| Photos (see all 46 | slideshow) | Videos (see all 2) |
| Larry David | ... | Boris Yellnikoff | |
| Adam Brooks | ... | Boris' Friend #1 | |
| Lyle Kanouse | ... | Boris' Friend #2 | |
| Michael McKean | ... | Joe - Boris' Friend #3 | |
| Clifford Lee Dickson | ... | Boy on Street | |
| Yolonda Ross | ... | Boy's Mother | |
| Carolyn McCormick | ... | Jessica | |
| Samantha Bee | ... | Chess Mother | |
| Conleth Hill | ... | Leo Brockman | |
| Marcia DeBonis | ... | Lady at Chinese Restaurant | |
| Evan Rachel Wood | ... | Melodie St. Ann Celestine | |
| John Gallagher Jr. | ... | Perry | |
| Willa Cuthrell-Tuttleman | ... | Chess Girl | |
| Nicole Patrick | ... | Perry's Friend | |
| Patricia Clarkson | ... | Marietta | |
| Henry Cavill | ... | Randy James | |
| Olek Krupa | ... | Morgenstern | |
| Ed Begley Jr. | ... | John | |
| Christopher Evan Welch | ... | Howard | |
| Jessica Hecht | ... | Helena | |
| Lindsay Michelle Nader | ... | Television Voice #1 (voice) | |
| Armand Schultz | ... | Television Voice #2 (voice) | |
| rest of cast listed alphabetically: | |||
| Steve Antonucci | ... | Flea Market Shopper (uncredited) | |
| Marc Alan Austen | ... | Art gallery patron (uncredited) | |
| Julie Basem | ... | Cafe Waitress (uncredited) | |
| Kenneth Edelson | ... | Gallery Guest (uncredited) | |
| Chris Nuñez | ... | Concert Goer (uncredited) | |
| Quincy Rose | ... | Guy on Bench (uncredited) | |
| Robin Singer | ... | Indie Rocker (uncredited) | |
Directed by | |||
| Woody Allen | |||
Writing credits(WGA) | ||
| Woody Allen | (written by) | |
Produced by | |||
| Letty Aronson | .... | producer | |
| Brahim Chioua | .... | executive producer | |
| Charles H. Joffe | .... | co-executive producer | |
| Vincent Maraval | .... | executive producer | |
| Helen Robin | .... | co-producer | |
| Jack Rollins | .... | co-executive producer | |
| Stephen Tenenbaum | .... | producer | |
Cinematography by | |||
| Harris Savides | |||
Film Editing by | |||
| Alisa Lepselter | |||
Casting by | |||
| Ali Farrell | |||
| Laura Rosenthal | |||
| Juliet Taylor | |||
Production Design by | |||
| Santo Loquasto | |||
Set Decoration by | |||
| Ellen Christiansen | |||
Costume Design by | |||
| Suzy Benzinger | |||
Second Unit Director or Assistant Director | |||
| Dan Majkut | .... | dga trainee | |
| Murphy Occhino | .... | second assistant director | |
| Richard Patrick | .... | first assistant director | |
Art Department | |||
| James Granger | .... | art department assistant | |
| Glenn Lloyd | .... | art department coordinator | |
| Anne Miller | .... | property master | |
| Mark Pollard | .... | additional graphic artist | |
| Manny Sanchez | .... | carpenter | |
| Andrew Spagnoli | .... | set dresser | |
| Rodney Sterbenz | .... | set dresser | |
| Richard Tenewitz | .... | construction coordinator | |
Sound Department | |||
| Gary Alper | .... | sound mixer | |
| Lee Dichter | .... | sound re-recording mixer | |
| Jay Peck | .... | foley artist | |
| Jason Stasium | .... | sound utility | |
| David Wahnon | .... | sound editor | |
Visual Effects by | |||
| Dana Bloder | .... | digital opticals producer | |
| Charles Lapage | .... | digital compositor | |
| David Piombino | .... | digital compositor | |
Stunts | |||
| Peter Bucossi | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Christian Baldi | .... | lighting technician | |
| Matt Balzarini | .... | second assistant camera | |
| Adriana Brunetto-Lipman | .... | camera loader | |
| Marcel Ciurea | .... | grip | |
| Rashad Clinton | .... | rigging grip | |
| Doug Dalisera | .... | rigging gaffer | |
| Robert K. Feldmann | .... | grip | |
| James W. Finnerty | .... | key grip | |
| Timothy Healy | .... | electrician | |
| Patrick Johnson | .... | rigging grip | |
| Jessica Miglio | .... | still photographer | |
| Tim Norman | .... | first assistant camera | |
| Kyle Rudolph | .... | Steadicam operator: "a" camera | |
Casting Department | |||
| David H. Kramer | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Patrick Wiley | .... | assistant costume designer | |
Editorial Department | |||
| Kate Rose Itzkowitz | .... | assistant editor | |
| Morgan Neville | .... | first assistant editor | |
| Tim Stipan | .... | digital opticals colorist | |
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| Vicky Cristina Barcelona | Strange Planet | Annie Hall | On the Town | Bend It Like Beckham |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
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"Sometimes a cliché is finally the best way to make one's point." Boris (Larry David)
Woody Allen's witty movies may seem clichéd (love does indeed conquer all in most of his romcoms), but they do make a humanistic point couched in Allen's pessimism and nerdiness. With Larry David playing another Allen alter ego, Boris, a self-proclaimed genius, this misanthrope in Whatever Works is the best characterization of Allen in his recent movies. The movie works for me as the smartest, most enjoyable of this summer with a message countering Allen and his alter ego's world-weariness.
It doesn't take long to look at David's work co-creating Seinfeld and starring in his own Curb Your Enthusiasm to see that this world-weary worry wart is a good choice to play an Allen-like New York Jewish intellectual. Unfortunately his lack of real acting talent is a hindrance, especially when he slips into shouting many of his lines. Yet when David plays himself more than the stuttering Allen, he becomes relaxed and believable. When David speaks to the audience several times, the sincerity is powerful.
Allen wanted Zero Mostel to play this part; his death in 1977 put the script in mothballs for decades. As an accomplished Broadway and film actor, Mostel underscores David's limited acting range.
The conceit of Whatever Works is that older Boris in his 60's hooks up with twenty-year-old Southern Melodie (Evan Rachel Wood) despite his genius mind rejecting the whole affair as trite but his heart going with "whatever works." Throughout, Allen juxtaposes the Southern innocence with Northern experience creating a situation where NYC actually transforms the Southerners into urban sybarites, no better exemplified than the transformation of Melodie's mom (Patricia Clarkson) from bible thumper to artist humper with avant garde photos and multiple lovers. Even her ex-husband, John (Ed Begley, Jr.), has a NYC epiphany of the sexual kind.
Although Allen has his characters looking for love with results that will remind you of his Everyone Says I Love You, the sweetness is replaced with a philosophy that encourages searching out whatever works because of the transitory nature of love and life.
The mixture of love and cynicism allows deep appreciation of irony and the transformative nature of experience.