| Photos (See all 27 | slideshow) | Videos (see all 17) |
| Sam Rockwell | ... | Sam Bell | |
| Kevin Spacey | ... | GERTY (voice) | |
| Dominique McElligott | ... | Tess Bell | |
| Rosie Shaw | ... | Little Eve | |
| Adrienne Shaw | ... | Nanny | |
| Kaya Scodelario | ... | Eve | |
| Benedict Wong | ... | Thompson | |
| Matt Berry | ... | Overmeyers | |
| Malcolm Stewart | ... | Technician | |
| Robin Chalk | ... | Sam Bell Clone | |
| rest of cast listed alphabetically: | |||
| Mary Tyler Moore | ... | Herself (archive footage) (uncredited) | |
Directed by | |||
| Duncan Jones | |||
Writing credits | ||
| Duncan Jones | (story) | |
| Nathan Parker | (written by) | |
Produced by | |||
| Trevor Beattie | .... | executive producer | |
| Nicky Bentham | .... | co-producer (as Nicky Moss) | |
| Bil Bungay | .... | executive producer | |
| Stuart Fenegan | .... | producer | |
| Mark Foligno | .... | co-producer | |
| Alex Francis | .... | co-producer | |
| Michael Henry | .... | executive producer | |
| Justin Lanchbury | .... | associate producer | |
| Steve Milne | .... | co-producer | |
| Deepak Sikka | .... | co-producer | |
| Trudie Styler | .... | producer | |
| Julia Valentine | .... | line producer | |
| Bill Zysblat | .... | executive producer | |
Original Music by | |||
| Clint Mansell | |||
Cinematography by | |||
| Gary Shaw | (director of photography) | ||
Film Editing by | |||
| Nicolas Gaster | |||
Casting by | |||
| Manuel Puro | |||
| Jeremy Zimmermann | (as Jeremy Zimmerman) | ||
Production Design by | |||
| Tony Noble | |||
Art Direction by | |||
| Hideki Arichi | |||
Costume Design by | |||
| Jane Petrie | |||
Makeup Department | |||
| Louise Coles | .... | additional makeup artist | |
| Karen Dawson | .... | hair designer (as Karen Bryan-Dawson) | |
| Karen Dawson | .... | makeup designer (as Karen Bryan-Dawson) | |
| Richard Muller | .... | hair stylist | |
| Richard Muller | .... | makeup artist | |
Production Management | |||
| Imogen Bell | .... | production manager | |
| Dan Bentham | .... | post-production supervisor | |
| Jeremy Burnage | .... | production manager: model unit | |
| Katie Shahrokh | .... | post-production manager: Molinare | |
Second Unit Director or Assistant Director | |||
| Simon Downes | .... | second assistant director | |
| Henry Forsyth | .... | additional third assistant director | |
| Alex Kaye-Besley | .... | third assistant director | |
| Guy Travers | .... | first assistant director: model unit | |
| Mick Ward | .... | first assistant director | |
Art Department | |||
| Simon Bailey | .... | property master | |
| Marc Beros | .... | head painter | |
| Richard Boyton | .... | stand-by painter | |
| Sophie Bridgman | .... | production buyer | |
| Sophie Bridgman | .... | set dresser | |
| Matt French | .... | additional dressing props | |
| Chris Hayes | .... | senior model maker: model unit | |
| Ron Hone | .... | model maker: model unit | |
| Steve Howarth | .... | model shop supervisor: model unit | |
| Douglas Ingram | .... | storyboard artist | |
| Lee James | .... | model maker trainee: model unit | |
| John Lee | .... | senior model maker: model unit | |
| Peter Lee | .... | model maker: model unit | |
| Danny Margetts | .... | assistant construction manager | |
| Steven Nix | .... | stand-by painter | |
| Martine Palmer | .... | additional graphic design assistant | |
| Andrew Proctor | .... | draughtsman | |
| Gavin Rothery | .... | conceptual designer | |
| Gavin Rothery | .... | head of graphic design: pre-vis motion graphics | |
| Peter Ryan | .... | assistant art director | |
| Maia Sautelet | .... | draughstperson | |
| Kevin Scarrott | .... | props | |
| Simon Sparsis | .... | on-set construction manager | |
| Richard St. Clair | .... | model maker: model unit | |
| Julian Walker | .... | graphic designer | |
| Sarah E. Ward | .... | art department trainee (as Sarah Elizabeth Ward) | |
| Howard Weaver | .... | scenic artist | |
| Josh Fifarek | .... | assistant art director (uncredited) | |
| Bill Pearson | .... | supervising propmaker (uncredited) | |
| Catherine Whiting | .... | model maker (uncredited) | |
Sound Department | |||
