Several people are hunted by a cruel serial killer who kills his victims in their dreams. While the survivors are trying to find the reason for being chosen, the murderer won't lose any chance to kill them as soon as they fall asleep.
After being committed for 17 years, Michael Myers, now a grown man and still very dangerous, escapes from the mental institution (where he was committed as a 10 year old) and he immediately returns to Haddonfield, where he wants to find his baby sister, Laurie. Anyone who crosses his path is in mortal danger.
Death stalks the dreams of several young adults to claim its revenge on the killing of Freddy Kruger. Chased and chastised by this finger-bladed demon, it is the awakening of old memories and the denials of a past of retribution that spurns this hellish vision of a dreamlike state and turns death into a nightmare reality. Written by
The same animators who did the CGI work for Harvey Dent/Two Face in The Dark Knight (2008) were brought in to do the CGI work for Freddys face. See more »
(at around 55 mins) During swimming practice, Quentin is shown hanging off the dive platform at the end of his lane, listening to the coach talk. 3 or 4 drops of water rise out of the pool and fly up to his elbow, revealing that this particular scene is being played in reverse. (Also you can just make out from the top right of the screen that the coach is actually walking backwards, as shown by the string coming from his right pocket which you can see in the next camera angle) See more »
Can I have another? Hey. Can I have some more coffee, please?
See more »
When it was announced that Jackie Earle Haley would be taking on the role of Freddy in the new Elm Street franchise reboot, a collective sigh of relief went up from the fans of the originals. Haley's Rorshach was one of the few redeeming qualities in the abysmal "Watchmen" movie. When pictures of Freddy's new face were leaked, the excitement grew. This Freddy promised to drop the silly one liners and be a return to the frightening, sadistic killer from the first film.
Haley does what he can with what he's given, but even a game performance from him and Rooney Mara(Nancy) can't save this film from mediocrity. The male lead is played by Kyle Gallner. He could generously be called a poor man's Robert Pattinson. He does a serviceable job here but the weak writing and directing don't do him any favours.
Fans of the original will be disappointed by the brief treatment of Freddy's origins, and it's unlikely new viewers will understand what is going on or even care for that matter. My hopes of a scarier Freddy were dashed within the first few minutes. The film doesn't even try to build an atmosphere and Haley spouts the same tired one liners that the later films leaned on so heavily.
Even as the original series aged, one could always rely on the excellent special effects and make-up work to carry the films. The highlight of each film was the creativity of the different "Dream Worlds" that Freddy would take his victims to. Each dream world was unique because it reflected the thoughts of the character Freddy was trying to kill. This new iteration strips away any of that creativity and takes place almost entirely in one location (I'll avoid spoilers, but if you've seen any other film in the series you can easily guess where). The makeup work that looked promising in production stills doesn't hold up well on screen, failing to be as frightening or iconic as the original. The effects aren't great, it would be easy to beat the dead horse of 'computer graphics' being inferior but I think the real problem here is directorial. Samuel Bayer simply can't hold a candle to Wes Craven.
If you want to disregard my comparisons to the original films and simply take this one for what it is, a brainless slasher flick, it still fails. None of the 'kills' show any creativity at all and audiences already fed on a steady diet of graphic violence won't find anything all that shocking or disturbing here. It's just boring.
Adding to that is an over reliance on cheap scares. This film is this the cinematic equivalent of someone shouting "boo!" in your face every ten minutes. This technique becomes annoying almost instantly and becomes increasingly more annoying because it is used in every single scene. It's like the director realized he didn't know how to direct a scary movie and instead of quitting and finding a new job, he decided to edit in sudden loud noises and hope no one would notice.
By the end the audience I saw it with could hardly hold back their titters of laughter and I don't mean that in a good way. This is one franchise that had some potential for rebirth, but I will be amazed if this one makes it to part 2.
98 of 131 people found this review helpful.
Was this review helpful to you?