Two private bankers, Alistair and Jamie, who have the world at their feet get their kicks from playing a 12 hour game of hunt, hide and seek with people from the margins of society. Their ...
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It tells the tale of Petronella (a Scottish/Romany girl) and Fergal (her mysterious Irish traveller boyfriend). As their doomed relationship plays out, a Beast stalks the estate, killing ... See full summary »
Wayland returns home after being in the war in Afghanistan. He returns home not only injured and suffering seizures but also to find the family he left behind has disintegrated in his ... See full summary »
Two private bankers, Alistair and Jamie, who have the world at their feet get their kicks from playing a 12 hour game of hunt, hide and seek with people from the margins of society. Their next target is Sean Macdonald a parentless teenager who lives with his sister on a housing estate on the outskirts of Edinburgh. She's in debt, he's going nowhere fast. Sean agrees to play for cash. He soon realises he's walked into twelve hours of hell where survival is the name of the game. Written by
The Encyclopaedia of Film Noir reckons that films have to be American to qualify as film noir. As a generalisation I can accept this but nor as a universal truth. New Town Kill is British (Scottish if you like) and it is clearly a film noir or, at least, a neo-noir.
I'm honestly deeply impressed with this British film, a phrase you will seldom hear me utter. Most Brit films are an embarrassment to me, being usually limp, unfunny and completely lacking in cool, style or engaging story. I'm glad to see the back of the Film Council and all the overpaid "executives" who dole out what remains of their money, after their fat salaries have been accounted for, for another flaccid waste of time.
This film, on the other hand, IS cool, engaging and genuinely exciting in a way that movies should be. The budget is clearly small but the acting talent on display is massive. The direction and writing by Richard Jobson are excellent and I just love the sheer nihilism of the plot and the fact that everything does not need to be justified or explained. The "villain" is completely amoral and the "hero", apart from family allegiances, is ultimately not much different.
A British film can be film noir and New Town killers is the proof.
PS If IMDb is for genuine film lovers then why do glossy American blockbusters get hundreds of reviews whilst really interesting independent films or foreign language films (i.e. non-American films) end up with a handful of reviews like this one?
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