Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Death stalks the dreams of several young adults to claim its revenge on the killing of Freddy Kruger. Chased and chastised by this finger-bladed demon, it is the awakening of old memories and the denials of a past of retribution that spurns this hellish vision of a dreamlike state and turns death into a nightmare reality. Written by
Jackie Earle Haley scratched his corneas with the contact lenses he wore delaying production for a short time. He also had the whites of his eyes turn blood red for two weeks because of this. See more »
(at around 35 mins) When Quentin is searching the internet, he types the search term "sleep deprivation" then presses enter, then uses the mouse to click the search button (blast off). Generally, after pressing enter, you wouldn't need to click the button afterwards to get the results. See more »
Can I have another? Hey. Can I have some more coffee, please?
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You knew it wouldn't work. And instead of reaching redundancy with all the other chimer-ins, I'll cut my two cents to just a cent and a half.
The new Nancy was completely unappealing and had zero charm. She wasn't cute, she wasn't spunky, and she wasn't a fighter, all three of which were nicely exhibited by Heather Langenkamp in the original. Mara's Nancy doesn't speak up until the last two minutes of the film! Until that point, she reminds one of those nerd girls who hide in the corner at parties, darting their eyes around while clutching a cup of beer, almost daring themselves to take a sip. The shot of her holed-up in her room, bug-eyeing her mother in a low-whisper, speaks volumes.
The blonde looked WAY too old to be a high school student, but at least had a hint of conviction to her situation. Of course, she's the "trick" character for the audience.
The guys were all Twilight/Jonas Brother facsimiles who seemed stoned half the time; acting was fair, but did not engage.
Kills were decent, but most were re-creations with a computer, so there really wasn't anything to add on to them. That bendy, unnatural appearance of dreamscapes and the glove bursting through people is so overused by this point, that it has no punch. The music, at least, borrowed a few chords from the original score (SORELY needed for a flick this lackluster).
Finally, Freddy. Instead of doing the usual praising of Englund and ripping of Haley, I'll stick to the basics. Haley is too short, and too slight, to be a threatening villain. During the full body shots, or of him at a distance, it looked like a teenager who hadn't filled out yet was goofing in a rental costume. And, in a sense, his make-up is almost too real. The fact that he looks like a burn victim sort of sends a feeling of unease because of the authentic ones we've seen on the news. Englund's original "pizza" or rubbery appearance made him menacing, but not awkward to look at. You could go on for six years about the voice of choice. Haley's approached a drunken Englishman, stumbling out of the pub, dragging his tone in a haze. Really did reek of a fan-film Freddy getting overmatched by the material.
I didn't care about the characters, there was no sense of urgency, and basically, it just very "remakey," like your typical modern-day slasher. Nothing significant or compelling in the slightest. Didn't CLANGING chords and overcranked dolly shots go out with the 'Scream' movies? It's beyond acceptable anymore, and don't get me started on the final shot, which negates the entire ending and is completely telegraphed.
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