| Photos (See all 27 | slideshow) | Videos (see all 17) |
| Sam Rockwell | ... | Sam Bell | |
| Kevin Spacey | ... | GERTY (voice) | |
| Dominique McElligott | ... | Tess Bell | |
| Rosie Shaw | ... | Little Eve | |
| Adrienne Shaw | ... | Nanny | |
| Kaya Scodelario | ... | Eve | |
| Benedict Wong | ... | Thompson | |
| Matt Berry | ... | Overmeyers | |
| Malcolm Stewart | ... | Technician | |
| Robin Chalk | ... | Sam Bell Clone | |
| rest of cast listed alphabetically: | |||
| Mary Tyler Moore | ... | Herself (archive footage) (uncredited) | |
Directed by | |||
| Duncan Jones | |||
Writing credits | ||
| Duncan Jones | (story) | |
| Nathan Parker | (written by) | |
Produced by | |||
| Trevor Beattie | .... | executive producer | |
| Nicky Bentham | .... | co-producer (as Nicky Moss) | |
| Bil Bungay | .... | executive producer | |
| Stuart Fenegan | .... | producer | |
| Mark Foligno | .... | co-producer | |
| Alex Francis | .... | co-producer | |
| Michael Henry | .... | executive producer | |
| Justin Lanchbury | .... | associate producer | |
| Steve Milne | .... | co-producer | |
| Deepak Sikka | .... | co-producer | |
| Trudie Styler | .... | producer | |
| Julia Valentine | .... | line producer | |
| Bill Zysblat | .... | executive producer | |
Original Music by | |||
| Clint Mansell | |||
Cinematography by | |||
| Gary Shaw | (director of photography) | ||
Film Editing by | |||
| Nicolas Gaster | |||
Casting by | |||
| Manuel Puro | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Production Design by | |||
| Tony Noble | |||
Art Direction by | |||
| Hideki Arichi | |||
Costume Design by | |||
| Jane Petrie | |||
Makeup Department | |||
| Louise Coles | .... | additional makeup artist | |
| Karen Dawson | .... | hair designer (as Karen Bryan-Dawson) | |
| Karen Dawson | .... | makeup designer (as Karen Bryan-Dawson) | |
| Richard Muller | .... | hair stylist | |
| Richard Muller | .... | makeup artist | |
Production Management | |||
| Imogen Bell | .... | production manager | |
| Dan Bentham | .... | post-production supervisor | |
| Jeremy Burnage | .... | production manager: model unit | |
| Katie Shahrokh | .... | post-production manager: Molinare | |
Second Unit Director or Assistant Director | |||
| Simon Downes | .... | second assistant director | |
| Henry Forsyth | .... | additional third assistant director | |
| Alex Kaye-Besley | .... | third assistant director | |
| Guy Travers | .... | first assistant director: model unit | |
| Mick Ward | .... | first assistant director | |
Art Department | |||
| Simon Bailey | .... | property master | |
| Marc Beros | .... | head painter | |
| Richard Boyton | .... | stand-by painter | |
| Sophie Bridgman | .... | production buyer | |
| Sophie Bridgman | .... | set dresser | |
| Matt French | .... | additional dressing props | |
| Chris Hayes | .... | senior model maker: model unit | |
| Ron Hone | .... | model maker: model unit | |
| Steve Howarth | .... | model shop supervisor: model unit | |
| Douglas Ingram | .... | storyboard artist | |
| Lee James | .... | model maker trainee: model unit | |
| John Lee | .... | senior model maker: model unit | |
| Peter Lee | .... | model maker: model unit | |
| Danny Margetts | .... | assistant construction manager | |
| Steven Nix | .... | stand-by painter | |
| Martine Palmer | .... | additional graphic design assistant | |
| Andrew Proctor | .... | draughtsman | |
| Gavin Rothery | .... | conceptual designer | |
| Gavin Rothery | .... | head of graphic design: pre-vis motion graphics | |
| Peter Ryan | .... | assistant art director | |
| Maia Sautelet | .... | draughstperson | |
| Kevin Scarrott | .... | props | |
| Simon Sparsis | .... | on-set construction manager | |
| Richard St. Clair | .... | model maker: model unit | |
| Julian Walker | .... | graphic designer | |
| Sarah E. Ward | .... | art department trainee (as Sarah Elizabeth Ward) | |
| Howard Weaver | .... | scenic artist | |
| Josh Fifarek | .... | assistant art director (uncredited) | |
