| Sam Douglas | ... | Bonnet | |
| rest of cast listed alphabetically: | |||
| Charlotte Asprey | ... | Sarah Isham | |
| Richard Brake | ... | Isham | |
| Lola Garcia | ... | Ramona Halloran | |
| John Golightly | ... | The Priest | |
| Duncan Marwick | ... | Clyde | |
| Dan Mullane | ... | Tom Halloran | |
| Una Nicholson | ... | Waitress | |
| Francesco Quinn | ... | Ruben Vega | |
| Lex Shrapnel | ... | Springfield | |
Directed by | |||
| Daniel Barber | |||
Writing credits(in alphabetical order) | ||
| Elmore Leonard | story | |
| Joe Shrapnel | screenplay | |
Produced by | |||
| Matthew Barber | .... | associate producer | |
| Matthew Brown | .... | producer | |
| Belinda Lewin | .... | producer | |
| Paco Pozo | .... | line producer | |
Original Music by | |||
| Dan Jones | |||
Cinematography by | |||
| Ben Davis | |||
Film Editing by | |||
| Rick Russell | |||
Casting by | |||
| Jane Frisby | |||
| Melissa Martin | |||
Production Design by | |||
| Johnny Green | |||
Art Direction by | |||
| Matt Gant | |||
Costume Design by | |||
| Jane Field | |||
Makeup Department | |||
| Merche Abadia | .... | assistant makeup artist | |
| Jennifer Harty | .... | assistant makeup artist | |
| Tanya Lodge | .... | hair stylist | |
| Tanya Lodge | .... | makeup artist | |
Production Management | |||
| Russell Hasenberg | .... | production supervisor | |
| Jessica Leach | .... | production manager | |
Second Unit Director or Assistant Director | |||
| David Lethem | .... | first assistant director | |
| Xavi Torress | .... | second assistant director | |
Sound Department | |||
| Paul Ackerman | .... | foley artist | |
| Mike Cooper | .... | sound mixer | |
| Jonny Crew | .... | sound editor | |
| Jane Hancock | .... | dubbing mixer | |
Visual Effects by | |||
| Jean-Clement Soret | .... | colourist | |
Camera and Electrical Department | |||
| Raúl León | .... | electrician | |
| Jesús Merino | .... | gaffer | |
| Gustavo Muriano | .... | electrician | |
| Alexander Reid | .... | first assistant camera (as Alex Reid) | |
| J.P. Ridgeway | .... | key grip | |
Casting Department | |||
| Ted Warren | .... | casting associate | |
Costume and Wardrobe Department | |||
| Sally Lines | .... | wardrobe assistant | |
| Una Nicholson | .... | wardrobe | |
Music Department | |||
| Dan Jones | .... | conductor | |
| Elizabeth Purnell | .... | orchestrator | |
Transportation Department | |||
| Dennis McCleod | .... | camera car driver | |
Other crew | |||
| Mar Espana | .... | production coordinator | |
| Juan Carlos Merino | .... | location scout | |
| Robert Morgan | .... | production assistant | |
| Tiziana Parisi | .... | production coordinator | |
| Joe Shrapnel | .... | screenplay by | |
| Heather Storr | .... | continuity | |
Thanks | |||
| Elmore Leonard | .... | thanks | |
| Albert Rasch | .... | in memory of | |
| Tim Roosevear | .... | thanks | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Short section | IMDb UK section |
I also watched this film along with the other Oscar nominated shorts. I was really excited to see that the screenplay was from an Elmore Leonard story. I have not read much of his western books, but if this was a glimpse into that world I will definitely reading some of those books.
The short was a tad bit long for a "short film". Sometimes shorts are so long you feel like you got cheated out a a full length feature. Other times shorts are so brief that you feel cheated out of having some closure with the story. I think this film road the line between too long and just right. There are moments that I really did want some more back story.
Overall I would say this is my second favorite of the Oscar shorts.
By the way I guess some readers/viewers should know that shorts are not usually MPAA rated so you should always assume you might see something "r-rated". In this movie you do see a top half full frontal of a woman. So just breasts. That should not be a big deal, but I guess it is for some. I will say that is is tastefully done and not gratuitous.
If you get a chance definitely catch this short.