| Photos (See all 27 | slideshow) | Videos (see all 17) |
| Sam Rockwell | ... | Sam Bell | |
| Kevin Spacey | ... | GERTY (voice) | |
| Dominique McElligott | ... | Tess Bell | |
| Rosie Shaw | ... | Little Eve | |
| Adrienne Shaw | ... | Nanny | |
| Kaya Scodelario | ... | Eve | |
| Benedict Wong | ... | Thompson | |
| Matt Berry | ... | Overmeyers | |
| Malcolm Stewart | ... | Technician | |
| Robin Chalk | ... | Sam Bell Clone | |
| rest of cast listed alphabetically: | |||
| Mary Tyler Moore | ... | Herself (archive footage) (uncredited) | |
Directed by | |||
| Duncan Jones | |||
Writing credits | ||
| Duncan Jones | (story) | |
| Nathan Parker | (written by) | |
Produced by | |||
| Trevor Beattie | .... | executive producer | |
| Nicky Bentham | .... | co-producer (as Nicky Moss) | |
| Bil Bungay | .... | executive producer | |
| Stuart Fenegan | .... | producer | |
| Mark Foligno | .... | co-producer | |
| Alex Francis | .... | co-producer | |
| Michael Henry | .... | executive producer | |
| Justin Lanchbury | .... | associate producer | |
| Steve Milne | .... | co-producer | |
| Deepak Sikka | .... | co-producer | |
| Trudie Styler | .... | producer | |
| Julia Valentine | .... | line producer | |
| Bill Zysblat | .... | executive producer | |
Original Music by | |||
| Clint Mansell | |||
Cinematography by | |||
| Gary Shaw | (director of photography) | ||
Film Editing by | |||
| Nicolas Gaster | |||
Casting by | |||
| Manuel Puro | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Production Design by | |||
| Tony Noble | |||
Art Direction by | |||
| Hideki Arichi | |||
Costume Design by | |||
| Jane Petrie | |||
Makeup Department | |||
| Louise Coles | .... | additional makeup artist | |
| Karen Dawson | .... | hair designer (as Karen Bryan-Dawson) | |
| Karen Dawson | .... | makeup designer (as Karen Bryan-Dawson) | |
| Richard Muller | .... | hair stylist | |
| Richard Muller | .... | makeup artist | |
Production Management | |||
| Imogen Bell | .... | production manager | |
| Dan Bentham | .... | post-production supervisor | |
| Jeremy Burnage | .... | production manager: model unit | |
| Katie Shahrokh | .... | post-production manager: Molinare | |
Second Unit Director or Assistant Director | |||
| Simon Downes | .... | second assistant director | |
| Henry Forsyth | .... | additional third assistant director | |
| Alex Kaye-Besley | .... | third assistant director | |
| Guy Travers | .... | first assistant director: model unit | |
| Mick Ward | .... | first assistant director | |
Art Department | |||
| Simon Bailey | .... | property master | |
| Marc Beros | .... | head painter | |
| Richard Boyton | .... | stand-by painter | |
| Sophie Bridgman | .... | production buyer | |
| Sophie Bridgman | .... | set dresser | |
| Matt French | .... | additional dressing props | |
| Chris Hayes | .... | senior model maker: model unit | |
| Ron Hone | .... | model maker: model unit | |
| Steve Howarth | .... | model shop supervisor: model unit | |
| Douglas Ingram | .... | storyboard artist | |
| Lee James | .... | model maker trainee: model unit | |
| John Lee | .... | senior model maker: model unit | |
| Peter Lee | .... | model maker: model unit | |
| Danny Margetts | .... | assistant construction manager | |
| Steven Nix | .... | stand-by painter | |
| Martine Palmer | .... | additional graphic design assistant | |
| Andrew Proctor | .... | draughtsman | |
| Gavin Rothery | .... | conceptual designer | |
| Gavin Rothery | .... | head of graphic design: pre-vis motion graphics | |
| Peter Ryan | .... | assistant art director | |
| Maia Sautelet | .... | draughstperson | |
| Kevin Scarrott | .... | props | |
| Simon Sparsis | .... | on-set construction manager | |
