IMDb > Whatever Works (2009)
Whatever Works
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Whatever Works (2009) More at IMDbPro »

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Whatever Works -- An eccentric older man (David) encounters a Southern belle (Wood) and promptly falls in love. But how will the couple, her family, and his New York City friends mix?

Overview

User Rating:
7.2/10   49,774 votes »
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Director:
Writer (WGA):
Woody Allen (written by)
Contact:
View company contact information for Whatever Works on IMDbPro.
Release Date:
1 July 2009 (France) See more »
Genre:
Plot:
A middle-aged, misanthropic divorcée from New York City surprisingly enters a fulfilling, Pygmalion-type relationship with a much younger, unsophisticated Southern girl. Full summary » | Add synopsis »
Plot Keywords:
Awards:
3 wins See more »
User Reviews:
"I'm not a likable guy..." See more (155 total) »

Cast

  (in credits order) (verified as complete)

Larry David ... Boris

Adam Brooks ... Boris' Friend

Lyle Kanouse ... Boris' Friend

Michael McKean ... Boris' Friend
Clifford Lee Dickson ... Boy on Street

Yolonda Ross ... Boy's Mother

Carolyn McCormick ... Jessica

Samantha Bee ... Chess Mother

Conleth Hill ... Brockman

Marcia DeBonis ... Lady at Chinese Restaurant

Evan Rachel Wood ... Melody

John Gallagher Jr. ... Perry
Willa Cuthrell-Tuttleman ... Chess Girl (as Willa Cuthrell Tuttleman)

Nicole Patrick ... Perry's Friend

Patricia Clarkson ... Marietta

Henry Cavill ... Randy

Olek Krupa ... Morgenstern

Ed Begley Jr. ... John

Christopher Evan Welch ... Howard

Jessica Hecht ... Helena
Lindsay Michelle Nader ... Television Voice (voice)

Armand Schultz ... Television Voice (voice)
rest of cast listed alphabetically:
Steve Antonucci ... Flea Market Shopper (uncredited)

Marc Alan Austen ... Photo Gallery Patron (uncredited)
Julie Basem ... Cafe Waitress (uncredited)

Kenneth Edelson ... Gallery Guest (uncredited)
Gabriel Nussbaum ... Concert Goer (uncredited)

Chris Nuñez ... Concert Goer (uncredited)

Quincy Rose ... Guy on Bench (uncredited)

Robin Rose Singer ... Indie Rocker (uncredited)

Directed by
Woody Allen 
 
Writing credits
(WGA)
Woody Allen (written by)

Produced by
Letty Aronson .... producer
Brahim Chioua .... executive producer
Charles H. Joffe .... co-executive producer
Vincent Maraval .... executive producer
Helen Robin .... co-producer
Jack Rollins .... co-executive producer
Stephen Tenenbaum .... producer
 
Cinematography by
Harris Savides 
 
Film Editing by
Alisa Lepselter 
 
Casting by
Ali Farrell 
Laura Rosenthal 
Juliet Taylor 
 
Production Design by
Santo Loquasto 
 
Art Direction by
Tom Warren 
 
Set Decoration by
Ellen Christiansen 
 
Costume Design by
Suzy Benzinger 
 
Makeup Department
Robert Fama .... key hair stylist
Gail McGuire .... hair stylist
Linda Melo .... makeup artist (as Linda Melo-Danzo)
Rosemary Zurlo .... key makeup artist (as Rosemarie Zurlo)
 
Production Management
Helen Robin .... unit production manager
 
Second Unit Director or Assistant Director
Dan Majkut .... dga trainee
Murphy Occhino .... second assistant director
Richard Patrick .... first assistant director
 
