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Directed by | |||
| Matt Aselton | |||
Writing credits | ||
| Adam Nagata | (written by) & | |
| Matt Aselton | (written by) | |
Produced by | |||
| Paul Dano | .... | executive producer | |
| John Duffin | .... | line producer: Los Angeles | |
| Scott Ferguson | .... | executive producer | |
| Mindy Goldberg | .... | producer | |
| Jeff Preiss | .... | executive producer | |
| Charles Pugliese | .... | co-producer | |
| Jerry Soloman | .... | executive producer (as Jerry Solomon) | |
| Christine Vachon | .... | producer | |
| John Wells | .... | executive producer | |
Original Music by | |||
| Roddy Bottum | |||
Cinematography by | |||
| Peter Donahue | (director of photography) | ||
Film Editing by | |||
| Beatrice Sisul | |||
Casting by | |||
| Mark Bennett | |||
Production Design by | |||
| Rick Butler | |||
Art Direction by | |||
| Leo Holder | |||
Set Decoration by | |||
| Mila Khalevich | |||
Costume Design by | |||
| Paola Weintraub | (as Paola Ruby Weintraub) | ||
Makeup Department | |||
| Jorjee Douglas | .... | assistant makeup artist (as Jorjee Douglass) | |
| Thom Gonzales | .... | head hair stylist | |
| Sherri Berman Laurence | .... | head makeup artist | |
| Claus Lulla | .... | head makeup artist | |
| Claudia Orozco | .... | makeup artist: Los Angeles (as Claudia Britt) | |
| Anita Roganovic | .... | assistant hair stylist (as Anita Lausevic) | |
| Valerie Gladstone-Appel | .... | assistant hair stylist (uncredited) | |
| Michelle Kearns | .... | makeup artist (uncredited) | |
| Sarit Klein | .... | makeup artist (uncredited) | |
Production Management | |||
| Luca Borghese | .... | post-production supervisor | |
| Nikki Bottolene | .... | assistant production supervisor: Los Angeles | |
| Scott Ferguson | .... | unit production manager | |
| Thomas J. Whelan | .... | assistant unit production manager | |
Second Unit Director or Assistant Director | |||
| Arianne Apicelli | .... | second second assistant director | |
| Chris DeAngelis | .... | key second assistant director (as Christopher J. DeAngelis) | |
| Tudor Jones | .... | first assistant director | |
Art Department | |||
| John T. Bobick | .... | key construction grip | |
| Chris Cannon | .... | gang boss: Los Angeles | |
| Henry Cespedes | .... | set dresser | |
| Pete Dancy | .... | property master (as Peter Dancy) | |
| Barbara A. Kastner | .... | set dresser (as Barbara Kastner) | |
| John Knoop | .... | set dresser | |
| Jen Lee | .... | art department coordinator: Los Angeles | |
| A.R. Brook Lynn | .... | art department coordinator (as Alex Brook Lynn) | |
| Noel McCarthy | .... | visual consultant: Los Angeles | |
| Melissa B. Miller | .... | art department coordinator | |
| Wayne Scott Miller | .... | on-set dresser (as Wayne Miller) | |
| Lyvan A. Munlyn | .... | camera scenic artist (as Lyvan Munlyn) | |
| Lyvan A. Munlyn | .... | charge scenic artist (as Lyvan Munlyn) | |
| Francis Panuccio | .... | key construction grip | |
| Kathi Prate | .... | set dresser | |
| Neolysa Ramos | .... | industrial scenic artist (as Neolysia Ramos) | |
| Kevin Roach | .... | construction coordinator | |
| Jeffrey Rollins | .... | assistant property master (as Jeff Rollins) | |
| Jim Sten | .... | leadman | |
| Susan Tatom | .... | assistant property master | |
| Gary Wattson | .... | leadman | |
| Williamina Ellis | .... | art department production assistant (uncredited) | |
Sound Department | |||
| David Boulton | .... | adr engineer | |
| Patricia Brolsma | .... | boom operator | |
| Crew Chamberlain | .... | sound mixer: Los Angeles | |
| Rachel Chancey | .... | sound effects editor | |
| Ryan Collison | .... | foley engineer | |
| Mik Cribben | .... | sound utility | |
| David Ellinwood | .... | supervising dialogue editor (as Dave Ellinwood) | |
| Brian Gallagher | .... | adr recordist | |
| Mike Howells | .... | adr recordist | |
| Bobby Johanson | .... | adr engineer | |
| Marydixie Kirkpatrick | .... | boom operator: Los Angeles | |
| Andrew Kris | .... | sound re-recording mixer (as Andy Kris) | |
| Eric McAllister | .... | assistant sound editor | |
| Jay Peck | .... | foley artist (as Jay Pack) | |
| Schavaria Reeves | .... | boom operator | |
| Billy Theriot | .... | adr mixer | |
| Eric Vierhaus | .... | dolby consultant | |
| Damian Volpe | .... | supervising sound editor | |
| Joe White | .... | sound mixer (as Joseph M. White Jr.) | |
| Matthew Haasch | .... | foley editor (uncredited) | |
Special Effects by | |||
