A DEA agent and a naval intelligence officer find themselves on the run after a botched attempt to infiltrate a drug cartel. While fleeing, they learn the secret of their shaky alliance: Neither knew that the other was an undercover agent.
When Zin, former girlfriend of a Thai mob boss, falls for Masashi, a Japanese gangster in Thailand, the boss banishes them: Masashi to Japan, and Zin, with her small daughter Zen, to live next to a martial arts school. Zen is autistic, with uncanny swift reflexes. She watches the students next door and Muay Thai movies, absorbing every technique. She's now a teen, and her mother needs chemotherapy. Zin has taken in a chubby kid, Moom, who watches over Zen. Moom finds a ledger listing business men who owe Zin money; he goes to them one at a time to collect in order to pay for Zin's treatment. Zen, with her martial skills, becomes his enforcer. A showdown with the boss is inevitable. Written by
I must have seen a totally different film than Kazuo_Kiriyama and archip57, I found it to be an exciting,entertaining and at times even touching martial film chock full of well choreographed and cringe inducing fight scenes. I'm not pretending it's Lawrence of Arabia (which, by the way contained a lot of historical inaccuracies)and its a notch below Ong Bak, but it does what it sets out to do and succeeds where so many Hollywood films fail in that it simply delivers the goods: well choreographed, bone crunching fight scenes. Its the kind of film that makes me feel giddy like a kid again and I felt the same way watching Ong Bak,Born to Fight, and Tom Yum Goong. I found the lead actress Jeeja Yanin to be demure and her performance very charming and sympathy inducing, not irritating in the least.
Also contrary to other claims made by one reviewer , there are no wires used in this movie and the blooper reel at the end of the film reveal that Miss Yanin's kicks actually did hurt some of the stunt men (did you happen to watch that Kazuo_Kiriyama?) and not all of her kicks were stationary as I recall she did many flying kicks, spin kicks and multiple kicking attacks, but I guess some people we're too busy thinking of stuff to criticize the film about to really notice the great fight choreography or maybe they should be watching something more cerebrally challenge and artistic fare like "The Diving Bell and The Butterfly" and stay away from immensely entertaining films like Tom Yum Goong, Born To Fight, and this one.
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