?

Contribute to This Page

Create a character page for: