| Photos (See all 16 | slideshow) | Videos (see all 11) |
| Eddie Redmayne | ... | Osmund | |
| Daniel Steiner | ... | Monk | |
| David Warner | ... | Abbot | |
| Kimberley Nixon | ... | Averill | |
| Tobias Kasimirowicz | ... | Grimbold | |
| Emun Elliott | ... | Swire | |
| Sean Bean | ... | Ulrich | |
| Johnny Harris | ... | Mold | |
| Andy Nyman | ... | Dalywag | |
| Tygo Gernandt | ... | Ivo | |
| John Lynch | ... | Wolfstan | |
| Jamie Ballard | ... | Griff | |
| Keith Dunphy | ... | Witch Finder | |
| Marianne Graffam | ... | Suspected Witch | |
| Tim McInnerny | ... | Hob | |
| Ines Marie Westernströer | ... | Bel (as Ines Westernströer) | |
| Nike Martens | ... | Elena | |
| Carice van Houten | ... | Langiva | |
| Peter Wolf | ... | Husband | |
| Alex Tondowski | ... | Maldoror | |
| Thorsten Querner | ... | Fitch | |
| Gotthard Lange | ... | Labourer | |
| Emily Fleischer | ... | Girl in Forest | |
| rest of cast listed alphabetically: | |||
| Martin Hentschel | ... | Bailiff Villager Man (uncredited) | |
| David Masterson | ... | Man in Village (uncredited) | |
| Andrea Ummenberger | ... | Women Who Begs to the Men and Averill (uncredited) | |
Directed by | |||
| Christopher Smith | |||
Writing credits | ||
| Dario Poloni | (screenplay) | |
Produced by | |||
| Matthew Baker | .... | associate producer | |
| Stephanie Bamberg | .... | assistant producer | |
| Robert Bernstein | .... | producer | |
| Luke Carey | .... | assistant producer: Zephyr Films | |
| Chris Curling | .... | executive producer | |
| Matt Delargy | .... | co-producer | |
| Undine Filter | .... | junior producer: Egoli Tossell Fil | |
| Regina Frankenberger | .... | junior producer: Egoli Tossell Fil | |
| Marc Hansell | .... | associate producer | |
| Udo Happel | .... | line producer | |
| Tim Haslam | .... | executive producer | |
| Frank Lehmann | .... | associate producer | |
| Jens Meurer | .... | producer | |
| Douglas Rae | .... | producer | |
| Phil Robertson | .... | producer | |
| James Saynor | .... | co-producer | |
| Judy Tossell | .... | executive producer | |
| Jona Wirbeleit | .... | assistant producer | |
| Mark Woolley | .... | executive producer | |
| Marc Wächter | .... | line producer: Egoli Tossell Film | |
Original Music by | |||
| Christian Henson | |||
Cinematography by | |||
| Sebastian Edschmid | (director of photography) | ||
Film Editing by | |||
| Stuart Gazzard | |||
Casting by | |||
| Karen Lindsay-Stewart | |||
Production Design by | |||
| John Frankish | |||
Art Direction by | |||
| Jens Löckmann | |||
Set Decoration by | |||
| Sarah Horton | |||
Costume Design by | |||
| Petra Wellenstein | |||
Makeup Department | |||
| Anna Sophie Evenkamp | .... | makeup artist: estras (as Anna Evenkamp) | |
| Juliane Hübner | .... | makeup artist | |
| Mark Keetch | .... | special makeup effects artist | |
| Marika Knappe | .... | additional makeup artist: crowd | |
| Chris Kunzmann | .... | special makeup effects designer | |
| Sandra Leutert | .... | makeup artist: extras | |
| Cornelia Musiol | .... | additional makeup artist: crowd (as Conny Musiol) | |
| Jekaterina Oertel | .... | make-up designer | |
| Thommy Opatz | .... | special makeup effects artist (as Tommy Opatz) | |
| Paul Schmidt | .... | key hair stylist | |
| Paul Schmidt | .... | key makeup artist | |
| Petra Weiss | .... | assistant to special makeup effects designer: Chris Kunzmann | |
| Ariane Wisniewski | .... | additional makeup artist: crowd | |
Production Management | |||
| Henry Rehorek | .... | production manager | |
| Michael Reuter | .... | post-production supervisor | |
Art Department | |||
| Pablo Alza | .... | head painter | |
| Thomas Bertram | .... | set dresser | |
| Katharina Blei | .... | painter | |
| Katharina Blei | .... | sculptor | |
| Stephen Bream | .... | set designer | |
| Norbert Buchmann | .... | carpenter | |
| Norbert Buchmann | .... | stagehand | |
| Ludolf Böhm | .... | set dresser | |
| Laura Carleton | .... | storyboard artist | |