| Richard St. Clair | .... | model maker: model unit | |
| Julian Walker | .... | graphic designer | |
| Sarah E. Ward | .... | art department trainee (as Sarah Elizabeth Ward) | |
| Howard Weaver | .... | scenic artist | |
| Josh Fifarek | .... | assistant art director (uncredited) | |
| Bill Pearson | .... | supervising propmaker (uncredited) | |
| Catherine Whiting | .... | model maker (uncredited) | |
Sound Department | |||
| Kevin Brazier | .... | dialogue editor | |
| Paul William Edwards | .... | foley editor (as Paul Edwards) | |
| Simon Epstein | .... | foley mixer | |
| Anthony Ferretti | .... | sound maintenance | |
| Scott Jones | .... | sound re-recording mixer | |
| Marc Lawes | .... | sound effects editor | |
| Stefano Marchetti | .... | assistant sound re-recording mixer | |
| Darren McQuade | .... | adr mixer | |
| Patrick Owen | .... | production sound mixer | |
| Nick Roberts | .... | additional adr recordist | |
| Jason Swanscott | .... | foley artist | |
| Ted Swanscott | .... | foley artist | |
| Trevor Swanscott | .... | foley mixer | |
| Ricky Butt | .... | foley artist (uncredited) | |
| Claire Mahoney | .... | foley artist (uncredited) | |
Special Effects by | |||
| Garth Gutteridge | .... | gimble rigger: Effects Associates | |
| Peter Hutchinson | .... | gimble rigger: Effects Associates | |
| Stuart Prior | .... | gimble rigger: Effects Associates | |
Visual Effects by | |||
| Paul Amiras | .... | data operator: Cinesite | |
| Sam Bassett | .... | compositor: Cinesite | |
| Mawusime Blewuada | .... | data operator: Cinesite | |
| Chas Cash | .... | CG sequence supervisor: Cinesite | |
| Lee Chidwick | .... | visual effects coordinator: Cinesite | |
| Chris Clough | .... | data operator: Cinesite | |
| Martin Clough | .... | data operator: Molinare | |
| Matthew D'Angibau | .... | matchmover: Cinesite (as Matt D'Angibau) | |
| Joe Dearman | .... | data operator: Molinare | |
| Kunal Desai | .... | data operator: Cinesite | |
| Paul Edwards | .... | visual effects producer: Cinesite | |
| Chris Elson | .... | compositor: Cinesite | |
| Guy Elson | .... | compositor: Cinesite | |
| David Emeny | .... | compositor: Molinare | |
| Kevin Fitzgerald | .... | production support: Cinesite | |
| Roger Gibbon | .... | senior digital matte painter: Cinesite | |
| Dianne Gordon | .... | data operations manager: Cinesite | |
| Joey Harris | .... | lead matchmover: Cinesite | |
| Dan Harrod | .... | lead compositor: Cinesite | |
| Clive Haward | .... | production support: Cinesite | |
| Barrett Heathcote | .... | visual effects editor | |
| Sandro Henriques | .... | compositor: Cinesite | |
| Afif Heukeshoven | .... | matchmover: Cinesite (as Afif Haukeshoven) | |
| Ben Hicks | .... | compositor: Cinesite | |
| Antony Hunt | .... | visual effects executive producer: Cinesite | |
| Ryan Hutchings | .... | compositor: Molinare | |
| Aleksandar Jovanovic | .... | compositor: Molinare | |
| Sevendalino Khay | .... | senior digital matte painter: Cinesite | |
| Simon Kilroe | .... | titles | |
| Simon Kilroe | .... | visual effects supervisor: Molinare | |
| Amy Lloyd | .... | matchmover: Cinesite | |
| Simon Maddocks | .... | CG sequence supervisor: Cinesite | |
| Fergal McGivney | .... | data operator: Cinesite | |
| Claire McGrane | .... | 3D production manager: Cinesite | |
| Rick McMahon | .... | rotoscope artist: Molinare | |
| Molinare | .... | visual effects | |
| Digna Nigoumi | .... | motion control rigger: Visual Effects Company | |
| Dylan Owen | .... | compositor: Cinesite | |
| Nawaz Parker | .... | data operator: Cinesite | |
| Christian Perschky | .... | production support: Cinesite | |
