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After a blurred trauma over the summer, Melinda enters high school a selective mute. Struggling with school, friends, and family, she tells the dark tale of her experiences, and why she has chosen not to speak.
Director:
Jessica Sharzer
Stars:
Kristen Stewart,
Michael Angarano,
Robert John Burke
An aspiring author during the civil rights movement of the 1960s decides to write a book detailing the African-American maids' point of view on the white families for which they work, and the hardships they go through on a daily basis.
Director:
Tate Taylor
Stars:
Emma Stone,
Viola Davis,
Bryce Dallas Howard
An airline pilot saves almost all his passengers on his malfunctioning airliner which eventually crashed, but an investigation into the accident reveals something troubling.
Director:
Robert Zemeckis
Stars:
Nadine Velazquez,
Denzel Washington,
John Goodman
Oakland A's general manager Billy Beane's successful attempt to assemble a baseball team on a lean budget by employing computer-generated analysis to acquire new players.
Director:
Bennett Miller
Stars:
Brad Pitt,
Jonah Hill,
Philip Seymour Hoffman
Disgruntled Korean War vet Walt Kowalski sets out to reform his neighbor, a young Hmong teenager, who tried to steal Kowalski's prized possession: his 1972 Gran Torino.
Director:
Clint Eastwood
Stars:
Clint Eastwood,
Christopher Carley,
Bee Vang
The story centers on a year in the life of three men trying to survive a round of corporate downsizing at a major company - and how that affects them, their families, and their communities.
A widower who realized his only connection to his family was through his wife sets off on an impromptu road trip to reunite with each of his grown children.
Director:
Kirk Jones
Stars:
Robert De Niro,
Drew Barrymore,
Kate Beckinsale
Something's wrong at the Rileys. Married nearly 30 years, Doug and Lois rarely talk. She doesn't leave their Indianapolis home, and she's ordered a gravestone with their names and birth years on it. He has a long-time Thursday night mistress whom he invites to go with him to a plumbing supply conference in New Orleans. Once there, Doug calls Lois to say he's staying for a while. What's he leaving behind and what's he looking for in New Orleans? And Lois, can she break out? Written by
<jhailey@hotmail.com>
Director Jake Scott and costume designer Kim Bowen accompanied Kristen Stewart to strip clubs to research her role as Mallory. During that time Stewart was offered jobs by club owners because they didn't know she was an actress. See more »
Goofs
When Allison is in the car counting her money she burns her fingers on the butt of her cigarette. In the following scene she is seen with a barely smoked cigarette. See more »
Quotes
Lois Riley:
[helping Mallory out of the shower]
You have a pair of clean white cotton undies?
Mallory:
No.
Lois Riley:
Well, you don't need to wear any. We'll just put you in a clean nightgown.
Mallory:
[crying]
I don't have a nightgown.
Lois Riley:
You can borrow one of mine.
See more »
"I can't come home right now. I know I'm not dead yet."
Welcome to the Rileys is certainly a flawed movie. The characters are a little flat, and don't seem to be written as genuine people, at times. The story scenario, with its focus on lost loved ones and damaged people finding healing or comfort in each other, is one that seems to be in every other movie, recently. And the ending seems a bit rushed and unfinished.
But still, I found myself enjoying it all.
The key lies in the color and atmosphere added by using New Orleans as the primary location, and the performances of the three primary cast members.
The first point may appeal only to those who have visited or who live in the city. Filming a movie in New Orleans gives it an instant, appealing flavor to anyone who's been there before, walking past the same restaurants and down the same streets. Very cool. I'll admit that this might not be as big a deal to others as it was to me, though.
What everyone should be able to recognize and appreciate, however, are the great performances by James Gandolfini, Melissa Leo, and Kristen Stewart. They carry this movie with some really excellent acting, even though their characters are slightly hobbled at times with some spotty writing. Especially when it comes to the dynamics of the various relationships. Still, the three of them (especially Gandolfini and Stewart) easily make Welcome to the Rileys worth at least a rental.
24 of 29 people found this review helpful.
Was this review helpful to you?
"I can't come home right now. I know I'm not dead yet."
Welcome to the Rileys is certainly a flawed movie. The characters are a little flat, and don't seem to be written as genuine people, at times. The story scenario, with its focus on lost loved ones and damaged people finding healing or comfort in each other, is one that seems to be in every other movie, recently. And the ending seems a bit rushed and unfinished.
But still, I found myself enjoying it all.
The key lies in the color and atmosphere added by using New Orleans as the primary location, and the performances of the three primary cast members.
The first point may appeal only to those who have visited or who live in the city. Filming a movie in New Orleans gives it an instant, appealing flavor to anyone who's been there before, walking past the same restaurants and down the same streets. Very cool. I'll admit that this might not be as big a deal to others as it was to me, though.
What everyone should be able to recognize and appreciate, however, are the great performances by James Gandolfini, Melissa Leo, and Kristen Stewart. They carry this movie with some really excellent acting, even though their characters are slightly hobbled at times with some spotty writing. Especially when it comes to the dynamics of the various relationships. Still, the three of them (especially Gandolfini and Stewart) easily make Welcome to the Rileys worth at least a rental.