James Reece is an ambitious aide to the U.S. Ambassador in Paris, doing little jobs for the CIA and hoping to get into black ops. On the night he and his girlfriend, Caroline, become engaged, he's told to pick up Charlie Wax at Orly. Charlie is an unorthodox government employee - large, bald and bearded, foul-mouthed and eccentric. Charlie immediately takes James on a wild ride of murder and mayhem, through ethnic enclaves. As bodies pile up, the purpose remains opaque to James. Caroline, unhappy that James has been out of touch for a day, tells him to bring Charlie for dinner. Charlie can be charming - where will it lead? Does the chess-playing James have what it takes? Written by
Luc Besson: He can be clearly seen getting out of a car and facing the camera as it moves up a line of parked cars. See more »
(at around 48 mins) When Wax bursts into the terrorists' apartment through the window and shoots the first terrorist, we hear only one gunshot from Wax's gun but two bullet holes appear on the first terrorist's torso. See more »
Thank you, Cindy.
African Aid Summit prep meeting with the Foreign Minister tomorrow at noon, Summit Conference on Wednesday, G8 Undersecretary conference dinner on Thursday, and a reception for the Secretary of State Friday, sir.
Can't you see we have more urgent matters to consider, Reece?
[moves his queen]
Of course, sir.
[counter moves his queen]
Must you always be so methodical?
[...] See more »
It's John Travolta like you have never seen him before. Here he is Mister Action, the ultimate Tough Guy, the new Bruce Willis but with more flair. The story itself is not particularly noteworthy. But there is lots of action as Travolta shows everyone who's boss in this action-packed special effects extravaganza. Also there is non-stop violence with Mr. Travolta leading the way. If you like movies with stories that feature nonstop violence, then this movie is for you. If you like John Travolta, this movie is for you. But in terms of the story, don't expect too much from this movie. Remember: it's a commercial product so at some point artistic merit inevitably gives way to the usual dose of special effects that Hollywood spews out like clockwork. Hooray for John Travolta and Hollywood!
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