| Daniel Pettipher | .... | visual effects production manager: Cinesite (as Dan Pettipher) | |
| Elena Pierides | .... | data operator: Cinesite | |
| Ian Plumb | .... | compositor: Cinesite | |
| David Richardson | .... | production support: Cinesite | |
| Gavin Rothery | .... | visual effects supervisor: ThinkTank Studios | |
| Lewis Saunders | .... | compositor: Molinare | |
| Abigail Scollay | .... | compositor: Cinesite | |
| Shaun Scott | .... | senior model and texture artist: Cinesite | |
| David Sewell | .... | lead compositor: Cinesite (as Dave Sewell) | |
| Nishet Shah | .... | production support: Cinesite | |
| John Slattery | .... | compositor: Cinesite | |
| Alex Smith | .... | lead compositor: Cineiste | |
| Danny Smith | .... | production support: Cinesite | |
| Simon Stanley-Clamp | .... | visual effects supervisor: Cinesite | |
| Adrian Steel | .... | data operator: Cinesite (as Adrian Steele) | |
| Marc Stevenson | .... | character animator: Cinesite | |
| Marc Stevenson | .... | character animator: Cinsite | |
| Edwin Stutely | .... | data operator: Molinare | |
| Shanaullah Umerji | .... | visual effects producer: Molinare | |
| Courtney Vanderslice | .... | visual effects executive producer: Cinesite (as Courteney Vanderslice-Law) | |
| Holger Voss | .... | senior technical director: Cinesite | |
| Shivaji Waikhom | .... | rotoscope artist | |
| Karen Wand | .... | compositor: Cinesite | |
| Anthony Webb | .... | compositor: Molinare | |
| Ollie Weigall | .... | roto artist: Cinesite | |
| Royston Willcocks | .... | senior model and texture artist: Cinesite | |
| Angie Wills | .... | visual effects producer: Cinesite | |
| Malcolm Woolridge | .... | motion control rigger: Visual Effects Company | |
| Aviv Yaron | .... | vfx digital stills photographer: Cinesite | |
| Keith Barton | .... | production support: Cinesite (uncredited) | |
| Kevin Campbell | .... | visual effects (uncredited) | |
| Paul Maurice | .... | Lidar supervisor: Lidar Services (uncredited) | |
| Ian Nichols | .... | Lidar operator (uncredited) | |
| Bill Pearson | .... | miniature effects supervisor (uncredited) | |
| Tom Whittington | .... | paint & roto artist (uncredited) | |
Stunts | |||
| Rod Woodruff | .... | stunt coordinator | |
| Rod Woodruff | .... | stunt performer | |
Costume and Wardrobe Department | |||
| Lucy Donowho | .... | costume supervisor | |
| Barbara Kuznar | .... | costume maker (as Basia Kuznar) | |
| Hilary Wili | .... | costume maker | |
Editorial Department | |||
| Nick Anderson | .... | on-line editor | |
| Justin Eely | .... | on-line editor | |
| Barrett Heathcote | .... | video playback editor | |
| Matt James | .... | digital film supervisor | |
| Søren Kloch | .... | film supervisor: Molinare | |
| Steve Knight | .... | digital intermediate technician | |
| Katy Piggott | .... | digital intermediate technician | |
| Andy Richards | .... | DI conform editor | |
| Richard Smither | .... | assistant editor | |
| Gemma Townsend | .... | digital intermediate technician | |
| Tim Waller | .... | senior colorist | |
| Emily Woods | .... | negative checker: Bellwood Media | |
Music Department | |||
| Geoff Foster | .... | music mixer | |
| Geoff Foster | .... | score recordist | |
| Katia Lewin Jablonsky | .... | score assistant (as Katia Lewin Palomo) | |
| Clint Mansell | .... | music producer | |
| Carly Paradis | .... | additional music arranger | |
| Carly Paradis | .... | musician: piano | |
| Greg Vines | .... | score assistant | |
| Benjamin Wallfisch | .... | composer: opening sequence music | |
| Nigel Wiesehan | .... | score assistant | |
Transportation Department | |||
| James Chambers | .... | driver: runner (as James 'Chilli') | |
| Jeff Hudson | .... | driver: Mr. Rockwell | |
