Away We Go (2009)

Director:

Sam Mendes

Writers (WGA):

Dave Eggers (written by) &
Vendela Vida (written by)

Release Date:

26 June 2009 (USA)

Genre:

Comedy | Drama

Plot:

A couple who is expecting their first child travel around the U.S. in order to find a perfect place to start their family. Along the way, they have misadventures and find fresh connections with an assortment of relatives and old friends who just might help them discover "home" on their own terms for the first time.

Plot Keywords:

Couple | Friend | Home | Dead Parents | People Mover

Awards:

1 nomination

Cast

John Krasinski	...	Burt Farlander
Maya Rudolph	...	Verona De Tessant
Carmen Ejogo	...	Grace De Tessant
Catherine O'Hara	...	Gloria Farlander
Jeff Daniels	...	Jerry Farlander
Allison Janney	...	Lily
Jim Gaffigan	...	Lowell
Samantha Pryor	...	Ashley
Conor Carroll	...	Taylor
Maggie Gyllenhaal	...	LN
Josh Hamilton	...	Roderick
Bailey Harkins	...	Wolfie
Brendan Spitz	...	Baby Neptune
Jaden Spitz	...	Baby Neptune
Chris Messina	...	Tom Garnett

Also Known As:

Farlanders (USA) (working title)
This Must Be the Place (USA) (working title)
Untitled Sam Mendes Project (USA) (working title)

MPAA:

Rated R for language and some sexual content.

Runtime:

USA:98 min | Argentina:98 min (Mar del Plata Film Festival)

Country:

USA | UK

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

USA:R (certificate #45199) | Canada:14A (Alberta/British Columbia/Manitoba/Ontario) | Canada:G (Quebec) | Netherlands:AL | Ireland:15A | Norway:A | Switzerland:10 (canton of Geneva) | Switzerland:10 (canton of Vaud) | New Zealand:M | Germany:12 | UK:15 | Hong Kong:IIB | Argentina:13 | Sweden:Btl

Filming Locations:

Leesburg, Florida, USA

Company:

Big Beach Films

Trivia:

For the brief oral sex scene, Maya Rudolph wore four pairs of biking shorts under the gown.

Goofs:

Continuity: While visiting Tom and Munch's family, Burt is show being tied up by the family's kids. In that scene he wears Wallabees. In the next shot, showing Burt and Verona leaving the house, he is wearing sneakers.

Quotes:

Verona De Tessant: Hey, so the movie ends when the Von Tramps go to sleep?
Tom Garnett: Yeah, we sort of skip it.
Verona De Tessant: You skip the Nazis?
Tom Garnett: We kind of figured 'What's the point?' you know?

Movie Connections:

Features The Sound of Music (1965)

Soundtrack:

What Is Life

Definitely worth a Go

Director Sam Mendes last movie showed a couple deteriorating right in front of our eyes in "Revolutionary Road", and in a way he makes up for that depressing slog with "Away We Go". The couple here are upstarts, two people with a baby on the way who for the first time find themselves wondering about where they fit in the world and what they'll be like as parents. They're hopeful, but you can see the fear plastered on their face. First time screenwriters (and husband and wife) Dave Eggers and Vendela Vida waste no time in making them two identifiable people, and in the way they survey life's odd, complicated, and wonderful little moments, "Go" never fails at being a funny, thoughtful and heartwarming little gem that you'll fall in love with.

John Krasinski (The Office) and Maya Rudolph (Saturday Night Live) play Burt and Verona, a mid-thirties boyfriend-girlfriend (Verona has a marriage issue) who get the shock of their lives when Verona gets pregnant. Not only that but any roots they have in their little Connecticut town are about to be uprooted because Burt's parents (a funny Jeff Daniels and Catherine O'Hara) are moving to Belgium a month before the baby is born. Having no reason to stay where they are, they pack up and take a road trip, stopping anywhere they know they might find a familiar face. Phoenix, Tucson, Madison, Montreal, and Miami are all marked for a trial period as the two try to figure out who and what they would like to raise their family around.

It's an odd blend of dealing with life's what-ifs and meeting a variety of broad characters. Allison Janney is the funniest of the broad, playing Verona's former boss Lily, an abrasive alcoholic who enjoys point-blank degrading her children and her crazy, paranoid husband, nicely played by Jim Gaffigan. Maggie Gyllenhaal also shows up later on as Burt's zen-like cousin who takes family closeness to a whole new level, i.e creepy. Mendes balances scenes like these perfectly with the richly written script. A scene between Verona and her sister (Carmen Ejogo) where the ushering in of new life forces them to confront the death of their parents, and another where Burt's brother (Paul Schneider), whose wife has just abandoned him and their young daughter, encourages Burt to think about the strength of his own bond with Verona have a rare power that speaks to the importance of family. There is a point where the interspersing of comedy and drama starts to get old but luckily a third act of genuine lessons and happy mediums lead to some of the movies best scenes.

And these are star-making turns from Krasinski and Rudolph. He has a doofy charm that gets a couple good laughs but he also makes Burt a loveably doting and comforting boyfriend there for Verona no matter what. And Rudolph is a big surprise here as she turns in a performance of maturity, vulnerability, and depth. This type of performance is a long way from SNL. They are, for the most part, the straight-men to the quirky characters and are called upon to spend most of the movie's run-time just talking and they gel so well with each other that you really don't even mind. Ellen Kuras' cinematography (rolling hills, sunrises, planes moving across glass window panes) and Alexi Murdoch's songs only increase the pleasure in this funny and effective indie rom-com.

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