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The story of Harvey Milk, and his struggles as an American gay activist who fought for gay rights and became California's first openly gay elected official.
A look at the life of Alfred Kinsey (Neeson), a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
The true story of Elle editor Jean-Dominique Bauby who suffers a stroke and has to live with an almost totally paralyzed body; only his left eye isn't paralyzed.
English naturalist Charles Darwin struggles to find a balance between his revolutionary theories on evolution and the relationship with religious wife, whose faith contradicts his work.
A drama based on the true story of Melvin B. Tolson, a professor at Wiley College Texas. In 1935, he inspired students to form the school's first debate team, which went on to challenge Harvard in the national championship.
Oliver Stone's biographical take on the life of George W. Bush, one of the most controversial presidents in USA history, chronicling from his wild and carefree days in college, to his military service, to his governorship of Texas and role in the oil business, his 2000 candidacy for president, his first turbulent four years, and his 2004 re-election campaign. Written by
Anonymous
A scene in 1988 in George Bush Snr's Vice-Presidential office shows them discussing him becoming a "born again" Christian. When Karl is leaving, in the first shot he walks past W, who is holding the door, and is almost out of the office. Then in the next shot he is back by his chair and again walks past W and gives him a VCR. See more »
Quotes
Barbara Bush:
[about W. running for Governor of Texas]
The fact is you can't win.
George W. Bush:
Why do you say that?
Barbara Bush:
Because you're too much like me. You're loud, and you've got a short fuse. Now, Jeb is like your father. He thinks before he speaks.
See more »
Crazy Credits
At the very end of the credits, you see a Christian cross with a period. It morphs into the W-period logo of the movie. See more »
Oliver Stone's W. is an oddity. There's no other word for it. In attempting to provide psychological commentary on the presidency of George W. Bush, it forgets the simple cinematic basics of story, structure and character. The tone of the film is nearly non existent, leaving its admirable cast of actors on shaky ground without a leg to stand on.
Stone juxtaposes the rise of "Dubya" (played by Josh Brolin) with his decision to begin the current Iraq War. In displaying Bush's journey from frat boy to drunk to born again AA member to leader of the free world, Stone has enough material to create a wicked absurdist satire, or compelling political theater. However, Stone seems hell-bent on making a film that remains neutral toward the forty- third President, giving him the ability to say things like, "It will contain surprises for Bush supporters and his detractors."# Well, yes, I was surprised indeed. Surprised that the man who's made films as vibrant and lively as JFK and Natural Born Killers, as somber and emotional as Platoon or Born on the Fourth of July has rendered this film completely dull and lifeless.
Perhaps Stone isn't completely to blame. Stanley Weiser's script, bland and talky in the worst possible way, contains figures instead of characters, and when put into scenes these figure say exactly what should be shown in outlets other than dialog removing any hope for subtlety.
I do know this, the film's failure is certainly not the fault of the cast which includes actors as esteemed as Richard Dreyfuss and Ellen Burstyn. By and large (with the exception of Thandie Newton's dreadful aping of Condoleezza Rice) the cast excels at inhabiting the situation. This is especially true for Brolin who's performance is so complete and convincing that it overshadows the entire film and underlines the numerous flaws. Beyond physical inhabitation and imitation, Brolin's performance shows a deep understanding of Dubya as a man, I wish I could say the same about the film.
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W.- *½/****
Oliver Stone's W. is an oddity. There's no other word for it. In attempting to provide psychological commentary on the presidency of George W. Bush, it forgets the simple cinematic basics of story, structure and character. The tone of the film is nearly non existent, leaving its admirable cast of actors on shaky ground without a leg to stand on.
Stone juxtaposes the rise of "Dubya" (played by Josh Brolin) with his decision to begin the current Iraq War. In displaying Bush's journey from frat boy to drunk to born again AA member to leader of the free world, Stone has enough material to create a wicked absurdist satire, or compelling political theater. However, Stone seems hell-bent on making a film that remains neutral toward the forty- third President, giving him the ability to say things like, "It will contain surprises for Bush supporters and his detractors."# Well, yes, I was surprised indeed. Surprised that the man who's made films as vibrant and lively as JFK and Natural Born Killers, as somber and emotional as Platoon or Born on the Fourth of July has rendered this film completely dull and lifeless.
Perhaps Stone isn't completely to blame. Stanley Weiser's script, bland and talky in the worst possible way, contains figures instead of characters, and when put into scenes these figure say exactly what should be shown in outlets other than dialog removing any hope for subtlety.
I do know this, the film's failure is certainly not the fault of the cast which includes actors as esteemed as Richard Dreyfuss and Ellen Burstyn. By and large (with the exception of Thandie Newton's dreadful aping of Condoleezza Rice) the cast excels at inhabiting the situation. This is especially true for Brolin who's performance is so complete and convincing that it overshadows the entire film and underlines the numerous flaws. Beyond physical inhabitation and imitation, Brolin's performance shows a deep understanding of Dubya as a man, I wish I could say the same about the film.