When her little brother, Martin, experiences the same events that once tested her sanity, Rebecca works to unlock the truth behind the terror, which brings her face to face with an entity that has an attachment to their mother, Sophie.
David F. Sandberg
Soon after leaving her fiancé Michelle is involved in a car accident. She awakens to find herself sharing an underground bunker with Howard and Emmett. Has she been saved from an apocalyptical event as Howard & Emmett tell her or are there other motives for her being held against her will?
John Gallagher Jr.'s character Emmett handles a VHS tape of the fictitious movie "Cannibal Airlines"; this is an Easter egg, one of a series of satirical VHS packages created by writer Rob Schrab and used as decorations at producer J.J. Abrams' Bad Robot film production offices. See more »
In the beginning, while Michelle is driving and on the phone with Ben, she is hearing on speaker phone. On her phone though, the speaker icon is not lit up meaning that the phone would not be on speaker. Michelle's phone does have Bluetooth active, and since most modern cars do have Bluetooth connectivity through the audio system, it is entirely possible she is indeed using that system while on the phone with Ben. See more »
[shouting madly while her skin blisters away from her face]
Open up that door, you bitch! Let me in, LET ME IN!
[Michelle tearfully turns and walks away]
No no no no, NO! NO!
See more »
Much better than the 2008 "Cloverfield" movie, this is about a gripping & intense story and raw tension rather than special effects and crushing things.
If this is going to be an anthology or if this is going to be followed by that rumored third installment that has been recently spoiled by J.J. Abrahms, I can say that nobody doubts about the secretly marketed "10 Cloverfield Lane" is a great movie on its own. And a movie that if it were spoiled by someone here or at any review would be cruel.
Since the start it reveals to be a movie that doesn't hide an ace, but a hundred.
The pace can be a little slow at the first half only to add more and more tension, hooking the audience and introducing them into the movie like they were one of the people inside that bunker.
John Goodman will be a real trend the future days thanking its superb performance. He's so twisty, complex developed character. He and Mary Elisabeth Winstead make the movie shine alongside the story.
The story is so little, then so game-changer, with twists and turns that are smart rather than empty. It's one of that makes you guess all the time.
The ending is more of a bang than a whimper. Even when it succumbs to the action and polemic moves, it will leave you on a grim and high note, pestering for another outing if it's any good like this.
If the "Cloverfield" that started it all was about speaking without breath and CGI scares, this "10 Cloverfield Lane" is about deeper intentions, deeper tension and personal stuff that is scarier than a giant monster. While the connection to that movie is not so remarkable until the finale, this installment is so brilliant on its own, so well marketed (without ruining any twist) and so well ended that will surely please any viewer who were looking for a damn good movie. This is a scary movie like the classic ones. Don't miss it.
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