| Bill Pearson | .... | supervising propmaker (uncredited) | |
| Catherine Whiting | .... | model maker (uncredited) | |
Sound Department | |||
| Kevin Brazier | .... | dialogue editor | |
| Paul William Edwards | .... | foley editor (as Paul Edwards) | |
| Simon Epstein | .... | foley mixer | |
| Anthony Ferretti | .... | sound maintenance | |
| Scott Jones | .... | sound re-recording mixer | |
| Marc Lawes | .... | sound effects editor | |
| Stefano Marchetti | .... | assistant sound re-recording mixer | |
| Darren McQuade | .... | adr mixer | |
| Patrick Owen | .... | production sound mixer | |
| Nick Roberts | .... | additional adr recordist | |
| Jason Swanscott | .... | foley artist | |
| Ted Swanscott | .... | foley artist | |
| Trevor Swanscott | .... | foley mixer | |
| Ricky Butt | .... | foley artist (uncredited) | |
| Claire Mahoney | .... | foley artist (uncredited) | |
Special Effects by | |||
| Garth Gutteridge | .... | gimble rigger: Effects Associates | |
| Peter Hutchinson | .... | gimble rigger: Effects Associates | |
| Stuart Prior | .... | gimble rigger: Effects Associates | |
Visual Effects by | |||
| Paul Amiras | .... | data operator: Cinesite | |
| Sam Bassett | .... | compositor: Cinesite | |
| Mawusime Blewuada | .... | data operator: Cinesite | |
| Chas Cash | .... | CG sequence supervisor: Cinesite | |
| Lee Chidwick | .... | visual effects coordinator: Cinesite | |
| Chris Clough | .... | data operator: Cinesite | |
| Martin Clough | .... | data operator: Molinare | |
| Matthew D'Angibau | .... | matchmover: Cinesite (as Matt D'Angibau) | |
| Joe Dearman | .... | data operator: Molinare | |
| Kunal Desai | .... | data operator: Cinesite | |
| Paul Edwards | .... | visual effects producer: Cinesite | |
| Chris Elson | .... | compositor: Cinesite | |
| Guy Elson | .... | compositor: Cinesite | |
| David Emeny | .... | compositor: Molinare | |
| Kevin Fitzgerald | .... | production support: Cinesite | |
| Roger Gibbon | .... | senior digital matte painter: Cinesite | |
| Dianne Gordon | .... | data operations manager: Cinesite | |
| Joey Harris | .... | lead matchmover: Cinesite | |
| Dan Harrod | .... | lead compositor: Cinesite | |
| Clive Haward | .... | production support: Cinesite | |
| Barrett Heathcote | .... | visual effects editor | |
| Sandro Henriques | .... | compositor: Cinesite | |
| Afif Heukeshoven | .... | matchmover: Cinesite (as Afif Haukeshoven) | |
| Ben Hicks | .... | compositor: Cinesite | |
| Antony Hunt | .... | visual effects executive producer: Cinesite | |
| Ryan Hutchings | .... | compositor: Molinare | |
| Aleksandar Jovanovic | .... | compositor: Molinare | |
| Sevendalino Khay | .... | senior digital matte painter: Cinesite | |
| Simon Kilroe | .... | titles | |
| Simon Kilroe | .... | visual effects supervisor: Molinare | |
| Amy Lloyd | .... | matchmover: Cinesite | |
| Simon Maddocks | .... | CG sequence supervisor: Cinesite | |
| Fergal McGivney | .... | data operator: Cinesite | |
| Claire McGrane | .... | 3D production manager: Cinesite | |
| Rick McMahon | .... | rotoscope artist: Molinare | |
| Molinare | .... | visual effects | |
| Digna Nigoumi | .... | motion control rigger: Visual Effects Company | |
| Dylan Owen | .... | compositor: Cinesite | |
| Nawaz Parker | .... | data operator: Cinesite | |
| Christian Perschky | .... | production support: Cinesite | |
| Daniel Pettipher | .... | visual effects production manager: Cinesite (as Dan Pettipher) | |
| Elena Pierides | .... | data operator: Cinesite | |
| Ian Plumb | .... | compositor: Cinesite | |
| David Richardson | .... | production support: Cinesite | |
| Gavin Rothery | .... | visual effects supervisor: ThinkTank Studios | |
| Lewis Saunders | .... | compositor: Molinare | |
| Abigail Scollay | .... | compositor: Cinesite | |
| Shaun Scott | .... | senior model and texture artist: Cinesite | |
| David Sewell | .... | lead compositor: Cinesite (as Dave Sewell) | |
