In a future mind-controlling game, death row convicts are forced to battle in a 'Doom'-type environment. Convict Kable, controlled by Simon, a skilled teenage gamer, must survive thirty sessions in order to be set free. Or won't he?
A traumatic event sends a musician (Sedgwick) back to her hometown in an effort to reunite with the daughters she abandoned. To do so, she must confront her abusive ex-husband (Quinn), from whom she fled years ago.
The movie is set in 1953, yet when Anne (Renee) is seen walking through town just before her husband shows up at her apartment in L.A. There is a car parked on the side of the road with a modern (late 90's early 2000's) New Mexico License Plate. See more »
During the movie, we see Robbie doing cross stitch many times. At the end of the movie, we see Ann sitting in a chair, finishing the same cross stitch of their entire adventure, with "THE END." This goes right into the credits, which are done entirely in cross stitch. See more »
The year is 1953. The war in Korea is over,but for former band singer, Anne Deveraux,the battle has just begun. After she walks in on her cheating,no good S.O.B. of a husband & his current "item",she packs her clothes,takes her two teen aged sons out of school,and proceeds to leave New York,forever to make a new life (and perhaps to find a new hubby,which won't be easy,as her better days as a singer/sex symbol of twenty-something years ago are far behind her). The trio make their way across the continental United States in search of something better. Renee Zellwegger absolutely shines as Anne,a woman determined to make better in life (or at least try). Her two sons (both by different men),George (played by Logan Lerman),who is an aspiring writer,and Robbie (Mark Rendall,who nearly steals the show),a closeted homosexual,who is toying with the idea of acting. Kevin Bacon has some nice,but brief time as Anne's cheating husband,Dan Deveraux. English director, Richard Loncraine ('Richard III','The Missionary',and one episode of 'Band of Brothers')works very well with his cast in recreating the era (the early 1950's),as well as his set designer (Brian Morris,who deserves kudos for his work here). This is one of those quirky,sleeper films that somehow manage to capture the hearts of the advantageous audiences that do turn out for "left of centre" films like these (in other words,films that shy away from the usual Hollywood bombast sausage factory kind of films that slither into the multi-plexus that are only happy to screen them---screw you,Jerry Bruckheimer). A film for audiences who truly care. Rated PG-13 by the MPAA,for rude language & sexual content (but nothing too graphic).
23 of 35 people found this review helpful.
Was this review helpful to you?