| Steve Rivenell | .... | driver: Mr. Rockwell | |
Other crew | |||
| Liz Barron | .... | production finance: Limelight | |
| Jo Beckett | .... | script supervisor | |
| Daniel Bee | .... | publicist: Liberty Films | |
| Penny Brockhurst | .... | production auditor: Shipleys | |
| Deepti Burton | .... | legal counsel: Wiggin LLP | |
| Livia Burton | .... | production coordinator | |
| Roisin Byrne | .... | production accountant: Cinesite | |
| Gary Condes | .... | Meisner consultant | |
| Francesca Cooper | .... | caterer: Abadia Catering | |
| Jeremy Fowler | .... | electronic press kit | |
| Ben Gardner | .... | assistant: Duncan Jones | |
| Vidal Graham | .... | table tennis tutor | |
| Robin Green | .... | production accountant | |
| Tom Hannon | .... | health & safety advisor: Hannonmedia | |
| Ella Harris | .... | floor runner | |
| Ruth Hodgson | .... | completion bond: Film Finances | |
| Steve Joberns | .... | production auditor: Shipleys | |
| Miles Ketley | .... | legal counsel: Wiggin LLP | |
| Simon Kilroe | .... | title designer | |
| Stephen Kingsley | .... | legal representative: Thurloe & Lyndhirst, Limelight | |
| Ivan Mactaggart | .... | production finance: Limelight | |
| Emily Manthorpe | .... | production assistant | |
| Sheila Fraser Milne | .... | completion bond: Film Finances | |
| Richard North | .... | accounting assistant | |
| Phelim O'Neill | .... | electronic press kit | |
| Becky Page | .... | assistant: Stuart Fenegan | |
| Margaret Parvin | .... | legal counsel: Wiggin LLP | |
| Gillian Roberts | .... | head of business development: Cinesite (as Gill Roberts) | |
| Peter Scholes | .... | caterer: Abadia Catering | |
| Katia Scodelario | .... | chaperone | |
| Guy Sheppard | .... | legal counsel: Wiggin LLP | |
| Sam Tatton-Brown | .... | legal representative: Davenport Lyons, Molinare (as Sam Tatton Brown) | |
Thanks | |||
| Eddie Dias | .... | thanks | |
| Rob Garvie | .... | special thanks (as Rob Garvey) | |
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| The Witnesses | Head-On | A Single Man | Munich | Boy A |
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Go see this movie! I've been lucky enough to have an opportunity to see this movie down here at SXSW and I am the better for it.
You don't really stumble upon many riveting, independent, sci-fi films that look beautiful(let alone don't contain aliens and space magic) and capture major emotional themes successfully. Moon accomplishes this, and with very little CGI at that.
Sam Bell is an astronaut working for a corporation on the far side of the moon. His job? Maintaining a lunar facility and the automated machines which are harvesting the moon's surface for Helium 3. The harvested material is then sent back to Earth to use as energy.
Sam is on the very last leg of a three year contract and is quite anxious to return to his wife and daughter. Barring any incidents, Sam will be able to leave his solitude. But something does go wrong.
That said, tremendous acting by Sam Rockwell carries this film - mainly because he is basically the only person in the movie. I'm not talking about Cast Away meets the moon This film explores loneliness much deeper than that, and with much more emotion as well. Luckily for us there are no pieces of sports equipment on which the lead dotes, but instead we're blessed with a monotonous talking robot(voiced by Kevin Spacey) reminiscent of Hal from 2001 notoriety.
I advise that people go see this film, not only to support Duncan, the director, and Sam, but also to explore to possibilities of space and the humanity of loneliness.
Don't go in expecting to find what I have discussed, but go in expecting to find something inside yourself.