| Nishet Shah | .... | production support: Cinesite | |
| John Slattery | .... | compositor: Cinesite | |
| Alex Smith | .... | lead compositor: Cineiste | |
| Danny Smith | .... | production support: Cinesite | |
| Simon Stanley-Clamp | .... | visual effects supervisor: Cinesite | |
| Adrian Steel | .... | data operator: Cinesite (as Adrian Steele) | |
| Marc Stevenson | .... | character animator: Cinesite | |
| Marc Stevenson | .... | character animator: Cinsite | |
| Edwin Stutely | .... | data operator: Molinare | |
| Shanaullah Umerji | .... | visual effects producer: Molinare | |
| Courtney Vanderslice | .... | visual effects executive producer: Cinesite (as Courteney Vanderslice-Law) | |
| Holger Voss | .... | senior technical director: Cinesite | |
| Shivaji Waikhom | .... | rotoscope artist | |
| Karen Wand | .... | compositor: Cinesite | |
| Anthony Webb | .... | compositor: Molinare | |
| Ollie Weigall | .... | roto artist: Cinesite | |
| Royston Willcocks | .... | senior model and texture artist: Cinesite | |
| Angie Wills | .... | visual effects producer: Cinesite | |
| Malcolm Woolridge | .... | motion control rigger: Visual Effects Company | |
| Aviv Yaron | .... | vfx digital stills photographer: Cinesite | |
| Keith Barton | .... | production support: Cinesite (uncredited) | |
| Kevin Campbell | .... | visual effects (uncredited) | |
| Paul Maurice | .... | Lidar supervisor: Lidar Services (uncredited) | |
| Ian Nichols | .... | Lidar operator (uncredited) | |
| Bill Pearson | .... | miniature effects supervisor (uncredited) | |
| Tom Whittington | .... | paint & roto artist (uncredited) | |
Stunts | |||
| Rod Woodruff | .... | stunt coordinator | |
| Rod Woodruff | .... | stunt performer | |
Costume and Wardrobe Department | |||
| Lucy Donowho | .... | costume supervisor | |
| Barbara Kuznar | .... | costume maker (as Basia Kuznar) | |
| Hilary Wili | .... | costume maker | |
Editorial Department | |||
| Nick Anderson | .... | on-line editor | |
| Justin Eely | .... | on-line editor | |
| Barrett Heathcote | .... | video playback editor | |
| Matt James | .... | digital film supervisor | |
| Søren Kloch | .... | film supervisor: Molinare | |
| Steve Knight | .... | digital intermediate technician | |
| Katy Piggott | .... | digital intermediate technician | |
| Andy Richards | .... | DI conform editor | |
| Richard Smither | .... | assistant editor | |
| Gemma Townsend | .... | digital intermediate technician | |
| Tim Waller | .... | senior colorist | |
| Emily Woods | .... | negative checker: Bellwood Media | |
Music Department | |||
| Geoff Foster | .... | music mixer | |
| Geoff Foster | .... | score recordist | |
| Katia Lewin Jablonsky | .... | score assistant (as Katia Lewin Palomo) | |
| Clint Mansell | .... | music producer | |
| Carly Paradis | .... | additional music arranger | |
| Carly Paradis | .... | musician: piano | |
| Greg Vines | .... | score assistant | |
| Benjamin Wallfisch | .... | composer: opening sequence music | |
| Nigel Wiesehan | .... | score assistant | |
Transportation Department | |||
| James Chambers | .... | driver: runner (as James 'Chilli') | |
| Jeff Hudson | .... | driver: Mr. Rockwell | |
| Steve Rivenell | .... | driver: Mr. Rockwell | |
Other crew | |||
| Liz Barron | .... | production finance: Limelight | |
| Jo Beckett | .... | script supervisor | |
| Daniel Bee | .... | publicist: Liberty Films | |
| Penny Brockhurst | .... | production auditor: Shipleys | |
| Deepti Burton | .... | legal counsel: Wiggin LLP | |
| Livia Burton | .... | production coordinator | |
| Roisin Byrne | .... | production accountant: Cinesite | |
| Gary Condes | .... | Meisner consultant | |
| Francesca Cooper | .... | caterer: Abadia Catering | |
| Jeremy Fowler | .... | electronic press kit | |
| Ben Gardner | .... | assistant: Duncan Jones | |
| Vidal Graham | .... | table tennis tutor | |
| Robin Green | .... | production accountant | |
| Tom Hannon | .... | health & safety advisor: Hannonmedia | |
