A mattress salesman finds his plan to adopt a Chinese baby augmented by the arrival of a young woman, who comes into his workplace, falls asleep on one of the beds, and starts to affect his life upon waking up.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
After spending the night together on the night of their college graduation Dexter and Em are shown each year on the same date to see where they are in their lives. They are sometimes together, sometimes not, on that day.
Henry Roth is a man afraid of commitment up until he meets the beautiful Lucy. They hit it off and Henry think he's finally found the girl of his dreams, until he discovers she has short-term memory loss and forgets him the very next day.
Do we ever get what we want? Brian sells mattresses in a warehouse store. His father and older brothers have material success; he wants a child. He's applied to adopt a baby from China. A man who appears homeless seems to be stalking Brian with violent intent. He meets Happy, the daughter of a rich, quirky customer. She doesn't stick to anything, but she and Brian hit it off, except for her vomiting when she learns about his adoption idea. He wants her to meet his family, and there's a call about the adoption. What will Happy do? Written by
He's been sweet his whole life, but he never had the family the other kids did. Everyone thought that we were his grandparents. He told his teacher once that his real parents died in a car crash and his grandparents took him on.
Well he was confused, I guess. I don't blame him. It wasn't disloyal, it was, he was just trying to make everything seem normal I suppose. But, nothing's normal.
You guys seem pretty normal.
We're not. You have a right to be worried and afraid.
I'm just afraid ...
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Incredible cast wasted in this tiresome indie comedy that wears its quirks like lead balloons. Pseudo clever dialog and over the top characters combine with heavy handed symbolism making this one a tough slog for even the most undiscriminating fan of independent film. Precious and pompous, it's one of the worst examples in recent memory of the kind of trite self important spew that exists in the fevered imaginations of hundreds of interchangeable film school grads and Wes Anderson wannabes. After too many of these you'll find yourself screaming back to the multiplex and begging for a Hollywood blockbuster to erase the memory.
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