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Wuthering Heights (2011)

 -  Drama | Romance  -  11 November 2011 (UK)
6.1
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Ratings: 6.1/10 from 5,546 users   Metascore: 70/100
Reviews: 65 user | 155 critic | 24 from Metacritic.com

A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.

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Title: Wuthering Heights (2011)

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Cast

Cast overview, first billed only:
...
Solomon Glave ...
Paul Hilton ...
Shannon Beer ...
Simone Jackson ...
...
Lee Shaw ...
Adam Lock ...
Pastor
...
Eve Coverley ...
Jonny Powell ...
Young Edgar (as Jonathan Powell)
...
Emma Ropner ...
Richard Guy ...
Gamekeeper Robert
Michael Hughes ...
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Storyline

A poor boy of unknown origins is rescued from poverty and taken in by the Earnshaw family where he develops an intense relationship with his young foster sister, Cathy. Based on the classic novel by Emily Bronte.

Add Full Plot | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

Release Date:

11 November 2011 (UK)  »

Also Known As:

Anemodarmena ypsi  »

Box Office

Budget:

£5,000,000 (estimated)

Opening Weekend:

$8,956 (USA) (5 October 2012)

Gross:

$96,889 (USA) (30 November 2012)
 »

Company Credits

Production Co:

, ,  »
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Technical Specs

Runtime:

| (theatrical)

Sound Mix:

Color:

Aspect Ratio:

1.33 : 1
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Did You Know?

Trivia

Casting director Gail Stevens and her team held open calls and wandered the streets of Leeds, Sheffield, York and Bradford looking for likely "Heathcliffs". See more »

Crazy Credits

After all credits, including distributors' credits, there is a final shot of Heathcliff. See more »

Connections

Version of Wuthering Heights (1985) See more »

Soundtracks

Not To Ourselves We Owe
Composed by Augustus Montague Toplady
Performed by the Cast
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User Reviews

 
how can Wuthering Heights lack passion?
24 November 2011 | by (Japan) – See all my reviews

Andrea Arnold's take on a well-known tale falls flat for a number of reasons. Her hand-held camera, non-linear montage, and bouts of frenzied physicality arguably complement her two tales of modern ennui and angst, Red Road and Fish Tank. However, they seem incongruous matched against a classic from the literary canon. The audience coming along expecting to see a period piece are getting a surprise, and unfortunately it is not a pleasant one. They were the ones walking out at the screening I went to. The writing was on the wall when their heart sank as the curtains whirred into place and settled on a 4:3 aspect ratio. That was a bizarre decision - these moors, this landscape, demand widescreen.

The decision to spend most of the film with the early years of Heathcliff and Cathy also seems ill-conceived, as the two youngsters frolic in the mud for an eternity without the story moving forward very much. They are earthy people of and from the land, the film screams, like the interminable procession of animals we see depicted. We get that in the first ten minutes - the rest of the time we are just going over established territory.

The return of the now successful Heathcliff in the latter half of the film means the grown up cast having the same effect as substitutes in a football game - imbibing the audience/spectators with a glimmer of hope. Alas, it is not to be, as the actor playing Heathcliff is wooden beyond belief, pipping the actor playing Edgar for the prize. The actresses around them can act, but it is a poor return on the ticket price. The film overtly attempts to appeal on visual grounds and as a result dialogue appears to have been an after-thought, as most lines are flat and predictable. The racial epithets are not shocking; they seem more a cynical ploy to garner publicity.

TV frame, incongruous mise-en-scene, poor casting and dodgy racial politics - any one of these could sink a film, but all four together is a very tough sell. The biggest sin, however, is to take Wuthering Heights and imbue it with absolutely no passion at all. The moors look suitably wild, and there is a strong sense of mud, but beyond that there are few positives to take from this film.


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