| Edward Drohan IV | .... | special effects supervisor (as Edward A. Drohan IV) | |
Visual Effects by | |||
| Greg Anderson | .... | compositing supervisor: Ring of Fire | |
| Marvin Chua | .... | digital artist: Ring of Fire | |
| John Ciampa | .... | compositor: Ring of Fire | |
| Casey Conroy | .... | visual effects producer: Ring of Fire | |
| Shelly Dutcher | .... | compositor: Ring of Fire | |
| Brandy Handelman | .... | junior compositor | |
| Randy Little | .... | compositor: Ring of Fire | |
| John Myers | .... | visual effects executive producer: Ring of Fire | |
| Brian Shneider | .... | compositor: Ring of Fire | |
| Jerry Spivack | .... | visual effects supervisor: Ring of Fire | |
| Steve Tiseo | .... | visual effects coordinator: Ring of Fire | |
Stunts | |||
| Bob Colletti | .... | stunt double: Homeless Guy | |
| Blaise Corrigan | .... | stunt coordinator | |
| William Cote | .... | stunt double: Brian (as Will Cote) | |
Animation Department | |||
| Trevor Smith | .... | animator: title | |
Casting Department | |||
| Sara Conte | .... | extras casting: Central Casting | |
| Slaine Jenkins | .... | casting assistant | |
| Luis Sanchez-Cañete | .... | extras casting: Central Casting (as Luis Sanchez-Canete) | |
| David H. Kramer | .... | adr voice casting (uncredited) | |
Costume and Wardrobe Department | |||
| Sonja Cizmazia | .... | wardrobe supervisor | |
| Pamela Kezal | .... | key set costumer | |
| Meredith Markworth-Pollack | .... | assistant costume designer | |
| Casey Storm | .... | wardrobe stylist: Los Angeles | |
| Chrissy Stewart | .... | costume assistant (uncredited) | |
Editorial Department | |||
| Emery Anderson | .... | digital intermediate chief engineer | |
| Molle DeBartolo | .... | digital intermediate coordinator | |
| Mitchell Ferm | .... | digital intermediate producer | |
| Joe Gawler | .... | digital intermediate colorist | |
| Agnes Grandits | .... | assistant editor (as Agnes Challe-Grandits) | |
| Brooks Larsen | .... | additional assistant editor | |
| Jack Lewars | .... | digital intermediate assistant colorist | |
| Jack Lewars | .... | digital intermediate editor | |
| Chris MacKenzie | .... | digital intermediate opticals | |
| David Matusek | .... | assistant editor (as Dave Matusek) | |
| Tom Mayclim | .... | digital intermediate scanner and recorder | |
| Tim Mullen | .... | digital intermediate senior engineer | |
| Nick Paulozza | .... | digital intermediate scanner and recorder | |
| Crystal Pei | .... | colorist: dailies | |
| Joe Violante | .... | print dailies supervisor (as Joey Violante) | |
| John Potter | .... | mastering colorist (uncredited) | |
Music Department | |||
| Roddy Bottum | .... | music mixer | |
| Roddy Bottum | .... | music recordist | |
| Joe Rudge | .... | music supervisor | |
| Jamie Lowry | .... | music editor (uncredited) | |
Transportation Department | |||
| Johnny Batista | .... | driver: hair/makeup/wardrobe trailer | |
| Morgan Bennett | .... | driver intern | |
| Nick Careccia | .... | driver: honeywagon | |
| You-Sup Chang | .... | additional driver assistant | |
| Michael Colombo | .... | driver assistant | |
| Quincy Gow | .... | driver assistant | |
| Jason Grey | .... | driver assistant | |
| George Holtzer | .... | transportation captain | |
| James Kelly | .... | driver: electric truck | |
| Leonard Luizzi | .... | driver: grip truck (as Lenny Luizzi) | |
| Jacob Mathis | .... | driver assistant | |
| Ronnie Mendez | .... | driver: Moho, Los Angeles | |
| Darin J. Patterson | .... | driver assistant (as Darin Patterson) | |
| Alison Scowby | .... | driver assistant | |
| Laura Tomaselli | .... | driver intern | |
| Wayne Walker | .... | additional driver assistant | |
| Paul Weiner | .... | driver: electric truck | |
Other crew | |||
| Chad 'Frenchie' Alburtis | .... | production assistant: Los Angeles (as Chad Alburtis) | |
| Tara Averill | .... | representative: Epoch Films | |
| Tina Bianchini | .... | representative: Epoch Films | |
| Matt Brown | .... | adr loop group | |
| Christopher Calcagno | .... | assistant chef | |
| Blanca Camacho | .... | adr loop group | |
| Margaret Capossela | .... | production controller | |
| Alvaro Castillo | .... | chef | |
| Yee Yeo Chang | .... | assistant: Ms. Vachon | |
| Charlie Cocuzza | .... | representative: Epoch Films | |
| Bill Coelius | .... | adr loop group | |
| Nekia Daste | .... | set production assistant | |
| Monica Delgado | .... | first assistant accountant | |
| Kristyn DiPane | .... | dailies project manager | |