Art Department
Kenneth Brzozowski .... key carpenter
Kathleen Dolan .... assistant property master
Virginia Gifford .... scenic artist
James Granger .... art department assistant
Daniel K. Grosso .... leadman
Beth Kuhn .... assistant art director
Glenn Lloyd .... art department coordinator
Ann Durnin Mckendry .... set dresser
Ann Miller .... property master
Nicholas J. Mongelli Jr. .... chief construction grip
Thomas Nousias .... scenic artist (as Tom Nousias)
Mark Pollard .... additional graphic artist
Jon Ringbom .... master scenic artist
Manny Sanchez .... carpenter
Elizabeth Schlitten .... assistant property master
Cliff Schorr .... stand-by scenic artist
Andrew Spagnoli .... set dresser
Jennifer B. Starke .... assistant set decorator (as Jennifer Starke)
Rodney Sterbenz .... set dresser
Richard Tenewitz .... construction coordinator
Dana Wilson .... scenic artist
Joseph Ziegler .... stand-by carpenter
Jane Patterson .... set dresser (uncredited)
 
Sound Department
Gary Alper .... production sound mixer
Ryan Collison .... foley engineer
Lee Dichter .... re-recording mixer: Sound One Corp.
Pete Fonda .... boom operator
Matthew Haasch .... foley editor (as Matt Haasch)
Robert Hein .... supervising sound editor
Thomas Kodros .... sound consultant: Dolby
Sylvia Menno .... dialogue editor
Glenfield Payne .... sound effects editor
Jay Peck .... foley artist
Jason Stasium .... cable person
Damian Volpe .... sound effects editor
David Wahnon .... sound editor
 
Visual Effects by
Randall Balsmeyer .... visual effects supervisor: Big Film Design (as Randy Balsmeyer)
Dana Bloder .... digital opticals producer: Technicolor, NY
J. John Corbett .... compositing supervisor: Big Film Design
Charles Lapage .... digital compositor
Jesse Morrow .... digital opticals: Technicolor, NY
David Piombino .... digital compositing: Big Film Design
Adrienne Winterhalter .... visual effects producer: Big Film Design
 
Stunts
Peter Bucossi .... stunt coordinator
Don Hewitt .... stunt double: Boris (as Don Hewitt Sr.)
 
Camera and Electrical Department
Christian Baldi .... lighting technician
Matt Balzarini .... second assistant camera
Adriana Brunetto-Lipman .... camera loader (as Adriana Brunatto)
Greg Canicio .... best boy rigging grip
Joel Carucci .... key rigging grip
Marcel Ciurea .... grip
Rashad Clinton .... rigging grip
Doug Dalisera .... key rigging electric (as Douglas Dalisera)
Russell Engels .... gaffer (as Russ Engels)
Robert K. Feldmann .... grip
James W. Finnerty .... key grip (as James Finnerty Jr.)
Kevin Fraser .... key grip
Timothy Healy .... electrician
Patrick Johnson .... rigging grip
Richard C. Kerekes .... dolly grip
James Mah .... best boy electric (as Jim Mah)
Jessica Miglio .... still photographer
Tim Norman .... first assistant camera
Christopher Purificato .... best boy grip (as Chris Purificato)
Kyle Rudolph .... camera operator
James F. Walsh .... shop electric (as James Walsh Sr.)
Kevin Walsh .... best boy rigging electric
 
Casting Department
Karen E. Etcoff .... extras casting: Kee Casting
Maribeth Fox .... casting associate
David H. Kramer .... adr voice casting
Bill Tripician .... extras casting associate
 
Costume and Wardrobe Department
Danajean Cicerchi .... costume supervisor
Jeff Fender .... costume assistant
Nicholas McManus .... costume production assistant
Marco Piemontese .... costume assistant
Stephen Kyle Wesson .... set costumer
Scott Westervelt .... costume supervisor
Patrick Wiley .... assistant costume designer
 
Editorial Department
Terry Claborn .... color timer: Technicolor, No. Hollywood
Mo Henry .... negative cutter
Kate Rose Itzkowitz .... assistant editor
Morgan Neville .... first assistant editor (as Morgan A. Neville)
Tim Stipan .... digital opticals colorist: Technicolor, NY
Brian Umana .... editing intern: dailies
Joe Violante .... dailies advisor: Technicolor, NY
 
Music Department
Jill Meyers .... music clearances
Roy B. Yokelson .... music recording engineer (uncredited)
 
Transportation Department
John Canavan .... transportation co-captain
Eugene O'Neill .... transportation captain (as Gene O'Neill)
 
