Two private bankers, Alistair and Jamie, who have the world at their feet get their kicks from playing a 12 hour game of hunt, hide and seek with people from the margins of society. Their ...
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It tells the tale of Petronella (a Scottish/Romany girl) and Fergal (her mysterious Irish traveller boyfriend). As their doomed relationship plays out, a Beast stalks the estate, killing ... See full summary »
September the 1st, 2001. Elliot, an American C.I.A. agent holding top secret information on the immediate future of the world, disappears. His sole aim was to meet his daughter Orlando, ... See full summary »
Two private bankers, Alistair and Jamie, who have the world at their feet get their kicks from playing a 12 hour game of hunt, hide and seek with people from the margins of society. Their next target is Sean Macdonald a parentless teenager who lives with his sister on a housing estate on the outskirts of Edinburgh. She's in debt, he's going nowhere fast. Sean agrees to play for cash. He soon realises he's walked into twelve hours of hell where survival is the name of the game. Written by
This film's Edinburgh set crime thriller, which dips into murky chase torture at times has a sense that 'Lola' (the modern-ish German classic) is going to be parodied.
Obviously pitched at being outside of actual reality, where wealthy landlords, pimps or drug dealers (known in the film as 'private bankers') not only extort their penniless customers but also bait and taunt them, as in some cruel, sadistic game.
Unfortunately, this is no The Third Man (shadowy sinister characters lurking on dark corners), Lola (the 'chase' seems to be mainly driving about in a Jaguar saloon) whilst The Trainspotting vibes resonate most. Except, there simply aren't the oddly likable, charismatic characters in that, for a start. There's quite a few Hitchcockian twists with a silent, weaving camera teasing us, though.
It seems that the whole thing passed me by without making much of an impression. Not sure exactly where it fell down, maybe a bit in each. I daresay I'll have forgotten it by tomorrow. There have been US equivalents that have worked better, maybe for being more villainous, or better written, or better everything. It's not a bad effort, though and worth watching if it's free and not much else is on. Equally, it won't sink the indie Brit film scene but very definitely, unlike Trainspotting, won't set it alight either.
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