An ex-con moves into an old apartment building, where he encounters a domestic problem involving a police officer, his wife, and their daughter. When he tries to intervene, however, a mysterious curse entraps him.
After losing her unborn child, Madeline Matheson insists on carrying the baby to term. Following the delivery, the child miraculously returns to life with an appetite for human blood. Madeline is faced with a mother's ultimate decision.
A young doctor in a US hospital administers a powerful and untested cocktail of drugs to a coma victim. But instead of curing him, it triggers a powerful "out-of-body" experience and enables the patient - a depraved and dangerous loner - to inhabit other people's bodies and, through them, take revenge on the bullying medical students who were accidentally responsible for his condition. The doctor, who was herself a part of this group, is also targeted and as her colleagues are singled out and relentlessly picked off, she realises that she can trust no-one - friend or stranger - as this comatose killer moves in and out of bodies at will, getting ever closer as his murderous supernatural powers increase. Written by
This is a good effort - much better than other reviewers have suggested. As usual, as soon as reviewers are even slightly disappointed they suffer from a knee-jerk reaction and start to proclaim decent films as "the worst ever". Time to put things straight... The director's previous horror effort, 'Shrooms',was a great disappointment to me - many had bigged it up but I found myself fairly unmoved throughout. This, however, is much better. It comes across as a combo of 'I Know What You Did Last Summer' and the Australian 'Carrie' rip-off from the 70s, 'Patrick'. Character development could be better in some cases and some characters might have benefited the story by sticking around longer than they did. Occasionally we suffer from trite dialogue, too. However, it has pace, decent production values and an interesting cast made up of British, American, Canadian and European actors, all of whom acquit themselves well. They all have admirable track records prior to this film, too. Overall, an involving, entertaining film - and nice to see Michael Jibson, star of the West End stage show 'Our House: The Madness Musical', get another cinematic outing - I enjoyed him alongside Statham in 'The Bank Job', too. Best horror film ever? No, but the best British film pretending to be American that I can recall seeing in a long time, and the best slasher-ish film I've seen in absolutely ages. Don't be put of by the doom-mongers - this is worth a watch.
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