| Photos (See all 70 | slideshow) | Videos (see all 8) |
| Gemma Jones | ... | Helena | |
| Pauline Collins | ... | Cristal | |
| Anthony Hopkins | ... | Alfie | |
| Rupert Frazer | ... | Jogging Partner | |
| Kelly Harrison | ... | Personal Trainer | |
| Naomi Watts | ... | Sally | |
| Josh Brolin | ... | Roy | |
| Freida Pinto | ... | Dia | |
| Eleanor Gecks | ... | Rollerblading Friend | |
| Antonio Banderas | ... | Greg | |
| Fenella Woolgar | ... | Jane | |
| Ewen Bremner | ... | Henry Strangler | |
| Christian McKay | ... | Poker Friend | |
| Philip Glenister | ... | Poker Friend | |
| Jonathan Ryland | ... | Poker Friend | |
| Pearce Quigley | ... | Poker Friend | |
| Neil Jackson | ... | Alan | |
| Lynda Baron | ... | Alfie's Date | |
| Robert Portal | ... | Jewelry Shop Salesman | |
| Lucy Punch | ... | Charmaine | |
| Jim Piddock | ... | Peter Wicklow | |
| Celia Imrie | ... | Enid Wicklow | |
| Roger Ashton-Griffiths | ... | Jonathan | |
| Anna Friel | ... | Iris | |
| Theo James | ... | Ray | |
| Christopher Fulford | ... | Ray's Friend | |
| Johnny Harris | ... | Ray's Friend | |
| Alex Macqueen | ... | Malcolm Dodds | |
| Anupam Kher | ... | Dia's Parent | |
| Meera Syal | ... | Dia's Parent | |
| Joanna David | ... | Alan's Parent | |
| Geoffrey Hutchings | ... | Alan's Parent | |
| Natalie Walter | ... | Alan's Sister | |
| Shaheen Khan | ... | Dia's Aunt | |
| Amanda Lawrence | ... | Medium | |
| Zak Orth | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| David Orpheus | ... | Passerby (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Nicky Kentish Barnes | .... | co-producer | |
| Mercedes Gamero | .... | associate producer | |
| Javier Méndez | .... | executive producer | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Jaume Roures | .... | producer | |
| Stephen Tenenbaum | .... | producer | |
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Patricia Kerrigan DiCerto | |||
| Gail Stevens | |||
| Juliet Taylor | |||
Production Design by | |||
| Jim Clay | |||
Art Direction by | |||
| Dominic Masters | |||
Set Decoration by | |||
| John Bush | |||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Francesco Alberico | .... | hair stylist | |
| Uxue Laguardia | .... | makeup artist | |
| Sharon Martin | .... | hair designer | |
| Sharon Martin | .... | makeup designer | |
| Sophie Slotover | .... | makeup artist | |
| Rachael Speke | .... | crowd hair/makeup artist: daily | |
Production Management | |||
| John Crampton | .... | unit manager | |
| John David Gunkle | .... | unit manager | |
| Tori Parry | .... | unit production manager | |
| Helen Robin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Dan Channing-Williams | .... | third assistant director | |
| Ben Howarth | .... | first assistant director | |
| Olivia Lloyd | .... | second assistant director | |
Art Department | |||
| Alan Bailey | .... | property master | |
| Stephen Conway | .... | dressing props | |
| Mike Cuddy | .... | prop storeman | |
| Paul Duff | .... | construction manager | |
| Veronica Falzon | .... | researcher | |
| Gill Farr | .... | production buyer | |
| Dave Fisher | .... | chargehand standby props | |
| Dean Fisher | .... | standby props | |
| Natasha Jones | .... | art department assistant | |
| Heather Pollington | .... | graphic designer | |
| Richard Selway | .... | standby art director | |
| Tim Timmington | .... | painter | |
Sound Department | |||
| Jorge Adrados | .... | second boom operator | |
| Ryan Collison | .... | foley engineer | |
| Lee Dichter | .... | sound re-recording mixer | |
| Peter Glossop | .... | production sound mixer | |
| Matthew Haasch | .... | foley supervisor | |
| Alan MacFeely | .... | sound assistant | |
| Shaun Mills | .... | boom operator | |
| Jay Peck | .... | foley artist | |
| David Wahnon | .... | sound editor | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Graham Hills | .... | senior special effects technician | |
| Tez Palmer | .... | special effects technician (as Terry Palmer) | |
| Nigel Wilkinson | .... | special effects technician | |
Stunts | |||
| Lee Sheward | .... | stunt coordinator | |
Camera and Electrical Department | |||
| George Bird | .... | electrician | |
| Pete Cavaciuti | .... | camera operator: "a" camera | |
| Pete Cavaciuti | .... | steadicam operator | |
| Kevin Edland | .... | best boy | |
| Keith Hamshere | .... | still photographer | |
| John Higgins | .... | gaffer | |
| Sacha Jones | .... | second assistant camera | |
| Wayne Leach | .... | rigging gaffer | |
| Susan MacDonald | .... | camera trainee | |
| Genki McClure | .... | electrician | |
