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Tokyo Gore Police (2008)
"Tôkyô zankoku keisatsu" (original title)

 -  Action | Horror | Sci-Fi  -  3 October 2008 (USA)
6.0
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Ratings: 6.0/10 from 7,725 users  
Reviews: 63 user | 108 critic

Set in a future-world vision of Tokyo where the police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the "cutter" demographic, ... See full summary »

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(screenplay), (screenplay), 1 more credit »
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Cast

Cast overview, first billed only:
...
Ruka
Itsuji Itao ...
Keyman & His Father
Yukihide Benny ...
TOKYO POLICE Chief Officer
Jiji Bû ...
Barabara-MAN
Ikuko Sawada ...
Bar INDEPENDANT Owner
Cay Izumi ...
Dog Girl
Mame Yamada
Ayano Yamamoto
Akane Akanezawa ...
(as Moko Kinoshita)
Kotoha Hiroyama
Maiko Asano
Daisuke Matsuki
Naofumi Murata
Takashi Shimizu
Oppe Ma
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Storyline

Set in a future-world vision of Tokyo where the police have been privatized and bitter self-mutilation is so casual that advertising is often specially geared to the "cutter" demographic, this is the story of samurai-sword-wielding Ruka and her mission to avenge her father's assassination. Ruka is a cop from a squad who's mission is to destroy homicidal mutant humans known as "engineers" possessing the ability to transform any injury to a weapon in and of itself. Written by Anonymous

Plot Summary | Add Synopsis

Taglines:

Tokyo is burning. See more »

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Action | Horror | Sci-Fi

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Release Date:

3 October 2008 (USA)  »

Also Known As:

Tokyo Gore Police  »

Filming Locations:


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Color:

Aspect Ratio:

1.85 : 1
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User Reviews

 
the title says it all, and it lives up to its title
9 October 2008 | by (United States) – See all my reviews

Wow. That's one word to say after this master's class in splatter-fest ends. But there's more, lots more. This is classic modern exploitation fare, not exactly a very good movie, no, but absolutely spectacular in everything that it sets out to accomplish. Which is, basically, to try and out-do whatever's come before it in terms of outrageous splendor of body parts, dismemberment, be-headings, sword-cuts, arm cuts, and blood flying out like it's a dam exploded. And on top of this the filmmakers have an incredible design conceit that allows for limbs, once torn off or exploded or shredded or whatever, to spring back crazy appendages that range from heat-seeking missiles to crocodile jaws to genital "restructuring." There is no other movie quite like it.

It's also, not so oddly enough, a rip-off in part of the Paul Verhoven RoboCop/Starship Troopers style of putting in advertisements and PSA's in honor and exquisite mockery of the police-state the movie is set in (thankfully, the director, Noshihiro Nishimura, is just as brilliant at these as Verhoven, especially when doing bits like "Cutting yourself is cute!" and "Don't commit Harakiri!"), not to mention the bubbly little Japanese girl ala Battle Royale communicating to the public. But the concept itself, however ripped-off, is not exactly what's important (it's police/revenge saga mixed with wacko sci-fi bits like splicing genes from various serial killers to create the perfect psycho). What's important with Tokyo Gore Police is the daring to just go and do whatever the f*** is possible within this scope of total abhorrent violence and death and blood and guts and limbs sometimes stacked in piles ("No, no, the *right* hand!" is a great throwaway line).

Basically, if there's any other movie aside from possible Dead-Alive that can contend with it, this is the goriest movie ever made outside of the US. Even for Japan, who have produced some of the craziest action/horror/sci-fi stuff anywhere ever (Miike especially can lay claim to some of it), it's extreme and it's certainly not for the faint of heart or easily offended or yada yada. It's for the fans, the die-hard group that just can't seem to, on the contrary of most, be offended by anything. In fact, that's the joy of watching Tokyo Gore Police, which with a few scenes as exceptions where they get into real "Dramatic" moments, being that so much goes on, one thing tops the next, that it's impossible to keep a straight face. Eihi Shiina (of Audition) as the hero of the story comes across so much craziness with the "Engineers" as they're called, who face off against the militant police in a dire battle, that by the time the end credits roll we can't keep up with the final body count.

In short, this is the kind of movie that Patrick Bateman or Alexander De Large would rent about 300 times. If you know who you are in the audience, and you love insane horror that is laced with bristling, so-over-the-top-it-reaches-the-moon comedy, seek it out. You won't be disappointed as far as after-midnight/gross-out-your-girlfriend flicks go.


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Can I watch this with my 7 year old? just-ruthie
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