| Ella Harris | .... | floor runner | |
| Ruth Hodgson | .... | completion bond: Film Finances | |
| Steve Joberns | .... | production auditor: Shipleys | |
| Miles Ketley | .... | legal counsel: Wiggin LLP | |
| Simon Kilroe | .... | title designer | |
| Stephen Kingsley | .... | legal representative: Thurloe & Lyndhirst, Limelight | |
| Ivan Mactaggart | .... | production finance: Limelight | |
| Emily Manthorpe | .... | production assistant | |
| Sheila Fraser Milne | .... | completion bond: Film Finances | |
| Richard North | .... | accounting assistant | |
| Phelim O'Neill | .... | electronic press kit | |
| Becky Page | .... | assistant: Stuart Fenegan | |
| Margaret Parvin | .... | legal counsel: Wiggin LLP | |
| Gillian Roberts | .... | head of business development: Cinesite (as Gill Roberts) | |
| Peter Scholes | .... | caterer: Abadia Catering | |
| Katia Scodelario | .... | chaperone | |
| Guy Sheppard | .... | legal counsel: Wiggin LLP | |
| Sam Tatton-Brown | .... | legal representative: Davenport Lyons, Molinare (as Sam Tatton Brown) | |
Thanks | |||
| Eddie Dias | .... | thanks | |
| Rob Garvie | .... | special thanks (as Rob Garvey) | |
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| The Witnesses | Head-On | A Single Man | Munich | Boy A |
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| Full cast and crew | Company credits | External reviews |
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The Moon has always been a source of wonder and mystery. It is so far away, yet much closer than the stars. Man has reached the Moon, but there is still so much that is unknown about it. It is a bridge between mystery and fact, and director Duncan Jones uses it as a brilliant setting for his science fiction film Moon.
The movie stars Sam Rockwell as a lunar astronaut also named Sam stationed alone on the Moon for three years. He isn't entirely alone, because the AI computer GERTY (Kevin Spacey) is constantly following him. Energy companies have discovered vast amounts of Helium on the Moon, and they now mine that Helium in order to power the Earth. As Sam begins his last two weeks stationed in the mining facility, his mind begins to break down and he soon realizes he just might not be able to make it back.
It is quite obvious that the main intention of Moon was to pay respect to the older science fiction movies like Alien and 2001: A Space Odyssey, and it is a great homage to the genre indeed. GERTY is possibly one of my favorite AI computers ever in a movie, because it constantly shows its mood through a series of different smiley faces, and has Kevin Spacey's voice. The overall story of Moon is pretty good, and it definitely tugs a bit on your emotions because the main character Sam is so real and relatable. It is a bit more of an art film, but I have found that the mixture of art and Sci-Fi is a brilliant combination.
The absolute key ingredient to making Moon was finding a capable actor because it is essentially a one man show, and they picked a winner with Sam Rockwell. Rockwell gives one of his best performances to date, and while it might be a little early to predict I can see him getting an Oscar nomination for his role. The other great thing about this picture is the special effects. Since the budget was so low this could have been a disaster, but the shots of the Moon Rovers and Harvesters were astonishingly realistic, and a typical movie goer would think this had at least a 40 million dollar budget. It is amazing how much more was accomplished with this tiny budget compared to the $200 million dollars poured into Transformers: Revenge of the Fallen.
Overall Moon is a complete film. It isn't groundbreaking, but it accomplished everything it set out to be, which are a great homage and a chance for Sam Rockwell to really show his acting prowess. I found myself leaving the theater with a great feeling of satisfaction that I have only received from a couple movies this year so far.
9/10