| Marco Eckert | .... | carpenter (as Marko Eckert) | |
| Michael Fechner | .... | prop buyer: prep | |
| Michael Fechner | .... | property master | |
| Marcus Göppner | .... | set designer | |
| Matte Göse | .... | carpenter | |
| Christian Hochtritt | .... | assistant set dresser | |
| Christian Hochtritt | .... | storeman | |
| Brita Hofmann | .... | supervising painter | |
| Brita Hofmann | .... | supervising sculptor | |
| Björn Holzhausen | .... | stand-by props | |
| Axel Kahnt | .... | stand-by props | |
| Britta Koch | .... | lead set dresser | |
| Robert Makolies | .... | head sculptor | |
| Sebastian Nodes | .... | carpenter | |
| Dan Paschen | .... | stand-by carpenter (as Daniel Paschen) | |
| Dan Paschen | .... | stand-by painter (as Daniel Paschen) | |
| Stefan Rohner | .... | set dresser | |
| Jan Rott | .... | prop buyer | |
| Alexander Schauer | .... | head carpenter | |
| Harald Schuster | .... | supervising carpenter (as Harry Schuster) | |
| Christoph Sieber | .... | carpenter | |
| Florian Siegert | .... | carpenter | |
| Frantisek Sloup | .... | stand-by carpenter | |
| Frantisek Sloup | .... | stand-by painter | |
| Hans Stadler | .... | carpenter | |
| Ulf Thiele | .... | blacksmith | |
| Karen Thomá | .... | art department assistant | |
| Hartmut Weigt | .... | carpenter | |
| Siguna Wiehr | .... | painter | |
| David Allcock | .... | concept artist (uncredited) | |
| Peter Popken | .... | illustrator (uncredited) | |
Sound Department | |||
| Axel Arft | .... | sound recordist | |
| Bilge Bingul | .... | sound recordist: second unit (as Bilge Bingül) | |
| Alexander Buck | .... | dialogue editor | |
| Ben Carr | .... | adr recordist: UK, Art4noise | |
| Jan Cziharz | .... | sound effects editor | |
| Tom Deane | .... | adr recordist: UK, Mayflower Studios | |
| Adele Fletcher | .... | adr editor (as Adèle Fletcher) | |
| Oliver Hemm | .... | boom operator | |
| Jaap Jellema | .... | adr recordist: Holland, Warnier Studio | |
| Stefan Korte | .... | sound re-recording mixer | |
| Martin Langenbach | .... | foley artist | |
| Clemens Nürnberger | .... | adr recordist: Germany, Basis Berlin | |
| Tobias Poppe | .... | sound effects editor | |
| Alexander Schaefer | .... | sound mixer: MMZ (as Alexander Schäfer) | |
| Thomas Siegert | .... | re-recording mix assistant: MMZ | |
| Thomas Siegert | .... | second boom operator | |
| Kai Tebbel | .... | supervising sound editor | |
| Roman Volkholz | .... | second foley editor | |
| Christoph Wieczorek | .... | foley editor | |
| Christoph Wieczorek | .... | foley recordist | |
| Lionel Strutt | .... | adr coordinator (uncredited) | |
Special Effects by | |||
| Lars Hintze | .... | special effects technician | |
| Ronny Klost | .... | special effects technician | |
| Thomas Thiele | .... | special effects floor supervisor | |
| Mario Uy | .... | special effects technician | |
| Adolf Wojtinek | .... | special effects supervisor | |
Visual Effects by | |||
| Philipp Großmann | .... | scanning supervisor | |
| Michael Labus | .... | 3d artist: The Post Republic | |
| Florian Obrecht | .... | visual effects artist: The Post Republic | |
| Andreas Schellenberg | .... | visual effects supervisor: The Post Republic | |
| Kolja Schoon | .... | scanning operator: NHB Hamburg | |
Stunts | |||
| Henry Ballasck | .... | stunts (as Henry Ballaschk) | |
| Mattias Bark | .... | stunts (as Matthias Bark) | |
| Daniel Bohn | .... | stunts | |
| Jean-Loup Fourure | .... | stunts (as Jean Lup Fourure) | |
| Oliver Fritsche | .... | head stunt rigger | |
| Tim Gerber | .... | stunts | |
| Matt Hoffmann | .... | stunts | |
| Tomas Jester | .... | stunts (as Tom Jester) | |
| Heiko Kiesow | .... | stunts | |
| Sebastian Kniest | .... | stunts | |
| Julian Kreusel | .... | stunts | |
| Dominik Krüger | .... | stunts | |
| Katrin Köhler | .... | stunts | |
| Martin Lederer | .... | stunt rigger | |
| Mike Luft | .... | stunts | |
| Thorsten Pabst | .... | stunts | |
| Moritz Prochnow | .... | stunts | |