Other crew
Deborah Alexander .... assistant: Mr. Tenenbaum
Abby Bailey .... assistant production accountant
David Bellarosa .... production assistant
Theo Brooks .... production assistant
Laura Comerford .... insurance: AON/Albert G. Ruben, Inc.
Angela Cutrone .... additional production assistant
Leo Driver .... parking coordinator
Bill Garvey .... location scout
Tom Glick .... production assistant
Michael J. Harker .... completion bond representative
Rebecca Hawkes .... technical services: worldwide, Schedule 2
Shani Hinton .... legal services: Jitterbug Law
Sophie Holland .... production assistant
Adrianne Jorge .... projectionist
Elizabeth Klenk .... second assistant location manager
Scott Kordish .... production coordinator
James Lesage .... set production assistant
Phillip Leung .... production assistant
Jessica Lichtner .... script supervisor
Pietro Lorino Jr. .... production accountant
Gine Lui .... location scout
Liz Magee .... production assistant
Suk Yi Mar .... location scout (as Suk-Yi Mar)
Richard McCune .... production financing: City National Bank (as Richard V. McCune)
Soren Miltich .... set production assistant
Kathryn Minogue .... stand-in
Christie Mullen .... location manager
Brian Papworth .... set production assistant
Erik Piecuch .... production financing: City National Bank
Emma Pindar .... technical services: worldwide, Schedule 2
Lynn H. Powers .... assistant location manager
Regina Scott .... additional production assistant
Jeff Sedwick .... additional production assistant
Colby Shrefler .... location assistant
Joshua Shull .... location assistant
Nate Shull .... location assistant
Susan Silas .... location scout
Lora Sorrentino .... set production assistant
John Spady .... second assistant location manager
Laura Streicher .... assistant: Mr. David
Peter Tavis Jr. .... production office assistant
Irwin J. Tenenbaum .... legal services: Loeb & Loeb
Melissa Tomjanovich .... assistant: Mr. Allen
Amy R. Trachtman .... assistant production coordinator
Kelly Trivigno .... payroll accountant
Caroline Turner .... publicity: Hyperactive Publicity
Joseph Turner .... set production assistant
Sawyer Williams .... production secretary
Liam Doyle .... production assistant (uncredited)
 
Thanks
Michael Bloomberg .... thanks (as Mayor Michael R. Bloomberg)
Antoine Douaihy .... the producers gratefully acknowledge and wish to thank for their assistance: "Marietta's Photographs" - Female Figures, "Untitled #1" through "Untitled #12" and Male Figures, "Untitled #13" through "Untitled #18" (as Antoine L. Douaihy)
Cristobal Gabarron .... the producers gratefully acknowledge and wish to thank for their assistance: The Gabarron Foundation artwork by
Neil Girardi .... thanks
James Hickey .... thanks
Greg Johnson .... thanks
Robert Lee Morris .... thanks
Katherine Oliver .... thanks (as Commissioner Katherine L. Oliver)
Peter Som .... thanks
 

Production CompaniesDistributorsSpecial EffectsOther Companies

Additional Details

Also Known As:
MPAA:
Rated PG-13 for sexual situations including dialogue, brief nude images and thematic material
Runtime:
USA:92 min (Tribeca Film Festival) | Argentina:92 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Argentina:13 | Australia:M | Brazil:12 | Canada:PG (Alberta/British Columbia/Manitoba) | Canada:14A (Ontario) | Canada:G (Quebec) | France:U | Germany:12 | Hong Kong:IIB | Ireland:15A | Japan:PG12 | Netherlands:6 | Norway:A | Portugal:M/12 (Qualidade) | Singapore:M18 | Sweden:Btl | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | UK:12A | USA:PG-13 (certificate #44832)

Did You Know?