| Kevin Brazier | .... | dialogue editor | |
| Paul William Edwards | .... | foley editor (as Paul Edwards) | |
| Simon Epstein | .... | foley mixer | |
| Anthony Ferretti | .... | sound maintenance | |
| Scott Jones | .... | sound re-recording mixer | |
| Marc Lawes | .... | sound effects editor | |
| Stefano Marchetti | .... | assistant sound re-recording mixer | |
| Darren McQuade | .... | adr mixer | |
| Patrick Owen | .... | production sound mixer | |
| Nick Roberts | .... | additional adr recordist | |
| Jason Swanscott | .... | foley artist | |
| Ted Swanscott | .... | foley artist | |
| Trevor Swanscott | .... | foley mixer | |
| Ricky Butt | .... | foley artist (uncredited) | |
| Claire Mahoney | .... | foley artist (uncredited) | |
Special Effects by | |||
| Garth Gutteridge | .... | gimble rigger: Effects Associates | |
| Peter Hutchinson | .... | gimble rigger: Effects Associates | |
| Stuart Prior | .... | gimble rigger: Effects Associates | |
Visual Effects by | |||
| Paul Amiras | .... | data operator: Cinesite | |
| Sam Bassett | .... | compositor: Cinesite | |
| Mawusime Blewuada | .... | data operator: Cinesite | |
| Chas Cash | .... | CG sequence supervisor: Cinesite | |
| Lee Chidwick | .... | visual effects coordinator: Cinesite | |
| Chris Clough | .... | data operator: Cinesite | |
| Martin Clough | .... | data operator: Molinare | |
| Matthew D'Angibau | .... | matchmover: Cinesite (as Matt D'Angibau) | |
| Joe Dearman | .... | data operator: Molinare | |
| Kunal Desai | .... | data operator: Cinesite | |
| Paul Edwards | .... | visual effects producer: Cinesite | |
| Chris Elson | .... | compositor: Cinesite | |
| Guy Elson | .... | compositor: Cinesite | |
| David Emeny | .... | compositor: Molinare | |
| Kevin Fitzgerald | .... | production support: Cinesite | |
| Roger Gibbon | .... | senior digital matte painter: Cinesite | |
| Dianne Gordon | .... | data operations manager: Cinesite | |
| Joey Harris | .... | lead matchmover: Cinesite | |
| Dan Harrod | .... | lead compositor: Cinesite | |
| Clive Haward | .... | production support: Cinesite | |
| Barrett Heathcote | .... | visual effects editor | |
| Sandro Henriques | .... | compositor: Cinesite | |
| Afif Heukeshoven | .... | matchmover: Cinesite (as Afif Haukeshoven) | |
| Ben Hicks | .... | compositor: Cinesite | |
| Antony Hunt | .... | visual effects executive producer: Cinesite | |
| Ryan Hutchings | .... | compositor: Molinare | |
| Aleksandar Jovanovic | .... | compositor: Molinare | |
| Sevendalino Khay | .... | senior digital matte painter: Cinesite | |
| Simon Kilroe | .... | titles | |
| Simon Kilroe | .... | visual effects supervisor: Molinare | |
| Amy Lloyd | .... | matchmover: Cinesite | |
| Simon Maddocks | .... | CG sequence supervisor: Cinesite | |
| Fergal McGivney | .... | data operator: Cinesite | |
| Claire McGrane | .... | 3D production manager: Cinesite | |
| Rick McMahon | .... | rotoscope artist: Molinare | |
| Molinare | .... | visual effects | |
| Digna Nigoumi | .... | motion control rigger: Visual Effects Company | |
| Dylan Owen | .... | compositor: Cinesite | |
| Nawaz Parker | .... | data operator: Cinesite | |
| Christian Perschky | .... | production support: Cinesite | |
| Daniel Pettipher | .... | visual effects production manager: Cinesite (as Dan Pettipher) | |
| Elena Pierides | .... | data operator: Cinesite | |
| Ian Plumb | .... | compositor: Cinesite | |
| David Richardson | .... | production support: Cinesite | |
| Gavin Rothery | .... | visual effects supervisor: ThinkTank Studios | |
| Lewis Saunders | .... | compositor: Molinare | |
| Abigail Scollay | .... | compositor: Cinesite | |
| Shaun Scott | .... | senior model and texture artist: Cinesite | |
| David Sewell | .... | lead compositor: Cinesite (as Dave Sewell) | |
| Nishet Shah | .... | production support: Cinesite | |
| John Slattery | .... | compositor: Cinesite | |
| Alex Smith | .... | lead compositor: Cineiste | |
| Danny Smith | .... | production support: Cinesite | |
| Simon Stanley-Clamp | .... | visual effects supervisor: Cinesite | |
| Adrian Steel | .... | data operator: Cinesite (as Adrian Steele) | |
