The son of a courtesan retreats into a fantasy world after being forced to end his relationship with the older woman who educated him in the ways of love.
Keep track of everything you watch; tell your friends.
If your account is linked with Facebook and you have turned on sharing, this will show up in your activity feed. If not, you can turn on sharing
here
.
A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family. Along the way, they have misadventures and find fresh connections with an assortment of relatives and old friends who just might help them discover "home" on their own terms for the first time.
Follows the lives of eight very different couples in dealing with their love lives in various loosely and interrelated tales all set during a frantic month before Christmas in London, England.
In the summer of 1987, a college grad takes a 'nowhere' job at his local amusement park, only to find it's the perfect course to get him prepared for the real world.
Director:
Greg Mottola
Stars:
Jesse Eisenberg,
Kelsey Ford,
Kristen Stewart
Straight-laced Rose breaks off relations with her party girl sister, Maggie, over an indiscretion involving Rose's boyfriend. The chilly atmosphere is broken with the arrival of Ella, the grandmother neither sister knew existed.
A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.
Directors:
Shari Springer Berman,
Robert Pulcini
Stars:
Scarlett Johansson,
Donna Murphy,
Laura Linney
A British investment broker inherits his uncle's chateau and vineyard in Provence, where he spent much of his childhood. He discovers a new laid-back lifestyle as he tries to renovate the estate to be sold.
Director:
Ridley Scott
Stars:
Albert Finney,
Russell Crowe,
Marion Cotillard
During France's belle époque before World War I, elegant cars, mansions, and servants defined the lives of les grandes horizontals, the courtesans of kings and millionaires. One of the most successful, Lea de Lonval, is approaching a certain age when an older associate, Charlotte Peloux, asks Lea to take on her 19 year old son, whom Lea has called Chéri since he was a child. They become lovers and, to their surprise, the relationship lasts six years. When it ends abruptly with a marriage his mother arranges to the daughter of another courtesan, Lea finds herself miserable. Has she fallen in love? If so, do she -- and Chéri - have any choices? Written by
<jhailey@hotmail.com>
In the closing credits, 'thanks' are given to France's national railway, the Societe National Chemin de Fer, known as the "SNCF". However the credits have the letters out of sequence, calling it the "SCNF". See more »
Quotes
[first lines]
Narrator:
We may think ourselves familiar in this day and age with the notion that whores of every description can very easily achieve fame and fortune. But towards the end of the 19th century, there what came to be known in France as the "ballet park", a select group of courtesans, who became for a short period, the most celebrated and powerful women in the long history of prostitution.
See more »
You can't really tell as far as Stephen Frears is concerned. After the sensational "The Queen" another film that is only slightly more tolerable than the dreadful "Mrs Henderson Presents" Here Rupert Friend in the title role is a delightful throwback to Oscar Wilde territory. You understand Pfeiffer loosing her head for him but not why he looses his for her. She's certainly beautiful but lifeless. She looks more distant than ever, struggling to find the tone of her performance and I'm afraid she never does. Not a glimpse of the Pfeiffer from "The Age Of Innocence" or even "The Fabulous Baker Boys" No sense of period or of intention. Kathy Bates is an annoying over the top caricature but Ruper Friend is the oasis that makes the aridity of this nonsense truly bearable. I had seen him before, most remarkably, in another story with another older woman, Joan Plowright in "Mrs Palfrey At The Claremont" He is an actor with, clearly, a few aces up his sleeve and I bet he will dazzle us with other surprises in the future. Here he's badly served by his director, co-stars costume designer, make up and hair and in spite of that he emerges as the only reason to see this film.
69 of 105 people found this review helpful.
Was this review helpful to you?
You can't really tell as far as Stephen Frears is concerned. After the sensational "The Queen" another film that is only slightly more tolerable than the dreadful "Mrs Henderson Presents" Here Rupert Friend in the title role is a delightful throwback to Oscar Wilde territory. You understand Pfeiffer loosing her head for him but not why he looses his for her. She's certainly beautiful but lifeless. She looks more distant than ever, struggling to find the tone of her performance and I'm afraid she never does. Not a glimpse of the Pfeiffer from "The Age Of Innocence" or even "The Fabulous Baker Boys" No sense of period or of intention. Kathy Bates is an annoying over the top caricature but Ruper Friend is the oasis that makes the aridity of this nonsense truly bearable. I had seen him before, most remarkably, in another story with another older woman, Joan Plowright in "Mrs Palfrey At The Claremont" He is an actor with, clearly, a few aces up his sleeve and I bet he will dazzle us with other surprises in the future. Here he's badly served by his director, co-stars costume designer, make up and hair and in spite of that he emerges as the only reason to see this film.