Armed men hijack a New York City subway train, holding the passengers hostage in return for a ransom, and turning an ordinary day's work for dispatcher Walter Garber into a face-off with the mastermind behind the crime.
Under the watchful eye of his mentor Captain Mike Kennedy, probationary firefighter Jack Morrison matures into a seasoned veteran at a Baltimore fire station. Jack has reached a crossroads,... See full summary »
To foil an extortion plot, an FBI agent undergoes a face-transplant surgery and assumes the identity of a ruthless terrorist. But the plan backfires when the same criminal impersonates the cop with the same method.
James Reece is an ambitious aide to the U.S. Ambassador in Paris, doing little jobs for the CIA and hoping to get into black ops. On the night he and his girlfriend, Caroline, become engaged, he's told to pick up Charlie Wax at Orly. Charlie is an unorthodox government employee - large, bald and bearded, foul-mouthed and eccentric. Charlie immediately takes James on a wild ride of murder and mayhem, through ethnic enclaves. As bodies pile up, the purpose remains opaque to James. Caroline, unhappy that James has been out of touch for a day, tells him to bring Charlie for dinner. Charlie can be charming - where will it lead? Does the chess-playing James have what it takes? Written by
In the scene where Reece is watching for drug dealers through binoculars, while wax is in the other room with a hooker, you see Reece looking through the binoculars correctly. Shortly after, Wax takes over while Reece answers the door. Wax can be seen holding the binoculars back-to-front (inverted). See more »
Thank you, Cindy.
African Aid Summit prep meeting with the Foreign Minister tomorrow at noon, Summit Conference on Wednesday, G8 Undersecretary conference dinner on Thursday, and a reception for the Secretary of State Friday, sir.
Can't you see we have more urgent matters to consider, Reece?
[moves his queen]
Of course, sir.
[counter moves his queen]
Must you always be so methodical?
[...] See more »
Pierre Morel & Luc Besson delivered one of the best action films of the last decade, Taken. Even people who typically despise the action genre were won over by it. So where do Pierre & Besson head from here? They made the move to appeal solely to the action fan base. From Paris With Love is made for genre fans, not your average movie-goer. The first 20 minutes are spent with Jonathan Rhys Meyers and it feels a little slow. Once John Travolta's character comes into the story the film takes off like a roller-coaster. His charisma gives the film an extra kick and it gives much of the action a new flavor. Once the fun starts it doesn't stop. Whenever you think this film is slowing down it's really getting ready for the next shootout. You're on the edge of your seat until the very end. Actually, one of my two complaints is the end (I won't spoil anything). Let's just say the last 5 minutes feel a little rushed. If you loved going to the theater to see Live Free Or Die Hard, Rambo, & Taken than this is for you.
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