Old woman Berthe leaves her house to live in her daugter Emilie's one. Emilie and her brother Antoine have fallen out three years ago and have not seen each other since, but Emilie invites ... See full summary »
A crime writer living in Venice while working on his new novel meets and soon marries his real-estate agent. Relocated to a remote house on Sant'Erasmo Island, his obsession with his wife's daily whereabouts takes a dark turn.
In Tangier, intercontinental truck driver Serge is in love with Sarah, but is in some trouble of his own. Film generally concerns Moroccans with various relationships with the country: ... See full summary »
Like millions of other couples, Mounir and Murielle fall in love. Like millions of other couples, Mounir and Murielle have children. But unlike them, they accept to give up their autonomy ... See full summary »
In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother... See full summary »
After his wife leaves him for another man, Jacques hires a housekeeper, Laura, to keep his Paris apartment in order. As he starts increasing her hours and spending more time with her on her... See full summary »
July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. ... See full summary »
Hélène, a distracted pill-popping anesthetist, almost runs down Gilles one evening on a Biarritz street. She is still numb from the drowning death earlier that year of her lover, a ... See full summary »
Jeanne is a young woman, striking but otherwise without qualities. Her mother tries to get her a job in the office of a lawyer, Bleistein, her lover years ago. Jeanne fails the interview but falls into a relationship with Franck, a wrestler whose dreams and claims of being in a legitimate business partnership Jeanne is only too happy to believe. When Franck is arrested, he turns on Jeanne for her naivety; she's stung and seeks attention by making up a story of an attack on a train. Is there any way out for her? In a subplot, Bleistein's grandson, Nathan, prepares for his bar mitzvah and, through an encounter with Jeanne, experiences intimations of manhood. Written by
André Téchiné's newest film The Girl on the Train is a combination topical expose and sophisticated melodrama. Using a real-life case where Alice (Emilie Dequenne), a girl from a banlieu outside Paris lied about being the victim of a bias attack, Téchiné takes the emotional pulse of hate crimes and finds symptoms of common psychological distress. In other words, it's a love story from the uniquely expansiveand inquiringpoint of view that makes Téchiné France's most fascinating contemporary filmmaker.
The first sight of Alice rollerskating through the streets, thick curly hair surrounding her stolid face, presents a "normal" Téchiné youthcomplex, enigmatic, hypersensitive to the world. Alice's place in the universe, and her politically incorrect actions, recall the troubled boy in the 1987 Scene of the Crime where Téchiné evoked the template of Great Expectations to explore how one character's fortune linked to and revealed a larger, social view of destiny.
Pondering Alice's emotional life when she falls in love with a young wrestler, Franck (Nicolas Duvauchelle), takes Techine beneath the surface stability of other characters. Alice's mother Louise (Catherine Deneuve) was a nonconformist now settled by maternity and unsettled by encountering an old acquaintance, Jewish activist Samuel Bleistein (Michel Blanc). Techine intermixes these histories and on-going fates; his quick, graceful pace, piercing insight and visual flair are perfectly symbolized in Alice's rollerskating sprees. One is constantly propelled and dazzled.
Alice's heterosexual female story keeps Téchiné several leaps ahead of one's expectationsand especially the intellectualized gay-ghetto preoccupations of his sex-and-psychology protégé Jacques Nolot (Before I Forget, Porn Theatre).
The contrasts between Alice and Louise, Bleistein and Franck vividly illustrate the common effort to achieve satisfaction and strength. For Téchiné, race, class and gender give access to understanding this constant struggle. His post-modern approach, through Dickens, Lean, even the Dardennes brothers (Dequennes is best known for their film Rosetta) remains unsentimental about obdurate human nature. And for those further intrigued by these mysteries of love and character and societyand their authenticityan honorary soundtrack to the emotions Téchiné uncovers in The Girl on the Train can also be found in every track of Morrissey's Years of Refusal.
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