7.3/10
182
2 user 9 critic

Improvvisamente l'inverno scorso (2008)

A couple engage in discussions with people on the street, politicians and religious leaders about the discrimination against gays and lesbians in Italy.
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3 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Gustav Hofer ...
Himself
Luca Ragazzi ...
Himself
Frank Dabell ...
Narrator (English version)
Veronica Pivetti ...
Narrator (Italian version)
Rest of cast listed alphabetically:
Paola Binetti ...
Herself
Rocco Buttiglione ...
Himself
Franco Grillini ...
Himself
Barbara Pollastrini ...
Herself
Cesare Salvi ...
Himself
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Storyline

In 2006, a general election in Italy gave a slim majority to a center-left coalition that promised legislation to provide civil unions and other rights to gay couples. In 2007, the government proposed a piece of moderate legislation, "diritti di coppie conviventi" (rights for cohabiting couples) or DICOs; it's quickly clear they face tough sledding in the Senate. Luca Ragazzi and Gustav Hofer, a couple for eight years, with camera in hand, follow the Senate proceedings weekly, seek interviews with politicians, attend anti-DICO rallies, and ask questions of persons in the street. The focus includes the meaning of family and Italy's implicit union of church and state. Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Plot Keywords:

italy | senate | politician | gay | camera | See All (56) »

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Documentary

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June 2008 (USA)  »

Also Known As:

Az tu nagle, zeszlej zimy  »

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Political and personal
11 April 2009 | by (Copenhagen, Denmark) – See all my reviews

I saw this film in its English-language version on Swedish television. It follows a gay couple who decide to film a documentary about the fight for a law to allow civil unions for gay couples in Italy. It seems like something of a vanity project with its focus on the couple's own emotional journey, but it also offers a look into the Italian political process and into the homophobia and religious sentiment that stand in the way of gay rights in Italy and elsewhere. The result is worthwhile for followers of the issue, though not essential viewing.

The English version that I saw contained narration which referred to the two protagonists in the third person, and which was carried out in a somewhat naive tone. I thought this was annoying and diluted the role of the gay couple as authors of the film.


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