In the early 1960s aspiring stage actor Harry H. Corbett jumps at the chance to play junk-dealer Harold Steptoe in a television comedy show 'Steptoe and Son'. However, the show's success ... See full summary »
Albert Steptoe and his son Harold are junk dealers, complete with horse and cart to tour the neighbourhood. They also live amicably together at the junk yard. But Harold, who likes the ... See full summary »
Harry H. Corbett,
Classic 1960s British comedy series about a middle aged man and his elderly father who run an unsuccessful 'rag and bone' business (collecting and selling junk). Harold (the son) wants to ... See full summary »
Harry H. Corbett,
This is a recreation of a series of interviews done over about a year with Chris, a man with a violent, dangerous past who, now with wife and child, talks about his regret for the pain he ... See full summary »
It's getting late and it's cold. MOLLY and her father JAMES are on their way home when they drive past a WOMAN, walking alone along a desolate country road. Molly is convinced the woman ... See full summary »
In the 1950s Frankie Howerd, the famous radio and film comedian, meets a young waiter Dennis Heymer, who,like himself,is a closet homosexual. Their relationship blossoms into a partnership,... See full summary »
In the mid-1960s, Joan, not long married to comic actor John Le Mesurier, meets and is mutually attracted to comedian Tony Hancock, married to the long-suffering Freddie. Hancock's most ... See full summary »
In the early 1960s aspiring stage actor Harry H. Corbett jumps at the chance to play junk-dealer Harold Steptoe in a television comedy show 'Steptoe and Son'. However, the show's success proves to be a poisoned chalice for him, type-casting him and thwarting his stage ambitions. Wilfrid Brambell, the actor playing his father, is marginalized in a different way. He is a gay man in an England where homosexuality is still illegal. The show runs for several years, incorporating film spin-offs but both, in their own way, feel that they have invoked the curse of Steptoe. Written by
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The brother of Harry H. Corbett's second widow, Maureen, complained to the BBC that the timeline portrayed in the film was wildly misleading and gave the impression that i) Maureen's affair with Harry may have led to the break-up of his first marriage with Sheila Steafel which was not the case, and ii) Harry's decision not to make any more episodes of Steptoe and Son (1962) coincided with the birth of his and Maureen's first child, whereas the birth had happened eight years before the end of Steptoe. The BBC upheld these complaints and agreed not to repeat the film unless it was edited to remove these misleading errors. See more »
Directly after the 1962 awards ceremony, Corbett does his impersonation of Harold Wilson with reference to his White Heat of Technology speech. Wilson did not become Prime Minister for another two years and the White Heat speech was even later. However, the writer made this 'error' quite deliberately. He took dramatic license. Dates were fudged throughout the piece, so though the award ceremony was in fact held in 1962, the film avoids placing it in time. Harry's party trick was his Harold Wilson impression; that was the most appropriate moment in the piece to give him the chance to do his thing. See more »
Jason Issacs was on top form as Corbett and Phil Davis was absolutely stunning as the tragic Wilfred Brambell all in all one of the best pieces of drama to grace the BBC in a hell of long time. The whole affair although telling a sometimes very dark tale was handled with a great deal of affection and care. Having loved Steptoe & Son from an early age I will certainly view it in a different light knowing the heartache it appears to have caused the Brambell and Corbett. Costumes and sets were spot on and the piece really gave you a feel for how writers and performers of that era behaved towards one another. Much like the actual show I regret this show having to end as it left me wanting more from two of the finest most underrated actors in the UK.
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