Critic Reviews



Based on 24 critic reviews provided by
Wuthering Heights is a model of how to bring a classic novel kicking and screaming into the twenty-first century.
It's an intense, uncompromising take that restores some of the shock that made Wuthering Heights so notable when it first appeared.
Willful, meandering, and intriguing, this Wuthering Heights is similarly headstrong.
Boxoffice Magazine
Arnold's newest testament to passion and squalor strikes a tone somewhere between Cary Fukinaga's emo "Jane Eyre" and Sophia Coppola's revisionist-hip "Marie Antoinette."
The Guardian
Perhaps above everything else, Arnold returns us to the most potent fact about the Cathy and Heathcliff love affair: it is a love affair between equals, not between a woman with coquettish "erotic capital" and a man with property and status.
Faithful and bold adaptation.
Arnold's vibrant, Malickian adaptation has another bold stroke worth mentioning: Heathcliff, a Gypsy in the original text, is now an Afro-Caribbean former slave, initially a bruised teen (Glave) and then an unusual, self-made man (Howson).
Slant Magazine
In whittling down Emily Brontë's romance to its most earthly aspects, Andrea Arnold stylizes herself into an unavoidable corner.
Village Voice
Heathcliff does not get the revenge he wants because he wants to escape the specific traumas of his adolescent past, shown in the film's first half. And because Arnold traps her viewers with Heathcliff's murky version of events. There's no room for enriching subtext in this version of Wuthering Heights because all the information we need is inscribed on the film's glassy surface.
The grunts and howls seem every bit as mannered as the florid diction of Olivier and Oberon, perhaps even more so. Their artifice, like Brontë's own, was overt, whereas Ms. Arnold strives to disguise hers in the trappings of authenticity. And as a result, the impact - the grandeur, the art - of Wuthering Heights is diminished.

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