Salaam Namaste is about two Indians who have left their houses to make a life on their own, and how they meet and how they tackle their own relationships and problems and overcome them themselves without their families.
Karan Kapoor and Rhea Prakash meet for the first time in a flight bound from Delhi to New York. They just cannot stand each other: Rhea is disgusted by Karan's flirtatious mannerisms and ... See full summary »
Delhi University's Professor Avantika Ahuja meets fellow professor Ehsan Khan in typical Bollywood filmy style, and both fall in love with each other. Her father, who had preferred that she marry a Hindu, reluctantly permits them to get married. They do so, and subsequently re-locate to live in the United States. They buy a house, settle in, and are welcomed by their neighbors, Hamid and Anjum. A few days later Avantika's world will be turned upside down when she finds out that their neighbors are terrorists who want to avenge the deaths of innocent Iraqi and Afghani civilians massacred by British and American forces, and that her husband is not who he claims to be. Written by
Vivek Oberoi replaced Irrfan Khan in the film. See more »
When a couple is newly wed the husband and wife have no time for anything except each other. They shut their doors and windows and immerse themselves in a world of love. But when those windows open, the first thing to fly out, is love. If you want a happy marriage, you can't just listen to your heart.
See more »
Though a native of India, Avantika (Kareena Kapoor) is currently a professor at a college in New York. On a trip to visit her ailing father in Delhi, Avantika meets and falls in love with another professor, the dapper and dashing Ehsaan (Saif Ali Khan). After a whirlwind courtship - which seems to take place in a slickly-produced shampoo commercial - the star-crossed lovers set up a new life for themselves as a married couple in the States. But all is not unadulterated marital bliss for the newlyweds, as Avantika quickly discovers that Ehsaan is, in reality, a secret Islamic terrorist who married her strictly as a means of getting easy ingress into the United States. The other major character is Riyaz (Vivek Oberoi), a war correspondent for a local news station, who allows himself to be recruited into the sleeper cell of which Ehsaan is a member.
Though "Kurbaan" starts out as a fairly typical - i.e., overly cutesy - Bollywood romance, it quickly transitions into an admittedly bloated but moderately gripping action-movie thriller with serious social overtones. Perhaps because this is an Indian film, the terrorists, though by no means the "heroes" of the story, do get to air their grievances in a somewhat more sympathetic and even-handed fashion than they would were it an American-made production. On the other hand, like most Indian films, this one suffers from over-length and a tendency towards hyperbole when understatement might have been the better course to take. And while the Indian actors are all fine, the American performers leave much to be desired (perhaps the result of an Indian director, Rensil D'Silva, not being able to identify poor line readings when delivered in another language). In addition, the action sequences are often clunky and unconvincingly staged, especially when contrasted with something like the expertly executed "24."
Yet, despite its flaws, "Kurbaan" combines suspense, social commentary, romance and clue-gathering in generally appropriate proportions, which makes the two-hour-and-forty-minute running time pass reasonably quickly.
3 of 3 people found this review helpful.
Was this review helpful to you?