| Marc Stevenson | .... | character animator: Cinesite | |
| Marc Stevenson | .... | character animator: Cinsite | |
| Edwin Stutely | .... | data operator: Molinare | |
| Shanaullah Umerji | .... | visual effects producer: Molinare | |
| Courtney Vanderslice | .... | visual effects executive producer: Cinesite (as Courteney Vanderslice-Law) | |
| Holger Voss | .... | senior technical director: Cinesite | |
| Shivaji Waikhom | .... | rotoscope artist | |
| Karen Wand | .... | compositor: Cinesite | |
| Anthony Webb | .... | compositor: Molinare | |
| Ollie Weigall | .... | roto artist: Cinesite | |
| Royston Willcocks | .... | senior model and texture artist: Cinesite | |
| Angie Wills | .... | visual effects producer: Cinesite | |
| Malcolm Woolridge | .... | motion control rigger: Visual Effects Company | |
| Aviv Yaron | .... | vfx digital stills photographer: Cinesite | |
| Keith Barton | .... | production support: Cinesite (uncredited) | |
| Kevin Campbell | .... | visual effects (uncredited) | |
| Paul Maurice | .... | Lidar supervisor: Lidar Services (uncredited) | |
| Ian Nichols | .... | Lidar operator (uncredited) | |
| Bill Pearson | .... | miniature effects supervisor (uncredited) | |
| Tom Whittington | .... | paint & roto artist (uncredited) | |
Stunts | |||
| Rod Woodruff | .... | stunt coordinator | |
| Rod Woodruff | .... | stunt performer | |
Costume and Wardrobe Department | |||
| Lucy Donowho | .... | costume supervisor | |
| Barbara Kuznar | .... | costume maker (as Basia Kuznar) | |
| Hilary Wili | .... | costume maker | |
Editorial Department | |||
| Nick Anderson | .... | on-line editor | |
| Justin Eely | .... | on-line editor | |
| Barrett Heathcote | .... | video playback editor | |
| Matt James | .... | digital film supervisor | |
| Søren Kloch | .... | film supervisor: Molinare | |
| Steve Knight | .... | digital intermediate technician | |
| Katy Piggott | .... | digital intermediate technician | |
| Andy Richards | .... | DI conform editor | |
| Richard Smither | .... | assistant editor | |
| Gemma Townsend | .... | digital intermediate technician | |
| Tim Waller | .... | senior colorist | |
| Emily Woods | .... | negative checker: Bellwood Media | |
Music Department | |||
| Geoff Foster | .... | music mixer | |
| Geoff Foster | .... | score recordist | |
| Katia Lewin Jablonsky | .... | score assistant (as Katia Lewin Palomo) | |
| Clint Mansell | .... | music producer | |
| Carly Paradis | .... | additional music arranger | |
| Carly Paradis | .... | musician: piano | |
| Greg Vines | .... | score assistant | |
| Benjamin Wallfisch | .... | composer: opening sequence music | |
| Nigel Wiesehan | .... | score assistant | |
Transportation Department | |||
| James Chambers | .... | driver: runner (as James 'Chilli') | |
| Jeff Hudson | .... | driver: Mr. Rockwell | |
| Steve Rivenell | .... | driver: Mr. Rockwell | |
Other crew | |||
| Liz Barron | .... | production finance: Limelight | |
| Jo Beckett | .... | script supervisor | |
| Daniel Bee | .... | publicist: Liberty Films | |
| Penny Brockhurst | .... | production auditor: Shipleys | |
| Deepti Burton | .... | legal counsel: Wiggin LLP | |
| Livia Burton | .... | production coordinator | |
| Roisin Byrne | .... | production accountant: Cinesite | |
| Gary Condes | .... | Meisner consultant | |
| Francesca Cooper | .... | caterer: Abadia Catering | |
| Jeremy Fowler | .... | electronic press kit | |
| Ben Gardner | .... | assistant: Duncan Jones | |
| Vidal Graham | .... | table tennis tutor | |
| Robin Green | .... | production accountant | |
| Tom Hannon | .... | health & safety advisor: Hannonmedia | |
| Ella Harris | .... | floor runner | |
| Ruth Hodgson | .... | completion bond: Film Finances | |
| Steve Joberns | .... | production auditor: Shipleys | |
| Miles Ketley | .... | legal counsel: Wiggin LLP | |
| Simon Kilroe | .... | title designer | |
| Stephen Kingsley | .... | legal representative: Thurloe & Lyndhirst, Limelight | |
| Ivan Mactaggart | .... | production finance: Limelight | |
| Emily Manthorpe | .... | production assistant | |
| Sheila Fraser Milne | .... | completion bond: Film Finances | |
