| Photos (See all 70 | slideshow) | Videos |
| Gemma Jones | ... | Helena | |
| Pauline Collins | ... | Cristal | |
| Anthony Hopkins | ... | Alfie | |
| Rupert Frazer | ... | Jogging Partner | |
| Kelly Harrison | ... | Personal Trainer | |
| Naomi Watts | ... | Sally | |
| Josh Brolin | ... | Roy | |
| Freida Pinto | ... | Dia | |
| Eleanor Gecks | ... | Rollerblading Friend | |
| Antonio Banderas | ... | Greg | |
| Fenella Woolgar | ... | Jane | |
| Ewen Bremner | ... | Henry Strangler | |
| Christian McKay | ... | Poker Friend | |
| Philip Glenister | ... | Poker Friend | |
| Jonathan Ryland | ... | Poker Friend | |
| Pearce Quigley | ... | Poker Friend | |
| Neil Jackson | ... | Alan | |
| Lynda Baron | ... | Alfie's Date | |
| Robert Portal | ... | Jewelry Shop Salesman | |
| Lucy Punch | ... | Charmaine | |
| Jim Piddock | ... | Peter Wicklow | |
| Celia Imrie | ... | Enid Wicklow | |
| Roger Ashton-Griffiths | ... | Jonathan | |
| Anna Friel | ... | Iris | |
| Theo James | ... | Ray | |
| Christopher Fulford | ... | Ray's Friend | |
| Johnny Harris | ... | Ray's Friend | |
| Alex Macqueen | ... | Malcolm Dodds | |
| Anupam Kher | ... | Dia's Parent | |
| Meera Syal | ... | Dia's Parent | |
| Joanna David | ... | Alan's Parent | |
| Geoffrey Hutchings | ... | Alan's Parent | |
| Natalie Walter | ... | Alan's Sister (as Natalie Walker) | |
| Shaheen Khan | ... | Dia's Aunt | |
| Amanda Lawrence | ... | Medium | |
| Zak Orth | ... | Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Augustina Amoa | ... | Jogger (uncredited) | |
| Ian Massa-Harris | ... | Chorus Tenor / Opera Crowd (uncredited) | |
| David Orpheus | ... | Passerby (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Nicky Kentish Barnes | .... | co-producer | |
| Mercedes Gamero | .... | associate producer | |
| Javier Méndez | .... | executive producer | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Jaume Roures | .... | producer | |
| Stephen Tenenbaum | .... | producer | |
Cinematography by | |||
| Vilmos Zsigmond | |||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Patricia Kerrigan DiCerto | |||
| Gail Stevens | |||
| Juliet Taylor | |||
Production Design by | |||
| Jim Clay | |||
Art Direction by | |||
| Dominic Masters | |||
Set Decoration by | |||
| John Bush | |||
| Fabiano De Souza Ramos | (set staff) | ||
Costume Design by | |||
| Beatrix Aruna Pasztor | |||
Makeup Department | |||
| Francesco Alberico | .... | hair stylist | |
| Uxue Laguardia | .... | makeup artist | |
| Sharon Martin | .... | hair designer | |
| Sharon Martin | .... | makeup designer | |
| Sophie Slotover | .... | makeup artist | |
| Rachael Speke | .... | crowd hair/makeup artist: daily | |
Production Management | |||
| John Crampton | .... | unit manager | |
| John David Gunkle | .... | unit manager | |
| Tori Parry | .... | unit production manager | |
| Helen Robin | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Dan Channing Williams | .... | third assistant director | |
| Ben Howarth | .... | first assistant director | |
| Olivia Lloyd | .... | second assistant director | |
Art Department | |||
| Alan Bailey | .... | property master | |
| Stephen Conway | .... | dressing props | |
| Mike Cuddy | .... | prop storeman | |
| Paul Duff | .... | construction manager | |
| Veronica Falzon | .... | researcher | |
| Gill Farr | .... | production buyer | |
| Dave Fisher | .... | chargehand standby props | |
| Dean Fisher | .... | standby props | |
| Terry Heggarty | .... | painter | |
| Natasha Jones | .... | art department assistant | |
| Heather Pollington | .... | graphic designer | |
| Richard Selway | .... | standby art director | |
| Tim Timmington | .... | painter | |
Sound Department | |||
| Jorge Adrados | .... | second boom operator | |
| Ryan Collison | .... | foley engineer | |
| Lee Dichter | .... | sound re-recording mixer | |
| Peter Glossop | .... | production sound mixer | |
| Matthew Haasch | .... | foley supervisor | |
| Alan MacFeely | .... | sound assistant | |
| Shaun Mills | .... | boom operator | |
| Shaun Mills | .... | sound mixer 2nd unit | |
| Glenfield Payne | .... | sound effects editor | |
| Jay Peck | .... | foley artist | |
| David Wahnon | .... | sound editor | |
Special Effects by | |||
| Stuart Brisdon | .... | special effects supervisor | |
| Graham Hills | .... | senior special effects technician | |
| Tez Palmer | .... | special effects technician (as Terry Palmer) | |
| Nigel Wilkinson | .... | special effects technician | |
Stunts | |||
| Radoslav Ignatov | .... | stunt performer | |
| Lee Sheward | .... | stunt coordinator | |
Camera and Electrical Department | |||
| George Bird | .... | electrician | |
| Pete Cavaciuti | .... | camera operator: "a" camera | |
| Pete Cavaciuti | .... | steadicam operator | |
| Kevin Edland | .... | best boy | |
| Keith Hamshere | .... | still photographer | |
| John Higgins | .... | gaffer | |
| Sacha Jones | .... | second assistant camera | |
| Wayne Leach | .... | rigging gaffer | |
| Susan MacDonald | .... | camera trainee | |
| Genki McClure | .... | electrician | |
| Danny McGee | .... | practical electrician | |
| Sol Saihati | .... | lighting technician: dailies | |
| Alex Stevenson | .... | electrician | |
Casting Department | |||
| Colin Jones | .... | casting associate | |
| Tom Newton | .... | casting assistant | |
| Toby Spigel | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Caroline Hickman | .... | costume assistant | |
