A mattress salesman finds his plan to adopt a Chinese baby augmented by the arrival of a young woman, who comes into his workplace, falls asleep on one of the beds, and starts to affect his life upon waking up.
Aspiring rock musician Neal Downs manages a cereal bar. Stylish Miss Pussy Katz is the creator of radically-themed art clothing. When the cereal bar, brings in an offbeat crew of locals, ... See full summary »
In 1959, a young journalist ventures to Cuba to meet his idol, the legendary Ernest Hemingway. In the middle of a revolution, a friendship would unite two friends and help them find their literary voice.
Working in a Boston homeless shelter, Nick Flynn re-encounters his father, a con man and self-proclaimed poet. Sensing trouble in his own life, Nick wrestles with the notion of reaching out yet again to his dad.
Do we ever get what we want? Brian sells mattresses in a warehouse store. His father and older brothers have material success; he wants a child. He's applied to adopt a baby from China. A man who appears homeless seems to be stalking Brian with violent intent. He meets Happy, the daughter of a rich, quirky customer. She doesn't stick to anything, but she and Brian hit it off, except for her vomiting when she learns about his adoption idea. He wants her to meet his family, and there's a call about the adoption. What will Happy do? Written by
Refreshing for a first time director, Matt Aselton has managed to bring a new dimension to the acting repertoire of his leads, Zooey Deschanel, Paul Dano, and veteran, John Goodman.
Deschanel in particular shines brightly in Gigantic, as a privileged, underachieving heiress who is facing up to becoming a woman evidenced in the empathy her character, 'Happy', somehow manages to elicit.
Gigantic certainly plays against gender expectations, as Deschanel's love interest, Dano, looks to fix a situation in order to mend himself, indeed, this is a chick flick that should also appeal to guys; funny, rude, touching, violent, gentle, brutal, kindly, inconsiderate.
Once you overcome the gimmick of the unique premise mattress salesman who wants to adopt a Chinese baby this really becomes an enjoyable watch, peppered with cool, sharp dialog and seasoned with warm, elevated charm. It is a movie in which the viewer is invited to contemplate how inner turmoil can be overcome if one doesn't give up on what one wants.
Shot in 35mm, it is also a beautiful thing to behold, and with a soundtrack (scored by Roddy Bottum) that includes Animal Collective, there is much about Gigantic which stays with the viewer long after its conclusion not least the movie's Fight Club character: as Zach Galifianakis portrays a brutal representation of disconnection.
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