| Uli Richter | .... | stunts | |
| Armin Sauer | .... | stunt coordinator | |
| Karsten Schmidt | .... | stunts | |
| Sebastian Schneider | .... | stunts | |
| Mike Schramm | .... | stunts | |
| Volker Schäfer | .... | stunts | |
| Samir Soufi | .... | stunts | |
| Markus Stach | .... | stunts | |
| Steve Thiede | .... | stunts | |
| Rainer Werner | .... | fight choreographer | |
Camera and Electrical Department | |||
| Peter Bräunig | .... | video operator | |
| Maximilian Linus Dreusch | .... | electrician (as Maximilian Dreusch) | |
| Philipp Dönch | .... | first assistant camera: "a" camera | |
| Matthias Ganghofer | .... | first assistant camera: "b" camera | |
| Sandro Große | .... | grip (as Sandro Grosse) | |
| Daniel Jopp | .... | electrician | |
| Denny Jost | .... | grip | |
| Bernd Kaser | .... | electrician | |
| Elisa Knüpfer | .... | clapper loader: "b" camera, Belgium | |
| Patrick Kohlmeier | .... | electrician | |
| Tobias Kownatzki | .... | clapper loader: "a" camera | |
| Daniel Krause | .... | assistant grip | |
| Karsten Kube | .... | assistant grip | |
| Stephanie Kulbach | .... | still photographer | |
| Marc Lubosch | .... | gaffer | |
| Moritz Martin | .... | best boy | |
| Sebastian Meuschel | .... | director of photography: second unit | |
| Falk Oettel | .... | electrician | |
| Robert Patzelt | .... | camera operator: "b" camera | |
| Robert Patzelt | .... | steadicam operator | |
| Thorsten Querner | .... | key grip | |
| Lars Vogtländer | .... | electrician (as Lars Voightländer) | |
| Ingo Gardner | .... | balloon light technician (uncredited) | |
Costume and Wardrobe Department | |||
| Silke Abendschein | .... | tailor | |
| Anja Becker | .... | tailor (as Anja Becker-Geipel) | |
| Sylvia Becker | .... | additional wardrobe | |
| Ulrike Diallo | .... | tailor | |
| Diana Dienstbier | .... | breakdown production assistant | |
| Markus Ernst | .... | wardrobe master | |
| Brigitte Friedländer-Rodriguez | .... | costume supervisor (as Brigitte Rodriguez) | |
| Denise Hermesmeyer | .... | costume intern | |
| Melanie Hielscher | .... | tailor | |
| Anna Klering | .... | wardrobe: extras | |
| Nando Kniestedt | .... | breakdown artist | |
| Anja Lafin | .... | breakdown artist | |
| Hannah Lehmann | .... | tailor | |
| Ellen-Maria Muggelberg | .... | additional wardrobe | |
| Eike Neumann | .... | head of costume workshop (as Eicke Neumann) | |
| Judith Neuroth | .... | additional wardrobe | |
| Sonia Inés Rocha | .... | breakdown artist: crowd (as Sonia Rocha) | |
| Julia Schell | .... | breakdown artist | |
| Meike Stangier | .... | wardrobe mistress | |
| Steffen Surek | .... | additional wardrobe | |
| Michael Rudnik | .... | costume artist (uncredited) | |
Editorial Department | |||
| Stephanie Bamberg | .... | post-production: UK | |
| Bernie Greiner | .... | digital grader | |
| Eric Horstmann | .... | avid technical support | |
| Silvia Kubisch | .... | colorist: rushes | |
| Roland Murrer | .... | colorist: rushes | |
| Gregor Pfüller | .... | digital intermediate supervisor | |
| Maiken Priedemann | .... | colorist: rushes | |
| Jürgen Riescher | .... | post-production coordinator: Germany | |
| Aletta von Vietinghoff | .... | assistant editor | |
| Aletta von Vietinghoff | .... | associate editor | |
| Gregor Wille | .... | avid technical support | |
| Ugur Yildirim | .... | avid support | |
Music Department | |||
| Dot Allison | .... | musician: vocal soloist | |
| Samuel Karl Bohn | .... | assistant to composer | |
| Samuel Karl Bohn | .... | music editor | |
| Samuel Karl Bohn | .... | musician: guitar quartet (as Sam Bohn) | |
| Goetz Botzenhardt | .... | music mixing engineer | |
| Tom Bullen | .... | assistant music mixing engineer | |
| So'nee Moy Chung | .... | musician: vocal soloist | |
| Fiona Cruickshank | .... | assistant music mixing engineer | |
| Olga FitzRoy | .... | assistant music mixing engineer | |
| Ben Foskett | .... | orchestrator | |
| Richard Harwood | .... | musician: solo cello | |
