Mary Walsh delivers boyfriend Kevin to a hospital for routine outpatient surgery. But when Mary returns to take him home, he's mysteriously vanished. An administrator can find no record of ... See full summary »
A former child star buys her grandmother's house to rescue it from ruin but her hope for serenity is soon eclipsed by haunting dreams of her famous grandmother, who died of a supposed overdose in the house more than 30 years ago.
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David Michael Latt
Eriq La Salle,
Three glamorous "female" private investigators from an elite Los Angeles Detective agency are brought back to life after 25 years of slumber in a freeze drying chamber. Frozen by evil ... See full summary »
The unbalanced Terry calls his best friend Julian that is having a bath telling that his beloved fiancée June is cheating him. Terry has followed her to the decadent Riverview Hotel, where she checked in to meet her lover in room 507. Terry explains to Julian that he brought a revolver to shoot her lover and is waiting for him in room 508, but his friend asks him to be calm that he will meet Terry in the hotel. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Describing the hotel's early history, the porter tells June and Terry that the first guests included the conductor of the Chicago Philharmonic. The Chicago Philharmonic was established in 1989, far later than the hotel's apparent age. See more »
Surprisingly good post-noir flick... but empty somehow
It's like a crossword - you can watch it to puzzle a little with the plot. But nothing more. No meaning, no deeper thoughts. Just simple mind-exercise. Very good acting though (Brittany Myrphy especially earns respect here. She adds complexity to her character, and deepens emotional dimension of this rather cold movie), witty directing and editing (it's a debut - bravo!), dark melodic music, and quite smart story, makes this movie... a good crossword.
Cinematography is rather poor though, contrary to what others here claim. Work of cinematographer is not based on choosing the angles and positions for the camera (that's director's part), but rather on choosing lighting for a scene. And this part sucks here - shitty lighting reveals cardboard origin of the sets, and reminds (oh Lord) "Saw" (2004). You can't focus on the actors, because you're constantly afraid of some wall being accidentally pushed to fall over. It COULD be bad work of the lighting team, or insufficient funds, but cinematographer is the one who gets the blame anyway in such occasion.
A nice touch is The Porter character, very nicely (yet a bit theatrically) played by Jamie Benge.
So summing up - very very very good B-movie and not so bad A-movie. Better to see it than not.
6 of 7 people found this review helpful.
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