| Richard North | .... | accounting assistant | |
| Phelim O'Neill | .... | electronic press kit | |
| Becky Page | .... | assistant: Stuart Fenegan | |
| Margaret Parvin | .... | legal counsel: Wiggin LLP | |
| Gillian Roberts | .... | head of business development: Cinesite (as Gill Roberts) | |
| Peter Scholes | .... | caterer: Abadia Catering | |
| Katia Scodelario | .... | chaperone | |
| Guy Sheppard | .... | legal counsel: Wiggin LLP | |
| Sam Tatton-Brown | .... | legal representative: Davenport Lyons, Molinare (as Sam Tatton Brown) | |
Thanks | |||
| Eddie Dias | .... | thanks | |
| Rob Garvie | .... | special thanks (as Rob Garvey) | |
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| The Witnesses | Head-On | A Single Man | Munich | Boy A |
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The Sci-Fi department is a very hard market to break. Hence why greatness always seems to come from that genre......because normally when they are made, it usually takes millions of dollars to cover the special effects and what not......so the process of choosing the right script is somewhat limited, but they always leave their mark. However, this one is changing that pace.....in a rhealm of big budget Star Wars and Battlestar Galactica flicks, this movie chooses to take the independent route. By only spending 3 million for its budget, and using old school techniques for its special effects.....can a movie like this thrive in todays market? Well you know how i mentioned that the script selection for a Sci-Fi movie isa very tough market to break......and how the script better be incredible if it is going to make it anywhere........well this movie is just that. This movie was just plain brilliant. For those of you who have no idea what this film is about, allow me to shed some light on the subject.........In the future, our main character Sam Rockwell is living on a one man space station on the moon, whose should purpose it to retrieve and send precious resources from the moon back to the earth.....in this process he becomes very lonely and begins to uncover a horrible truth. The movie is directed and told in such a brilliant fashion......they never try to WOW you with its special effects, which are very moderate but pass with flying colors. Its script and method of storytelling are probably the best part. Instead of answering all of your questions all at once, they sort of draw them out and make you claw and scratch for the truth......but the thing that i like the most is how they approach everything.........they take a route that lets you know that you have seen all the other Sci-Fi classics, and addresses all of your concerns of what may happen or what is going to......and then just carries on like its hidding this secret from you.....almost like the movie knows what your thinking, but chooses not to correct you right away.......brilliantly told and shown in an even better light......and with Clint Mansell directing the musical score(Requiem for a Dream, The Fountain)......my god, how could you not be pulled in. Now the part that i am excited to talk about the most is the acting......because i really have not had anything to rave about so far this year.......but Sam Rockwell is hands down the best actor so far this year. He has already proved himself to me with "The Green Mile", "Frost/Nixon", and "Choke"......but he knocked this one out of the park. It was a difficult script to pull off for an actor, and he did it with leaps and bounds.......job well done. I will be very upset if he is not at least nominated this year. Bottom Line.......well, "Star Trek" gave you the action/entertainment portion of your Sci-Fi.......whereas this one gives you its underbelly. This is easily one of the best Sci-Fi movies i have seen in a long time, and that is saying a lot coming from me. There was not one thing wrong with this movie......maybe the end was a little sketchy, but it was still not enough to destroy this brilliant film. I urge all of you to go to your local independent movie theatre and watch this movie........you will regret it if you don't.......easily one of the 10 best movies i have seen this year.