In the middle of the night, someone brings Ivan's body home to his wife and his sad-faced, jug-eared son. Through flashbacks, the film discloses the relationships among Ivan and his brother... See full summary »
Old woman Berthe leaves her house to live in her daugter Emilie's one. Emilie and her brother Antoine have fallen out three years ago and have not seen each other since, but Emilie invites ... See full summary »
At the age of 20, Martin leaves his home town and comes to Paris, where he fortunately becomes a model by chance. He meets Alice, his brother's friend, and falls in love with her. They ... See full summary »
The two brothers Julien (Nicolas Duvauchelle) and Louis (Steve Le Roi) work on their father's steel barge, which he won't let them inherit. To keep the boat, they resort to stealing a ... See full summary »
Steve Le Roi
A crime writer living in Venice while working on his new novel meets and soon marries his real-estate agent. Relocated to a remote house on Sant'Erasmo Island, his obsession with his wife's daily whereabouts takes a dark turn.
July 2006. Another war breaks out in Lebanon. The directors decide to follow a movie star, Catherine Deneuve and a friend, actor and artist Rabih Mroue;, on the roads of South Lebanon. ... See full summary »
Jeanne is a young woman, striking but otherwise without qualities. Her mother tries to get her a job in the office of a lawyer, Bleistein, her lover years ago. Jeanne fails the interview but falls into a relationship with Franck, a wrestler whose dreams and claims of being in a legitimate business partnership Jeanne is only too happy to believe. When Franck is arrested, he turns on Jeanne for her naivety; she's stung and seeks attention by making up a story of an attack on a train. Is there any way out for her? In a subplot, Bleistein's grandson, Nathan, prepares for his bar mitzvah and, through an encounter with Jeanne, experiences intimations of manhood. Written by
André Téchiné's 'The Girl on the Train' (La fille du RER) focuses on a naive girl Jeanne (Émilie Dequenne) who fabricates a story about being attacked on a suburban Paris train by black and Arab youths who supposedly mistook her for a Jew. The story is based on a real event that took place in France in 2004, adapted for the stage by Jean-Marie Besset as 'RER', and written for the screen by Besset, Odile Barski, and director Téchiné. Téchiné, stating that 'the story became the mirror of all French fears, a revelation of what we call the 'collective unconscious.' How an individual's lie is transformed into truth with respect to the community at large and its fears', 'The Girl on the Train' dissects the psychological circumstances and consequences surrounding a bold lie in a rich drama, concentrating on the permutations such an act has one all concerned.
Jeanne lives with her single mother Louise (Catherine Deneuve) who manages the family finances as a childcare provider. Jeanne spends the greater part of her time roller skating and it is on one of her excursions that she meets the rather mysterious Franck (Nicolas Duvauchelle), a young wrestler who immediately attempts to win Jeanne's attention and affection despite Jeanne's insecurities. They eventually respond to the mutual chemistry and Franck searches for a way to help Jeanne out of financial difficulties: they become caretakers in a warehouse home, which is unbeknownst to Jeanne, a drug trafficking site. An incident occurs when a 'buyer' shows up and Franck is stabbed in defending his caretaker job and Jeanne's future. Jeanne is distraught but when she visits Franck in the hospital, Franck blames Jeanne for his bad luck and rebuffs her - he must now serve prison time for his involvement in the drug game.
Now, torn between her loss of money, her new 'home', and the love of Franck, Jeanne plans a manner of striking back: she slices her skin, clips her hair, and paints swastikas on her abdomen and reports that she has been attacked by anti-Semites. Louise seeks the assistance of an old flame who is now the important Jewish lawyer Samuel Bleistein (Michel Blanc) - man with whom Jeanne had unsuccessfully interviewed for a job - and what Louise thought would be a protection for both Franck and Jeanne results in Jeanne's confession that she fabricated the entire incident, a factor that disrupts the lives of all those affected by the lie, especially the family of Bleistein already teetering on disintegration due to the rocky marriage of his son and daughter-in-law and the preparation for the grandson's contested Bar Mitzvah.
Téchiné knows how to take seemingly ordinary people and circumstances and show the profound effect of evil wherever it raises its head. The film is enhanced by the verismo photography by Julien Hirsch and the apropos musical score by Philippe Sarde. While this film is not quite up to the standards of Téchiné's films such as 'Wild reeds', 'My Favorite Season', 'Changing Times' or 'Strayed', it still maintains that realistic surface beneath which lies the real grit of life. In French with English subtitles.
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