| Rachel Lilley | .... | costume trainee | |
| Katie Nolff | .... | costume production assistant | |
| Kevin Pratten | .... | principal dresser | |
| Clare Spragge | .... | costume supervisor | |
Editorial Department | |||
| Kate Rose Itzkowitz | .... | assistant editor | |
| Morgan Neville | .... | first assistant editor | |
| Mark Wright | .... | negative cutter | |
| Simon Harris | .... | assistant editor (london) (uncredited) | |
Music Department | |||
| Stefan Karrer | .... | soundtrack album producer | |
Transportation Department | |||
| Martin Alderdice | .... | picture car coordinator | |
| Paul Howitt | .... | facilities driver | |
| Lee Isgar | .... | driver: Naomi Watts | |
| Graeme Main | .... | camera car driver | |
| Piotr Walczak | .... | transport facilities manager | |
Other crew | |||
| Deborah Alexander-Lee | .... | assistant to producer (as Deborah Alexander) | |
| Kim Armitage | .... | script supervisor | |
| Lauren Barnhart | .... | assistant: Naomi Watts | |
| Catherine Booton | .... | assistant production coordinator trainee | |
| Sara Briggs | .... | security | |
| Damon Crane | .... | location assistant | |
| Ben Curran | .... | set-runner | |
| Christian De-vos | .... | head of security | |
| Francesca Dowd | .... | production coordinator | |
| Ellie Downham | .... | cashier | |
| Amy Draughn | .... | assistant: Mr. Brolin | |
| Marisa Fernández Armenteros | .... | production coordinator | |
| Jo Gallagher | .... | assistant production coordinator | |
| Itamar Gelbman | .... | security: Mr. Hopkins | |
| Richard George | .... | location scout | |
| Anna Gonzálvez Ortuño | .... | press | |
| Michael J. Harker | .... | completion bond representative | |
| Michael Harm | .... | location manager | |
| Rebecca Hawkes | .... | technical services: worldwide, Schedule 2 | |
| Jon Hills | .... | location security/support | |
| Steve Keane | .... | security and location assistant | |
| Scott Kordish | .... | production coordinator | |
| Philip Lobban | .... | location scouting | |
| Pietro Lorino Jr. | .... | production accountant: ny | |
| Pablo F. Masó | .... | business affairs: Imagina International Sales (as Pablo Masó) | |
| Josey McNamara | .... | floor runner | |
| Louise O'Malley | .... | production accountant | |
| Alex Paterakis | .... | floor runner | |
| Kate Penlington | .... | clearances | |
| Diana Perko | .... | unit nurse | |
| Emma Pindar | .... | technical services: worldwide, Schedule 2 | |
| Fabiano De Souza Ramos | .... | production staff | |
| Sophie Saleyron | .... | press attache: France | |
| Angelika Schierz | .... | production assistant | |
| Asha Sharma | .... | assistant location manager | |
| Tom Stourton | .... | assistant location manager | |
| Pippa Suren | .... | location coordinator | |
| Melissa Tomjanovich | .... | assistant: Woody Allen | |
| Mariia Viita | .... | floor runner | |
| David Wilcock | .... | first assistant accountant | |
| Emma Woodcock | .... | location scout | |
| Luis Elías García | .... | production runner (uncredited) | |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
You Will Meet a Tall Dark Stranger, the latest Woody Allen's film is light, airy, lacy, elegant, sad, bittersweet and tender, just like a Boccherini musical piece for guitar that a beautiful young woman was playing sitting next to the window in a London apartment/flat. It is also funny, sharp, mocks the absurdity of existence, and manages to highlight the insignificance and callousness of the characters yet not to judge them while letting them search for "bell' alma inamorata", and are not we all searching? Allen is still the master of his craft, the creator of charming dra-medies. His favorite and constant themes of lives and deaths of the relationships, of growing older and refusing to accept it, of trying to postpone the inevitable meeting with a "tall dark stranger", of struggle to find the reason in a tale, "full of sound and fury", are all here. But he knows how to look at the familiar material from the unusual angle by mixing masterfully humor and seriousness, light touch and insight in the right proportions to explore the desires, longings, and motivations of the characters. One of the themes Allen was interested while working on the Tall Dark Stranger was faith in something because it is for humans to prefer the power of self-delusions over the darkness of bitter truths. He said: "This sounds so bleak when I say it, but we need some delusions to keep us going. And the people who successfully delude themselves seem happier than the people who can't." Sounds too serious but it is Allen's film, and is ironic, witty, and light. I ask myself why I love Allen's films so much and always wait for them impatiently. One of the reasons, he makes them for adults and about adults. His target audiences want to see a clever intelligent film without being manipulated or spoon fed. I admire Allen for respecting his viewers: "I never write down to them. I always assume that they're all as smart as I am . . . if not smarter". Or, more likely, I love his films because the beauty lies in the eye of the beholder, and my eyes are always open to the beauty of his films. They are so perfectly constructed and framed. They look and sound terrific. While watching them, I don't understand how can they not be liked and admired by everyone? His short films are not small to me. I need them and I always will.