Now out of prison but still disgraced by his peers, Gordon Gekko works his future son-in-law, an idealistic stock broker, when he sees an opportunity to take down a Wall Street enemy and rebuild his empire.
The final movie in Oliver Stone's Vietnam trilogy follows the true story of a Vietnamese village girl who survives a life of suffering and hardship during and after the Vietnam war. As a ... See full summary »
Hiep Thi Le,
Tommy Lee Jones,
Haing S. Ngor
A young and impatient stockbroker is willing to do anything to get to the top, including trading on illegal inside information taken through a ruthless and greedy corporate raider who takes the youth under his wing.
The story of the famous and influential 1960s rock band and its lead singer and composer, Jim Morrison, from his days as a UCLA film student in Los Angeles, to his untimely death in Paris, France at age 27 in 1971.
Oliver Stone's biographical take on the life of George W. Bush, one of the most controversial presidents in USA history, chronicling from his wild and carefree days in college, to his military service, to his governorship of Texas and role in the oil business, his 2000 candidacy for president, his first turbulent four years, and his 2004 re-election campaign. Written by
During the wrap party at a local bar, a fight broke out involving one of the crew members, and Josh Brolin and Jeffrey Wright were among those present who were arrested by the responding officers. All charges were dismissed. See more »
In the scene where George W. Bush and his father are walking on the Texas Rangers baseball field in 1990, W. mentions that it was a mistake to have traded Sammy Sosa. However, by the end of the 1990 season Sammy Sosa had hit only 23 career home runs and no one could have known at that point that he would go on to hit over 600 in his lifetime. See more »
How do you plan to change the school finance formula?
George W. Bush:
I for one will not stand for the subsidization of failure. How do you know if you measure up if you have a system that simply
George W. Bush:
suckles them through.
What about our failed schools? Do you think the state needs to take them over?
George W. Bush:
More government's not the answer. We must have the attitude that every child in America, regardless where raised can learn. Rarely is the question asked is their children learning.
See more »
At the very end of the credits, you see a Christian cross with a period. It morphs into the W-period logo of the movie. See more »
One word sums up how I felt while watching W: uncomfortable.
I went into this film expecting more of an absurdist comedy than a tragedy. The level of realism was far beyond what I expected. For the most part, the cast, makeup, and casting crew did such a good job with the characters that it was very easy to imagine that these were not actors on the screen but the actual people. Josh Brolin's characterization of W was certainly Oscar-worthy.
Even better than Brolin's part was Phedon Papamichael's photographic direction. The job of the Director of Photography is to bring the story to life through the creation of images to draw the attention of the viewer where the Director wants. Few films are as good of an example of this as W. Papamichael used the camera to force moral and emotional perspective in a way that I have rarely seen outside of the films of Stanley Kubrick. I've only seen the film once, viewing it as a complete work. I intend to watch it again to study the photography.
Overall, I thought the film was fair in its treatment of the actual people involved. The most ardent Bush supporters will not like it, but to still be that supportive of him in the final months of his second term, you either have to not be paying attention or be uncritical in all of your thought. While artistic license was taken throughout the film, the portrayal of all events and people, with the possible exception of Dick Cheney, were far more grounded in reality and recorded history than I expected.
The film made me uncomfortable on multiple levels, which is why it succeeds and deserves such a high rating. The portrayal of Bush's relationship with his parents, especially his father, forces the viewer to feel sorry for him. The overt religiosity that pervades the public service portion of his life must anger anyone who believes strongly in the separation of church and state. There are many moments when, with any other characters, the film should have generated much laughter. Only one moment in the film actually caused more than one person in the theater to laugh. I guess 4000+ dead soldiers drains the humor out of even the most hilarious gaffes.
I would recommend this film to anyone who wants to see a realistic portrayal of historical events. I wish Stone had waited until Bush was out of office to make it, though. While it captures the major events that were involved in building the Bush legacy, it ends far too early.
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