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Several people are hunted by a cruel serial killer who kills his victims in their dreams. When the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Alice, having survived the previous installment of the Nightmare series, finds the deadly dreams of Freddy Krueger starting once again. This time, the taunting murderer is striking through ... See full summary »
Kelly Jo Minter
On one last road trip before they're sent to serve in Vietnam, two brothers and their girlfriends get into an accident that calls their local sheriff to the scene. Thus begins a terrifying experience where the teens are taken to a secluded house of horrors, where a young, would-be killer is being nurtured.
Mrs. Voorhees is dead, and Camp Crystal Lake is shut down, but a camp next to the infamous place is stalked by an unknown assailant. Is it Mrs. Voorhees' son Jason, who did not really drown in the lake some 30 years before?
Death stalks the dreams of several young adults to claim its revenge on the killing of Freddy Kruger. Chased and chastised by this finger-bladed demon, it is the awakening of old memories and the denials of a past of retribution that spurns this hellish vision of a dreamlike state and turns death into a nightmare reality. Written by
Wes Craven was reportedly not approached about this remake. He has however publicly spoken against it. See more »
(at around 34 mins) When Quentin answers Nancy's phone call you can clearly see the main screen instead of the blue in-call sequence. Later he presses the phone closer against his face and the application screen appears. See more »
Can I have another? Hey. Can I have some more coffee, please?
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When I left the theater last night, I couldn't help but ask myself one simple question: Why? Why did they remake this movie? Especially if they have nothing new to bring to the table, in terms of story or character development? Even the worst Hollywood Horror Remakes (House of Wax, The Hills Have Eyes, etc.) Have SOME SORT of interesting twist to include, but this movie had none. It's as though Michael Bay was watching the original and thought to himself "Man, I wish I had thought of this." Then, instead of using his inspiration to go make something fresh and original, he just hijacked the classic franchise and then dulled it down to its most basic and crappy form. And now, when I refer to A Nightmare on Elm Street, I have to specify whether I mean A Nightmare on Elm Street (1984) or A Nightmare on Elm Street (2010) even though they're essentially the same thing. Now I have another question: When is the next "genius" in Hollywood going to "reimagine" 2001: A Space Odyssey? Or Pulp Fiction? And for that matter, when is Nickeback going to come out with their own version of Abbey Road?
A Nightmare on Elm Street (1984) is a charming, entertaining and occasionally-terrifying romp. It is the Crown Jewel of a Golden Age of creative and energetic horror films. A Nightmare on Elm Street (2010) is a bastardized Hollywood rehash with no soul. It was completely pointless, even by Horror-Remake standards. Hollywood ran out of Japanese horror films to remake, and decent comic books to adapt, so now they've victimized another American Classic. There's one interesting sight gag, and they blow that load five minutes into scene one. The horror is not psychological, or even tangible. It is just a bunch of spooky, ominous whispering for minutes at a time, followed by the obligatory jump-scene, where the bad guy jumps out of nowhere, makes a startling hissing sound and the victim screams. The audience jumps, a bit, and then let's out a little giggle. But they're never actually scared. Cheap and Lame.
Before the film started, they showed a preview for Robert Rodriguez' upcoming film "Predators" When the title flashed across the screen, I couldn't control myself. I shouted "Boo!" A few people in the theater laughed. I hope they were laughing because they feel the way I feel: I am sick of remakes, and prequels and sequels. I am sick of Hollywood executives making hundreds of millions or dollars, without ever actually coming up with any ideas of their own.
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