A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family. Along the way, they have misadventures and find fresh connections with an assortment of relatives and old friends who just might help them discover "home" on their own terms for the first time.
Recent college graduate Benjamin Braddock is trapped into an affair with Mrs. Robinson, who happens to be the wife of his father's business partner and then finds himself falling in love with her daughter, Elaine.
Lifelong platonic friends Zack and Miri look to solve their respective cash-flow problems by making an adult film together. As the cameras roll, however, the duo begin to sense that they may have more feelings for each other than they previously thought.
Burt Farlander and Verona De Tessant are a couple steeped in eccentricity and irregularity but are very much in love. So when they find out that Verona is pregnant they seem to be taking it in their stride. Verona is enjoying pregnancy, Burt is already practicing skill that he believes a good father should have, and they living in the same state as Burt's parents, Jerry and Gloria, so that their prospective daughter can have grandparents. However, things are shaken up when Burt and Verona go to dinner at Jerry and Gloria's house, as Burt's parents reveal a surprising piece of news. They have decided to move to Antwerp in Belguim a month before the baby is due, scuppering Burt and Verona's plans of having their children's grandparents around. Because Verona lost her parents when she was relatively young, she finds this news very hard to take, but the resilient couple quickly find a way to turn it in to a positive. It becomes obvious that this is what the pair needed, as they decide to ... Written by
The quote by Simone De Beauvoir LN recites, but cannot remember which book it is from ("One is not born, but rather becomes a woman") is from "The Second Sex". See more »
When Burt and Verona arrive at her childhood home, the scene cuts back and forth between a shot through the house towards the water, and a shot from that side back through the door they originally entered. The shots featuring the shore front side of the house show a strong breeze and lots of tree movement, while the shots looking the other direction show no wind and the trees completely still. See more »
It's all those good things you have in you. The love, the wisdom, the generosity, the selflessness, the patience. The patience! At 3 A.M. when everyone's awake because Ibrahim is sick and he can't find the bathroom and he's just puked all over Katki's bed. When you blink, when you blink! And it's 5:30 and it's time to get up again and you know you're going to be tired all day, all week, all your fucking life. And you're thinking what happened to Greece? What happened to swimming naked off the ...
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The style of Away We Go very much reminded me of a late 1960s/early 1970s film. I kept thinking of Harold and Maude or The Graduate, where the lead characters learn about themselves as their relationships grow and change. There were some characters that were so despicable that they'll make you laugh and cringe at the same time. The disappointments were done in a comedic way so the movie never drags. There were introspective scenes along the journey where I thought a Cat Stevens song would start playing.
The main couple travel to various cities to find the perfect place to raise their daughter and they meet an insane cast of characters along the way. These people remind me of people I've actually met in real life. A lot are parents with the best of intentions but what they are doing is just plain wrong.
Maya Rudolph should be in more serious roles. She's an amazing actress. She gives a very genuine performance, no overacting at all. As for John Krasinski, he was very good too as the loving, supportive boyfriend. There's a scene where he kept trying to say the right thing, but it keeps coming out all wrong. I think any couple will be able to relate to it when they see the film.
What makes this movie charming and deeper than a lot of romantic comedies is that you already have an established couple that's very much in love. This is usually where a romantic comedies ends, but Away We Go probes the deeper question of what happens after you meet the person of your dreams. Away We Go completely avoids the cliché of boy finds girl, boy loses girl, boy finds girl again.
I thought the music was okay, not the best, but the two men I was with very much enjoyed it.
I don't want to give away too much, but if you like a quieter film with a tone like the other movies I mentioned, you will enjoy this. If you're a looking for just a mindless roadtrip, this is not the film for you.
***I just read an article that the screenwriters were influenced by early 1970s movies, especially Hal Ashby who directed such classics as Being There and Harold and Maude. That explains why I kept thinking of Cat Stevens. If you go to the FilmInFocus website there's a 6 page interview with the screenwriters.***
Also, there's a comment that the film glorifies animal cruelty. The dog races were chosen because it's the saddest place the screenwriters could imagine to do the scene in Arizona. The context in the movie was to show the misery of a place like that, not glorify it at all.
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