A case of mistaken identity lands Slevin into the middle of a war being plotted by two of the city's most rival crime bosses: The Rabbi and The Boss. Slevin is under constant surveillance by relentless Detective Brikowski as well as the infamous assassin Goodkat and finds himself having to hatch his own ingenious plot to get them before they get him.
A botched card game in London triggers four friends, thugs, weed-growers, hard gangsters, loan sharks and debt collectors to collide with each other in a series of unexpected events, all for the sake of weed, cash and two antique shotguns.
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
Like in the previous Films based on his novels, author Wolf Haas has a small cameo. Unlike before not in person, but a photo of him is shown on the back cover of a nonfiction book about gender reassignment. See more »
EU passport holders need no visa to enter Austria. The bordello owner in Bratislava paid a Slovakian policeman for getting a visa in his Ukranian passport. He speaks Russian, drives a Russian car and holds a Ukrainian passport. So he needs a visa if he doesn't want any trouble crossing the Slovakian-Austrian border. See more »
Included to the declaration that no animal had been harmed during production of the film, the audience is further informed, that no human flesh was really consumed. See more »
One awaits a crime thriller that closely follows the book by Wolf Haas and has many intelligent gags but the the viewer is then overwhelmed by a great masterpiece that works on many levels - a sarcastic thriller not unlike Fargo, dark humour, amazing photography that reveals some Austrian reality, an intelligent plot with cool twists, great acting, ironic social criticism etc. This movie is in a row with the Kottan series, Indien, the other Brenner-movies of course, Slumming etc. and reassures one that although Qualtinger is dead his humour is not gone. When viewing this film one gets almost sad by realizing how good Austrian cinema can be, but there is not much support for filmmakers in Austria. I have no idea if this movie can work in a translation, but its worth a try.
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