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The Divine Weapon (2008)
"Shin-gi-jeon" (original title)

6.2
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Ratings: 6.2/10 from 487 users  
Reviews: 8 user | 7 critic

An historical, epic tale of Korea's creation of Singijeon, a variation of the Chinese fire arrow.

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(screenplay), (screenplay)
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Title: The Divine Weapon (2008)

The Divine Weapon (2008) on IMDb 6.2/10

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Cast

Credited cast:
Jae-yeong Jeong ...
Seol-joo
Eun-jeong Han ...
Hong-ri
Jun-ho Heo ...
Chang-kang
Sung-kee Ahn ...
Rest of cast listed alphabetically:
Geon-sik Bae ...
Researcher
Li-seong Do ...
In-ha
Seong-mo Jeong ...
Sa Ma-soon
Myoeng-su Kim ...
Gya Oh-ryung
Do-gyung Lee ...
Hong-man
Seung-geun Lee ...
Bong-gu
Hyeon-kyeong Ryu ...
Bang-wook
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Storyline

During the reign of King Sejong in the 15th century, the Joseon Dynasty was the embodiment of the perfect state. To the Ming China, the aspiring imperial power, Joseon presented an obstacle to territorial expansion. To protect themselves from war, King Sejong develops a secret weapon to defend their territory and take back their land and supremacy. Written by Anonymous

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Genres:

Drama

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Details

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Release Date:

4 September 2008 (South Korea)  »

Also Known As:

Shin-gi-jeon  »

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Technical Specs

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Aspect Ratio:

2.35 : 1
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User Reviews

 
Glacially-paced Korean historical adventure
15 May 2013 | by (United Kingdom) – See all my reviews

DIVINE WEAPON aims to ride the wave of historical epics that have currently been taking Asia by storm over the last decade; you know the ones, invariably involving the likes of Andy Lau and a cast of CGI-augmented thousands battling over the fate of kingdoms. This is the second Korean take on the genre I've seen recently, after the inventive LEGEND OF THE SHADOWLESS SWORD, but it's not as good as that movie. In fact, it's quite boring, an ultra-slow moving tale (glacial would be a better descriptor) of courtly intrigue and rebellion.

The idea of a top-secret and, for the time, futuristic, weapon is a good one, but little is done with the premise. In a bid to whip life into the flagging main body of his picture, director Yoo-jin Kim paces out a series of fight scenes in WELCOME TO DONGMAKGOL's Jae-yeong Jeong battles various opponents with his mighty blade, but the choreography is fumbled and the insistence on filming such sequences in half-light to hide any inconsistencies, either technical or physical, is a poor one.

In fact, action fans are only served by a climactic battle which is good, if cheesy, fun, although it comes too little too late, sadly. Until that point, there's tiresome romance, the usual Korean concerns with 'evil' foreign powers (China bears the brunt of its hatred this time around) and more sitting around and talking than you can shake a stick at. Yeah, it's definitely one to avoid…


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