| Danny McGee | .... | practical electrician | |
| Sol Saihati | .... | lighting technician: dailies | |
| Alex Stevenson | .... | electrician | |
Casting Department | |||
| Colin Jones | .... | casting associate | |
| Toby Spigel | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Caroline Hickman | .... | costume assistant | |
| Rachel Lilley | .... | costume trainee | |
| Katie Nolff | .... | costume production assistant | |
| Kevin Pratten | .... | principal dresser | |
| Clare Spragge | .... | costume supervisor | |
Editorial Department | |||
| Kate Rose Itzkowitz | .... | assistant editor | |
| Morgan Neville | .... | first assistant editor | |
| Mark Wright | .... | negative cutter | |
| Simon Harris | .... | assistant editor (london) (uncredited) | |
Music Department | |||
| Stefan Karrer | .... | soundtrack album producer | |
Transportation Department | |||
| Paul Howitt | .... | facilities driver | |
| Lee Isgar | .... | driver: Naomi Watts | |
| Graeme Main | .... | camera car driver | |
| Piotr Walczak | .... | transport facilities manager | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
Woody Allen's hilarious, inspired new romantic comedy is probably the funniest film to come out in many a month. The film's structure, however, plays out more like a Shakespearian tragedy. The nameless, bodiless narrator even quotes Macbeth to sum up the events of movie. The characters that are on a one way course to destruction, however, is classic Allen, and he creates awkward and hilarious plot-lines that all lead to a free fall of fantastic comedy.
The Grand Hotel-esque plot follows different stories of an extended family living in England. An aging, arguing couple, the wife's recently divorced parents, and all the people they end upyou guessed ithaving affairs with. Some of these "affairs" stay in the character's mind, while others break up weddings, but everyone is constantly in love with someone else.
The all star cast works wonders with Woody Allen's tight, smart script which may be the best so far this year. Josh Brolin and Naomi Watts are a couple who are having increasing marital troubles. Brolin has a PhD in medicine, but gave up working so he could become a writerexcept his past three books have sucked. Watts gave up her career as an artist and works at an art gallery to support her husband until he (hopefully) makes it big. Watt's mother who is having a lot of trouble adjusting to the divorce is played fantastically by Grema Jones. Her only consolation is going to a fortune teller who continuously says things are going to get better. Anthony Hopkins is arguably the best part of the film, playing an old man who is trying to relive his glory days of being a hip young manbut it's not going so well. Antonio Banderas, Lucy Punch, and Freida Pinto are all fantastic as outside love interests, making for a marvelously ridiculous movie.
This comedy touches on a lot of subjects, particularly aging and how life can seem like it's slipping away from you one moment, then completely collapsing on top of you the next. All the characters are panicking one way or another because they feel that they are getting too old for life. These parts of the movie will fly over younger viewers' heads (such as this reviewer), but nearly everyone knows how it feels to see the cracks starting to spread in one's life. By the time Hopkins' character realizes his bimbo new wife has taken all of his money and he still loves his ex, she has moved on. Also, according to her fortune teller, she has lived many times before. When Brolin has a grand idea to publish a book, the dead almost literally come back to haunt him.
Woody Allen creates a smart, deep comedy that encompasses a lot of uncertainties of life. Maybe the fortune teller is a fraud, but that doesn't stop her from being right for most of the film. The movie pokes fun at the idea of reincarnation, but at the same time, it just as easily supports the concept. As with all Allen movies, the actions of moral-less people in a moral-less world come back to bite them by some moral thing, whatever you choose to think that is.
The characters are upper class, like in many of Woody Allen's movies. They are well off and have good jobs and obviously a decent supply of money, and should really have nothing to complain about. The couple would be able to pay rent if they didn't live in such a huge apartment. Regardless, they manage to screw everything up as thoroughly as the rest of us, and it is hilarious every step of the way. The film ends more of a mess than it began, and what a glorious mess it is.
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