| Christian Henson | .... | orchestrator | |
| Joe Henson | .... | musician: guitar quartet | |
| Tom Howe | .... | musician: guitar quartet | |
| Nick Ingman | .... | conductor | |
| Rob Johnston | .... | choir director | |
| Jack Kitchen | .... | musician: guitar quartet | |
| Jess Murphy | .... | musician: solo violin | |
| R.S.V.P. Voices | .... | musicians: choir (as RSVP Voices) | |
| Colin Rae | .... | music preparation | |
| Hilary Skewes | .... | musicians contractor: Buick Production | |
| Owen Slade | .... | musician: tuba | |
| Nick Taylor | .... | score recording engineer | |
| Rolf Wilson | .... | orchestra leader | |
| Alison Wright | .... | music supervisor | |
| Mikael Carlsson | .... | soundtrack producer (uncredited) | |
Other crew | |||
| Marcel Ahrens | .... | production assistant: main cast | |
| Shamsan Anders | .... | office trainee: Egoli Tossell Film | |
| Mirko Andreas | .... | caterer: BlackFatCat | |
| Monic Aust | .... | team assistant: Egoli Tossell Film | |
| Daniela Barsch | .... | location manager: prep (as Dani Barsch) | |
| Anna Berger | .... | assistant: Robert Bernstein and Douglas Rae, Ecosse Films | |
| Navinia Betge | .... | office trainee: Egoli Tossell Film | |
| Yves Boczek | .... | representative: Egoli Tossell Film Halle | |
| Mathias Braun | .... | location scout (as Matthias Braun) | |
| Gero Brugmann | .... | legal services: banks, Unverzagt von Have | |
| Nina Büttner | .... | key accountant | |
| Giovanna Cacciatore | .... | insurance: SRC Special Risk Consortium | |
| Catherine Charlton | .... | dialogue coach: Ms van Houten ) | |
| Julia Dege | .... | production coordinator assistant | |
| Andreas Diessner | .... | production assistant | |
| Mags Dowling | .... | accountant: Zephyr Films | |
| Jeanine East | .... | financial controller: Ecosse Films | |
| Robert Ehrhardt | .... | set runner | |
| Martin Eichhorn | .... | title designer | |
| Sophie Falkner | .... | office manager: Ecosse Films | |
| Melanie Faul | .... | press and public relations: Egoli Tossell Film | |
| Lukas Gerhardt | .... | location scout | |
| Gabriele Glaube | .... | stables | |
| Thorsten Gottschalk | .... | production secretary: Egoli Tossell Film | |
| Philipp Graf | .... | press agent: BoxFish Films | |
| Renate Graichen | .... | accountant: Egoli Tossell Films | |
| Berit Harksen | .... | accountant: Egoli Tossell Films | |
| Sandra Heine | .... | set runner | |
| Franziska Heller | .... | representative: film stock, Kodak | |
| Nick Hertwig | .... | location scout | |
| Jane Heymer | .... | film lab administrator: Arri Schwarzfilm | |
| Christopher Huck | .... | location production assistant | |
| Yvonne Hüttig | .... | assistant business affairs | |
| Toby James | .... | epk | |
| Peter Jeschke | .... | location scout | |
| Julia Jones | .... | production notes | |
| Andreas Jupe | .... | location manager | |
| Anja Karg | .... | team assistant: Egoli Tossell Film | |
| Bernd Kloss | .... | representative: Mateco, cherry pickers and platforms | |
| Andreas Knaak | .... | banker: Investitionsbank Sachsen-Anhgalt | |
| Lissy Knauer | .... | film lab coordinator: Arri Schwarzfilm | |
| Marion König-Richert | .... | key accountant | |
| Benjamin Lange | .... | set manager: second unit | |
| Jonathan Lynch-Staunton | .... | world sales: HanWay Films | |
| Matthias Magdeburg | .... | cashier | |
| Stephan Mallmann | .... | world sales: HanWay Films | |
| Jens Matthiaschk | .... | office intern | |
| Jens Matthiaschk | .... | production assistant: cast | |
| Gabriele Mattner | .... | script supervisor | |
| Georg Meierotto | .... | production assistant: Sean Bean | |
| Paul Melzow | .... | production assistant: housing | |
| Tony Moewes | .... | head of accounting: Egoli Tossell Films | |
| Thomas Mohr | .... | film insurance agent: Canineberg & Schouten | |
| Christian Nebelung | .... | location scout | |
| Sofia Neves | .... | world sales: HanWay Films | |
| Andreas Pense | .... | legal services: banks, Unverzagt von Have | |
