Valentino: The Last Emperor (2008) 6.8
A look at the life of legendary fashion designer Valentino. Director:Matt Tyrnauer |
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Valentino: The Last Emperor (2008) 6.8
A look at the life of legendary fashion designer Valentino. Director:Matt Tyrnauer |
|
| Watch Trailer 0Share... |
| Credited cast: | |||
| Valentino Garavani | ... |
Himself
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Giancarlo Giammetti | ... |
Himself
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| Rest of cast listed alphabetically: | |||
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Nati Abascal | ... |
Herself
(as Naty Abascal)
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| Giorgio Armani | ... |
Himself
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Jeannie Becker | ... |
Herself
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| Marisa Berenson | ... |
Herself
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| Matthew Broderick | ... |
Himself
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| Michael Caine | ... |
Himself
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| Joan Collins | ... |
Herself
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Alessandra Facchinetti | ... |
Herself
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| Dante Ferretti | ... |
Himself
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| Tom Ford | ... |
Himself
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| Anne Hathaway | ... |
Herself
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| Elizabeth Hurley | ... |
Herself
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| Jacqueline Kennedy | ... |
Herself
(archive footage)
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A story of friendship, a retrospective, and a look at haute couture as business: we watch Valentino Garavani (1932- ) and partner Giancarlo Giammetti from preparation for the 2006 Spring/Summer Collection in Paris to a July 2007 retrospective of Valentino's 45-year career, which included dressing Jacqueline Kennedy. The film documents a year of work, shows, business changes, and decisions. We follow a creation from sketch to runway: he's always in pursuit of beauty. We're in Paris, Rome, and Venice. He receives the French Legion of Honor medal; his acceptance speech brings tears. Reporters ask when he'll retire. Is the Roman retrospective his career's finale? Cue Puccini. Written by <jhailey@hotmail.com>
I really had a great time during the screening. More than a view of the back shop of Valentino's Haute Couture company, the film gives a very unique and interesting point of view of the relation between Valentino and his friend Giancarlo. This let us understand how the complex mix of their talent has let them build their empire. At the same time, the film is not just a panegyric portrait of Valentino, its tracking him even in his tantrums and incoherences. This leads to many humorous moments during which you can't know if Valentino is aware or not of the image he gives of himself. Finally the last aspect I have really liked is that with the retirement of Valentino a very specific way of comprehending "haute couture" is fading away. The film witnesses the interference of finance in fashion companies which is particularly interesting in the case of the Valentino Group.