| Gjustina Dushku | .... | set production assistant | |
| Lily Ellis | .... | product placement | |
| Maura Fields | .... | representative: Epoch Films | |
| Casey Fletcher | .... | production assistant: Los Angeles | |
| R.M. Fretz | .... | representative: Epoch Films | |
| Doug Halbert | .... | representative: Epoch Films | |
| Melanie Hamlett | .... | craft service | |
| Bridget Hickey | .... | insurance agent: Taylor & Taylor Associates | |
| Stephanie Hodge | .... | representative: Epoch Films | |
| Diane Hounsell | .... | script supervisor | |
| Lou Howe | .... | assistant: Ms. Vachon | |
| Eric Jackson | .... | location manager: Los Angeles | |
| Jon M. Johnson | .... | parking coordinator (as John M. Johnson) | |
| Emily Kowalczyk | .... | assistant: Mr. Goldberg | |
| David Kramer | .... | adr loop group | |
| Harry Lapham | .... | set production assistant | |
| Joseph Lombardi | .... | production accountant | |
| Joe Lombardo | .... | production assistant: Los Angeles | |
| Casey Madigan | .... | key set production assistant | |
| Lindsey Magee | .... | assistant location manager | |
| Greg McDonald | .... | production assistant: Los Angeles | |
| Marie Morgan | .... | post-production accountant | |
| Megan Murphree | .... | representative: Epoch Films | |
| JR Myers | .... | location assistant (as J.R. Myers) | |
| Anne Nevin | .... | production coordinator | |
| Matt Olson | .... | production assistant: Los Angeles | |
| Joaquin Diego Prange | .... | location manager | |
| Drew Schofer | .... | location production assistant | |
| Drew Schofer | .... | unit production assistant | |
| Amanda Scott | .... | adr loop group | |
| Clint Scott | .... | assistant production coordinator | |
| Stephanie Shannon | .... | representative: Epoch Films | |
| Sarah Shriber | .... | production office assistant | |
| David Traver | .... | representative: Epoch Films | |
| Kim Tricardo | .... | representative: Epoch Films | |
| Mal Ward | .... | representative: Epoch Films | |
| Danielle Wilson | .... | craft service | |
| Chris Cloud | .... | location scout (uncredited) | |
| Scott Ferlisi | .... | location scout (uncredited) | |
| Casey Fletcher | .... | production assistant (uncredited) | |
| Duck Grossberg | .... | data manager (uncredited) | |
| Rich Koski | .... | production assistant (uncredited) | |
| Tim Stacker | .... | location scout (uncredited) | |
| Lauren Vanderschuur | .... | craft service (uncredited) | |
| Imran Yusufzai | .... | assistant accountant (uncredited) | |
| Louis Zuppardi | .... | location scout (uncredited) | |
Thanks | |||
| Warren Zavala | .... | special thanks | |
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| Saving Face | Peep World | I've Loved You So Long | Love in the Time of Cholera | The Best of Youth |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb USA section |
I'm surprised at the so many negative reviews that Matt Aselton's 'Gigantic' received, as I found it to be quite a charming, funny, absorbing and well-made little film. I suppose not everyone appreciates subtle storytelling and that much of 'Gigantic' is open to interpretation (for example the homeless man, whom I interpreted as Brian's alter-ego).
The quirky premise may appear a little awkward on the surface. I can see why some people interpret it as 'a cry for attention' but the film does not dwell on that. It's very story oriented and focuses on issues such as family relationships and growing up. The characters are quirky but easy to identify with. The sharp dialogues are wonderful and funny.
'Gigantic' is a well made film. The soundtrack and cinematography are a good fit. Soundtrack itself is worth a buy. The art direction is toned down. Aselton tones down the colour to give it a cold look as the warmth is expressed in the interactions of the characters. The lighting is used efficiently.
The cast has done a commendable job. Even though many have disliked Paul Dano's performance (most of them commenting that he wasn't quirky enough), I felt quite the contrary. He downplays the part very well. Zooey Deschanel is nothing short of excellent. Even though she has played similar characters before, her approach to playing Happy is very different. John Goodman, Ed Asner and Jane Alexander and Zack Galifianakis are great.
Aselton's debut is a fun and absorbing watch and it lingers in mind long after the end credits have rolled....though perhaps it's not for everyone given the negativity, but so what. For me it was worth the chance.