| Jessica Petzold | .... | production coordinator | |
| Jan Pyko | .... | set manager | |
| Mandy Rahn | .... | film lab branch manager: Arri Schwarzfilm | |
| Andreas Reuber | .... | film lab in-house producer: Arri Schwarzfilm | |
| Grigorij Richters | .... | production assistant (as Greg Richters) | |
| Ina Rossow | .... | representative: Egoli Tossell Film Leipzig | |
| Bernhard Schirmer | .... | horse master | |
| Michael Schmetz | .... | media consultant: Alcina Media GmbH | |
| Thorsten Schumacher | .... | world sales: HanWay Films | |
| Michael Schweuneke | .... | animals: Filmtierschule | |
| Zoe Simijonovic | .... | script supervisor (as Sonja Zoe Simijonovic) | |
| Jan Spielhoff | .... | world sales: HanWay Films | |
| Nicola Stean | .... | assistant development producer: Ecosse Films (as Nicky Stean) | |
| Thomas Strohbach | .... | representative: camera/lights/grip/walkie talkie rental, Media City Atelier | |
| Achim Thielmann | .... | banker: Commerzbank | |
| Sofie Thörner | .... | accountant: Egoli Tossell Films | |
| Sören von der Heyde | .... | blocker: Filmdienstleistungen | |
| Frank Weissbach | .... | representative: tents and heaters, Weissbach Event Services | |
| Fabien Westerhoff | .... | worldwide sales | |
| Kaja Wild | .... | horse wrangler | |
Thanks | |||
| Christine Berg | .... | thanks | |
| Joost de Vries | .... | thanks | |
| Craig Fackrell | .... | special thanks (as Craig Fackerell) | |
| Marc Gabizon | .... | thanks | |
| Natasha Galloway | .... | special thanks | |
| Georg Meierotto | .... | thanks | |
| Kirsten Niehuus | .... | thanks | |
| Christoph Ott | .... | thanks | |
| Andreas Pense | .... | thanks | |
| Leontine Petit | .... | thanks | |
| Michael Schmetz | .... | thanks | |
| Achim Thielmann | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
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Black Death is a hidden gem, as others have put it, and far from the Hollywood slop it so sharply contrasts. It could not be much more true to its' name, which is quite possibly the bleakest title a film can be given, while it feels genuine to its period backdrop. Everything here feels true to its' nature. And there is no excess of special effects or melodrama, or anything watered down, and instead the story is full of substance.
In 1348, the young monk Osmund finds himself conflicted at the films start, as his secret love Avrill is fleeing their plague-ridden city and provides him the choice to meet her in the marshland. Upon asking for a sign for guidance, his monastery is visited by Ulrich and his party of Christian fundamentalists. On a mission to a village beyond the marsh in search of a necromancer and any other witches to stamp out, he asks for a guide and young Osmund obliges. Thus begins an ugly and gritty crusade across an English countryside that is riddled with fear, intolerance, and the Black Death.
The struggle is personal as well as conceptual. For Osmund it is personal, as his love for Avrill causes him to question his own faith due to the charms and tricks of the pagans (huge plot twists underly this theme)and the brutality of the band he guides. And then the bigger picture, the struggle between the Christians and the pagans, is tastefully portrayed with an objective narrative. In the film, there are cruelties and acts of brutality inflicted from both belief systems. This was perhaps my favorite element to the movie. While personally I rooted for the pagans against the tyranny of the church, I found that my brother and I could argue over who was the demonized side, and the writing offered no kind of resolution. That the oppression of the church and the clandestine nature of the pagans only fueled one another is probably truer to history than textbooks will ever show, this movie portrays the idea brilliantly (despite the dark feel).
If you think the movie sounds interesting, and are interested in it for plot, substance,and a gratifying experience, check this one out.