Trivia:
When Woody Allen started to write the movie back in the 70s, his main idea was to tell how a family of intolerant rednecks changed completely for different reasons after a while in New York.See more »
Goofs:
Errors made by characters (possibly deliberate errors by the filmmakers): When Melodie says "He doesn't have a lot of patience for US inchworms.", Boris incorrectly corrects her and says "WE inchworms". Boris is supposed to be a genius, but Melodie was actually correct.See more »
Quotes:
[first lines]
Boris Yellnikoff:That's not what I'm saying, imbecile. You guys completely misrepresent my ideas, why would I even want to talk with those idiots.
Boris' Friend:Just calm down.
Boris' Friend:That's not true, Boris.
Boris Yellnikoff:No, don't tell me to calm down, I am calm. Just stop.
Boris' Friend:Don't jump on us just because we don't understand what you're saying.
Boris Yellnikoff:I didn't jump on you. It's not the idea behind Christianity I'm faulting, or Judaism, or any religion. It's the professionals who've made it into corporate business. There's big money in the god racket, big money.
[...]
See more »
Movie Connections:
Featured in 71st Golden Globe Awards (2014) (TV)See more »
Soundtrack:
Menina FlorSee more »

FAQ

This FAQ is empty. Add the first question.
112 out of 139 people found the following review useful.
"I'm not a likable guy...", 29 June 2009
Author: David H. Schleicher from New Jersey, USA

Woody Allen's alter ego, Boris (a bitterly good and sardonic Larry David) makes this statement to the audience rather early on in "Whatever Works". The truth is, no matter how misanthropic, sarcastic and neurotic Woody Allen is, he ultimately is a pretty likable personality...if you like that type. Allen's return to Manhattan after three stays in London and a wonderful stop-over in Barcelona is yet another niche film. Fans of Allen, as well as fans of Larry David's "Seinfeld" and "Curb Your Enthusiasm" (which not so ironically should be the same folks) will find plenty to laugh at here, while others will inevitability whine, "I don't care for Woody Allen...and oh, that Larry David! Can't stand him!"

The plot of "Whatever Works" is irrelevant. Boris is some sort of genius-level physicist trying to speed his way to death, though those metaphors are never explored as poignantly as they should be. It all just serves as a soap-box for Allen (through David) to funnel his usual dialogues about relationships, love, luck and the meaning of life. It's all very broad and obvious this time around, but it's sometimes nice to still be laughing at the same old feel-good shtick. It should come as no surprise that Boris also tells the audience this isn't a movie designed to make you feel good, unless you're Allen fans, and then you'll feel pretty swell afterward. Leave it to Allen to infer moviegoers are inherently morons, but we're sophisticates for watching his films.

Apparently this is a re-worked screenplay from the 1970's and the "Annie Hall" style monologues to the audience are evidence of that. In the jokes department you'll find old standards mocking the French and suggesting kids should attend "concentration camps" for the summer mixed with modern humor about the Taliban and Viagra. There's also one hilarious throw-away/blink-and-you'll-miss-it reference to James Cameron's "The Abyss" that makes you wonder if perhaps the screenplay was first reworked in the 1980's before its final incarnation here.

In the casting department we find Patricia Clarkson, yet again, is a delight in her curiously under-written over-written role (which is far too simply complex to explain in a traditional review) and continues to build a case for herself to be declared this generation's "Best Supporting Actress" twenty years from now. Evan Rachel Wood is cute-as a-button (oh, as her character might declare, what a cliché) as a Southern cutie-pie who runs away to New York City and meets up with the suicidal Boris. Allen, as always, is luminous with his photography of the "young lady." And unlike the similarly dumb motor-mouthed funny-voiced Mira Sorvino character from "Mighty Aphrodite", Wood's character is actually given an arc here and proves not to be as shallow and moronic as Boris originally assessed, which indicates maybe Allen is growing just a teeny bit in his view on women...or maybe not.

Ultimately this is yet another testament to Allen's world-view, which is summed up here as do whatever works for you to trick yourself into believing you're happy in this miserable world. Sure, there are times when Boris' diatribes run a few lines too long, or when the film stops dead when he is not on screen, but for the most part, this is Allen doing what works best for him. No other director can call himself out on all his personal pratfalls and annoying quirks yet still find a way to endear himself to the faithful who are ever patient with him and his films. No other director can be so charmingly mean-spirited and self-deprecating yet still find a way to declare his alter ego a genius at picture's end. And that's why we've always liked you, Woody, for better and for worse. For what it's worth, when it comes to Allen's better and worse, "Whatever Works" falls happily in between and works just fine, thank you very much.

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