An ominous disaster forces five survivors to wait out nuclear winter in a secret underground bomb shelter. With limited supplies and nowhere else to go, they struggle against the clock, ... See full summary »
Adam C. Caudill
Michael Patrick Lane,
In 1921, England is overwhelmed by the loss and grief of World War I. Hoax exposer Florence Cathcart visits a boarding school to explain sightings of a child ghost. Everything she believes unravels as the 'missing' begin to show themselves.
After the death of her husband, Dr. Cara Harding's faith in God has been shaken, but not her belief in science. In an attempt to get her more open to accepting unexplainable psychiatric theories, her father introduces her to Adam, a patient with multiple personalities who also takes on some of the physical characteristics of his other personalities. But Cara quickly discovers that his other personalities were murder victims and the more she finds out about Adam and his past, the closer she and her loved ones are to becoming murder victims themselves. Written by
Adam (as David) says in his childhood home there are 10 windows; 11 if you count the star in the front door. When Dr. Harding drives to his childhood home, which the audience knows is the one he was talking about because of the star in the front door, 12 windows are visible, and that is not counting however many there are on the unseen side of the house. See more »
Do you ever have emotions that you can't explain? Have you ever lost control of these emotions? Do these emotions have a name? These were the first three questions that Dr. Malison asked of Joesph Kinkirk, just six hours after his arrest. To which Kinkirk answered: yes, yes, and Henry.
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Could of been so good....disappointing but watchable.
Adding together the presence of Michael Cooney as the writer who gave us 'Identity', which boasted originality and a fast paced story AND with the addition of Julianne Moore who eats this genre for breakfast, my expectations for this were high. The movie starts off well, 'on the edge'; with Jonathan Rhys Meyer's character being introduced perfectly. Plenty of reason to call it a horror/thriller at this point with excellent use of sound to create the jumpy vibe. However the direction from the Swedish duo Måns Mårlind and Björn Stein soon starts to really let the grip of the film slip. OK admittedly there are plot holes and the pace is slow after the initial quick start which covers a lot of explanatory material for the theory behind the story. But to have taken the obviousness out of that, the direction could have been so much more original and less armature looking, with close ups and set ups for jumps so obvious and dull. The first 30 minutes or so of the film has the horror edge, after that a Sunday paced drama with a frankly ridiculous set of ideas behind Meyers character which are not overly original sets this up to mainly let moviegoers expectations down. Meyer's brilliant acting including his shift in accents and characters and Moore's usual type cast brilliant acting make this watchable and average. This could have been so good and does not fit into the horror/thriller genre well and do it justice. An average supernatural thriller with a couple of jumps at best as horror. What a shame.
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